The awful, the reprieve, Maurice Sendak’s chicken soup with rice.

Snow falls early on this Thanksgiving morning. The nurse wakes me for meds and vitals. I am eighty-four miles from home. My window looks out into a courtyard with a fan of three white birches. In a wind, their papery bark ripples in the breeze. Nearby, an office window glows where someone is already working.

I am here for a haul. My daughter brought me the striped blue and green quilt from my bed, the worn hand-me-down that reminds of home.

Monday, the pain and awfulness returned. My daughters drove me not to the local ER this time, but down the interstate, the two of them in front, me in the back with a pillow staring out the window, to Dartmouth-Hitchcock. At the ER, they took blood, asked my story. Someone in the waiting room, who must have been a frequent flier, had been waiting for four hours was threatening to leave to get something to eat. The nurse said she couldn’t go. I was sent out, waited less than four minutes, and was taken in for antibiotics and saline and pain meds, another CT scan.

An MD, a second. An oncologist who explains slowly that the lymphoma I have often responds well to treatment, so reassuring. This raging infection. I am taken upstairs. My daughters, folding with exhaustion — it is now late again — head back up the interstate. Shortly afterwards, the oncologist returns and bends down to look directly at me, eye level. I know this position means bad news again. In the three-week span of CT to CT, the cancer has grown and possibly eaten into my bowel. Surgeons will be in shortly to speak with me about emergency surgery to remove a section of bowel. My thoughts immediately surge from Thank god, I may be alive in May with my family and see blue squill bloom to Are you fucking kidding me? It’s the middle of the night.

Middle of the night or no, the surgery team comes in and out, talking, talking. The lymphoma renders the CT scan unclear. Because my mind works this way, I size up the head surgeon: she’s long experienced in trauma and general surgery. Her fellow tells me he’s been working with her for six years. She tells me so much, all the terrible — and these are devastating — things that could go wrong me for in the next few hours. In the end, I trust my life to her. It is the only course.

I call my brother. We call my daughters, who have not yet slept. My brother gets in his black Subaru. My youngest drives our red Subaru and drinks a quart of cold coffee, a more experienced driver than her sister after a cross-country trip this summer. Is the moon guiding them? I don’t know.

In the OR, a woman whose name I don’t know holds my hand as I instantly go under. When I wake, so confused, in an enormous dark room — it’s the still the pitch of night — I immediately lift my jonny and look at my abdomen, asking what happened? My flat abdomen has no huge bandage. The surgeon had gone in with a camera and decided what remains is sufficient, for now perhaps, forever perhaps, to change perhaps. My oldest showed me a photo she snapped of my family curled in the empty ICU waiting room, sweatshirt hoods over their heads. Let me write this: what a hard awful night, and how much worse it might have gone.

….. Then, that morning, in and out with the surgery team, with phlebotomists, nurses. The lymphoma oncology team arrives in a pack. The lead pulls out a chair, tells us to record, and begins talking. He’s brilliant and confident without cockiness in his ability to cure me. He outlines that complications of infection and my bowel will keep me here for the first chemo run, deep into dark December. I decide to do exactly he tells me.

My family again leaves. My daughters refuel with fast-food chicken and sandwiches for their drive. I sleep and wake in a drenching fever, which creates a flurry among the nursing staff. They come in and out. Somewhere in the miasma, I really wake up and decide to pull myself together. I’m going to be here for month, and I need to quit feeling sorry for myself. A nurse tells me to eat some chicken soup with rice — remember Maurice Sendak? The soup is delicious. The fever breaks. I survive a ten p.m. MRI — a blind descent into a cave where dwarfs bang around me while Freddie Mercury sings.

