Closing February

We wake to rain, the sound more reminiscent of March than April in Vermont, but not unheard of. So it begins: this back and forth marching to spring, freeze, thaw: put that on repeat.

My little cat sits at the glass door in the kitchen, staring out at the rain, dreaming of chickadees and grackles.

Likewise, my daughter gets a little better from her illness each day, the fever emptying from her. So it goes in this winter: this season when I’ve felt surrounded by so much unhappy news. Sad deaths, lost jobs, injuries. Against this, a fever looms almost welcome, as if a lesser, harmless inoculation.

Spring’s a distance away: there’s no arguing with that. But the season change looms inevitably now. Outside my library door, deep in the pebbles against the southern wall, the first green shoots press upward, tentative, persistent, resilient.

 

IMG_7250

February: Light

Entirely out of keeping with the season, I’m thinking of spring. Save for houseplants, the Vermont world is entirely without a single leaf of tender green leaf — in utter hibernation — but the days are lengthening.

Groundhog’s Day holds no suspense here — that garden-eater always turns around and burrows back down for more winter. In the meantime, a spring haiku.

The spring breeze.
Being pulled by a cow
To the Zenkoji temple.

— Issa

59726909138__BF33AA8B-25A4-4628-93FC-66383F62A886

Cat Joy

When I returned from a school board meeting last night, so tired I might actually have been sleepwalking, the kids had taken the trusty yardstick, swept out the toy mice from under the couch, and the cats were ecstatic. Our house was reveling in utter joy.

I write this, because I admire those cats so much, epitomizing the be here now bliss of existence. But, bless them, these are cats.

After Vicki wrote in about the fires in Australia, my older daughter and I kept reading and reading about these fires. Our globe is literally in flames. Like just about everyone else on the planet, I’m lacking an answer, a real solution. I know just how privileged I am to live in what often seems like the Shire of Vermont, this particularly sweet spot.

When I was a young woman in the 1980s and 90s, the sentiment I was given was pretty much an all for yourself one. But for my kids, that’s not even an option. I didn’t think adults were particularly bright when I was young, but they were just adults, neither more nor less. Now, listening to my daughters and their friends, I know they’re thinking what a mess you’ve left us.

If only there was a yardstick solution to this…

Maybe learning how to be out in the big world isn’t the epic journey everyone thinks it is. Maybe that’s actually the easy part. The hard part is what’s right in front of you. The hard part is learning how to hold the title to your very existence, to own not only property, but also your life.

Meghan Daum

IMG_6944.jpg

13-year-olds

Returning home just after five yesterday, darkness enveloped our house — deep, whole, profound. Through the windows, I saw my girls had turned on the strings of tiny white twinkling lights.

The winter solstice is weeks away, and three times I’ve driven through snowstorms. Wet snow, crashing from our roof to the back porch, frightens our quivering cats.

Meanwhile, in our house, life swirls on. Each of us goes our own way — to school and to work — separating and returning. At night, brushing our teeth together, we look in the mirror — three different heights, three different females. At 13, the younger daughter looks to her older sister as she always done — mimicking clothes, language, habit — yet different, too. Year 13 marks the chrysalis age, between childhood and womanhood.

This daughter tends her two beloved cats with silliness and seriousness — making them wait patiently for their meals and also carrying them like furry purring babies around the house. Watching her, I take note.

What good is the warmth of summer, without the cold of winter to give it sweetness.

John Steinbeck, Travels with Charley: In Search of America

IMG_4056

Our kitchen life….

Metaphors

The front of our house has two small glassed-in porches, one on the first floor and one on the second. Since the windows are single-paned, we closed them off for the winter, leaving them as darn cold storage.

Our last house reminded me of a clipper ship, especially under the stars at night, with its tall and windowed cupola. This house, instead, on a hill, reminds me a lighthouse, its windows a beacon we can see all the way down into town.

The cats are happy to have the doors open to other rooms, coffee and laptop a portable office.

Aristotle, on the other hand, saw poetry as having a positive value: “It is a great thing, indeed, to make proper use of the poetic forms, . . . But the greatest thing by far is to be a master of metaphor” (Poetics 1459a); “ordinary words convey only what we know already; it is from metaphor that we can best get hold of something fresh.” (Rhetoric 1410b)

— George Lakoff, from Metaphors We Live By

IMG_1776

Acer on chair courtesy of Ben Hewitt