This is a long way of writing a fragment of how I arrived here, medical center land, not a Thanksgiving morning where the kitchen is savory with sage dressing, and I’m out in my boots, admiring the first downy snowfall in my garden. Living is a nonstop risk, the whole she-bang, but we don’t always tread such a thin pinnacle. By chance, as I packed my laptop and socks for the ER trip, I stuffed in the Vermont Almanac that had arrived in that day’s mail. Later, when I had decided to embrace where I am now, I opened the envelope. This volume, as the others, is exquisitely beautiful. A phlebotomist arrived to take blood. She admired the cover — especially the view of the mountains through the window — and she told me a little of her story from rural Vermont to Lebanon, New Hampshire.

In editor Dave Mance’s opening, he writes, now post-election, how we might return to embracing the complexity, rugged and elegant, of the natural world and our very lives. (Gracious, when I’m able to untangle myself from cords, I’ll update with his poetic words from the book just out of reach on the windowsill.:)

Complexity is precisely where I am, enmeshing in this crazy mixed-up jumble of the medical system’s turbo drugs and powerful machinery, the stories of the people who labor here, a nurse training for her first half-marathon and another with three young sons, welcome news of a friend’s first grandchild, my own energetic and loving family.

All of you, too, on this Thanksgiving or perhaps just a plain old weekday morning — in our lives, how much we’ve chosen and so much we haven’t — gratitude for being alive in this world. For chicken soup with rice.

Cat justice, homestyle.

A friend stops by with a gift of a stunning orchid. My naughty cat, Acer, immediately jumps on the kitchen table, and I swat him away. He lies on the couch, glaring unhappily as we talk. Gorgeous flower bouquets have come my way, been lavishly admired, then sent home with others to enjoy without cat destruction.

But the orchid is so stunningly beautiful I want to keep her. Later, I set this flower on the bathroom counter and shut the door. Acer is still sulking on the couch, paws stretched out before him, the epitome of cat depression, really hamming it up for my youngest daughter who mollifies him with kitty treats.

The cat and I: we are at odds. This morning, I let him into the bathroom. He sits on the counter, hungry to the core of his being to shred these velvety petals. In this new cancer world, my constant checking of time — my furious need to get stuff done — has instantly vanished. The mock orange outside the window sways in the breeze. Mid-November, this gloom is as much brightness as we’re going to get today.

Acer has no need to explain his position to me; his furriness is tense with desire. I pet his head and explain my infatuation with the orchid, which doubtlessly Acer dismisses as a weak case. And the orchid herself? Surely she wants to keep her own amazing life, both svelte and voluptuous.

The outcome is nearly certain. I’ll have to let her go. But for now, the house is warming with the wood stove, daughter sleeping upstairs, and — accusations of cat injustice be damned — just the right amount of ethical challenge and beauty, for ten minutes or so.

Cancer, Election.

In 2014, my sister was diagnosed with cancer (now healthily in remission), and I read The Emperor of All Maladies: a biography of cancer by Siddhartha Mukherjee. My marriage also fell apart that year, and I remember reading this fat library book in my car at school pickups, waiting for a job interview in Burlington, on benches waiting for court appearances. It’s a hefty book, with a lot of reading hours.

Three weeks into this flipped-upside-down world, my former life is already receding. I’ve been so surprised and grateful for the effusion of calls and emails, friends stopping by with food and gifts and simply to talk, to share news of their own world and listen to mine. I realize now how carelessly I had ebbed into a cynical place these last few months while the cancer was growing in me, weakening me.

Sure, it’s true that people sometimes give into the uglier strands of lying and cattiness and gossip, of insecurity and strange ways of playing people against each other — and sometimes engage in far worse things. In my Shire of Vermont, I see my decent state struggling with what’s playing out in national politics — and the looming threats. Which made me think, again, as I lay in bed listening to the rain this morning, how our individual lives reflect the greater society. Don’t waste your few days on junk and despair, those adolescent tricks. And thank you, all, for surrounding me with such light.

From Philip Larkin:

What are days for?

Days are where we live.   

They come, they wake us   

Time and time over.

They are to be happy in:   

Where can we live but days?

Lantern Light.

My immense thanks for so much kindness and light sent my way this week…. It’s meant the world to me.

When my daughters were in a sweet little Waldorf nursery school, around this time every year the children made lanterns from canning jars covered with colored tissue paper. The whole school gathered for a vegetable stone soup and then set out for a walk with the lanterns. This is rural Vermont, remember; the nursery school was surrounded by forest and the deep night, and parents carried lighters and matches to relight anyone’s lantern that was snuffed out. In the dark, stumbling a bit, we walked, singing.

Martinmas. I was tugged right into the Waldorf world with its heady folklore and mummers plays, the stories within stories, my natural bent of mind.

A week into the cancer world, veritable novice, walking on November 11, I was thinking of all these powerful layers — Martinmas and Armistice Day and Veterans Day (after WWII and the Korean War) — and the hidden interconnectedness of so many things, String Theory, the magical enchantment of books with stories that seem disconnected and then — whoosh! — are magically revealed at the end.

Maybe this is only my own way of thinking of things, but this uninvited and unwanted cancer that has now joined my body and story could hardly be random. Here I am, on the edge of a journey of indeterminate length, still looking to put these hard pieces together.

And for November, with her lovely gloaming light, a few lines from Adrienne Rich:

… You’re what the autumn knew would happen
after the last collapse
of primary color
once the last absolutes were torn to pieces
you could begin

How you broke open, what sheathed you
until this moment…

The world, keep on keeping on….

The young barista in my coffee shop muses with me about the small pleasures of November: the summer slam of tourists quieted, the sudden simplicity of stillness. On a balmy afternoon, I head out in search of places where I’ve loved and been loved, the sunny afternoon so warm the crickets have struck up their chorus again.

A few days later, I’m in the diner, eating breakfast with a friend whose mind works along my hard-bitten lines. Our booth’s window looks down into the river where the patched-up cement walls have fallen flat. We are in absolute agreement that this shifting world of thoughts and opinions, all the junk fed by media and social media, come to naught. It’s action that shifts the world. And the world, despite our fears, will keep on keeping on.

I put poetry as action, too. Here’s a few lines from the incomparable Mary Ruefle’s “Glory.”

... I met a psychic who told me my position in the universe
but could not find the candy she hid from her grandkids.
The ordinary fear of losing one’s mind. You rinse the sink,
walk out into the October sunshine, and look for it
by beginning to think. That’s when I saw the autumn aster,
the sedum blooming in a purple field. The psychic said
I must see the word glory emblazoned on my chest. Secretly
I was hoping for a better word. I would have chosen for myself
an ordinary one like orchid or paw...

Pre-Election, Pause.

In the late afternoon, I walk down to the post office and empty my box of election flyers, adding to the recycling boxes in the lobby. The lobby’s a shabby space, with a metal Christmas tree strung with pink lights for Breast Cancer Awareness month and a box on a counter for respectful flag disposal. A few summers ago, the postmaster planted a garden in the strip of soil outside the squat brick building. In a weird kind of way, this seems like a micro collage of this country. That midmorning, when I arrived at the town clerk’s office, she’d received FBI warnings about election security, so many concerns about the grid going down.

The season’s first snow layers in among the remains of frost-killed summer. The light now is late fall — unfiltered by leaves, without the warmth of summer, but clear, penetrating. One of the autumn’s beauties are lingering twilights, the slow unfolding of the day into night.

Recovering, bit by bit, from a summer mold toxicity, I walk home the longer way, through the neighborhoods where kids have decorated houses with orange lights and ghosts on broomsticks. I pass the Legion and the gun store, and then walk along the river for a bit. I stop to talk with a dog walker about the declination of light. Do people do this in other parts of the world? Surely they must. We muse about the summer and fall — like a rare gift this season has been, suffused with growth and sunlight, as if in defiance of the human world.

And a relevant line from Ben Shattuck’s The History of Sound: “History is personal, even when it isn’t.”