The Foul-Mouthed

January 22, 2018 / Brett Ann Stanciu / 2 Comments

We talk a lot in our house. I mean, a lot. The mornings I work at home, I always close my laptop when my oldest comes downstairs, generally holding a cat. This daughter works late and stays up later, while I’m awake hours before January’s dawn appears. Even if only for a few minutes — often while I making more coffee or washing a few dishes — we talk, and much of it is simply my own curiosity. What’s up with you? What’s happening in your world?

What she gets from me is possibly not much, but one thing both daughters seem to be absorbing like osmosis is the interconnectedness of everything. This leads to that which prompts this… and so on. That the past is alive and real, and the future holds a myriad of possibilities.

So when my teenager mentions Trump’s denunciation of shithole countries and asked if I could believe it, part of me said God, yes, I believe it, while another part of me is perpetually shocked by such a fatuous fool as commander-in-chief.

I forwarded her this Chris Hedges’s essay my father sent me, in hopes of widening the thinness of a public high school education. Hedges begins, “I covered the war in El Salvador for five years. It was a peasant uprising by the dispossessed against the 14 ruling families and the handful of American corporations that ran El Salvador as if it was a plantation.”

Sunday, when we’re lucky to live in Vermont.

Ladybug Table

January 20, 2018 / Brett Ann Stanciu / 2 Comments

My friend emails she’s left a stack of books in my barn on the ladybug table. The ladybug table! The children’s table my parents bought as young parents, when my sister was a toddler, long ago, when the US military was napalming Vietnam.

My friend remembers this table when her son and my daughter spent innumerable hours shaping playdough on its red-and-black surface, on breaks from tricycling around my kitchen and living room. Yes, we still have the ladybug table, worn hard from child use which might, perhaps, be the point of all this.

From one of those books…..

The cares of others can seem ridiculously small (banjo music!). And yet, maybe the small speaks to something larger. A wood beam, a hand-sewn dress, a carefully brewed coffee — each one a response to life’s uncertainty. An attempt to control what can be controlled, to make one thing as well as possible, and there’s something beautiful in that. The beauty of a slow-braised pork shoulder.

— Elisha Cooper, Falling: a Daughter, a Father, and a Journey Back

Here.

January 19, 2018 / Brett Ann Stanciu / Leave a comment

Here’s where I am, on this day buried deep in gray-and-white January: I’m in a tiny Vermont village — general store with a beer cooler and sandwiches made-to-order, post office open for its afternoon hours, volunteer fire department. It’s early afternoon, and I’m walking back to my library with an armful of mail, and no one’s around, the store empty of customers, no passing cars or granite trucks on Route 14 — no one but me and my library mail and a man on the steps of an unused church. He’s pressing his phone, and he doesn’t look at me.

I stand there, on the pavement, looking at him. I know who he is, as I’m sure he knows who I am, although we’ve never exchanged a single word between us. I know he’s been at my desk, illicitly after hours in the library, sitting with his hands on the worn wood, surrounded by stacks of books, my untidy bins of yarn and crochet hooks, the hastily piled colored scraps of paper. All around are small offerings from children — tiny notes to Miss Brett, a sketch of a piglet, an orange origami box holding a clay snowman. Miniature paper airplanes folded by 7-year-old hands.

On this January day, I keep thinking back to that sunny October afternoon, the leaves turning gold and russet. Had I known that man would be dead within months, I might have stood there a little longer and then walked over to him, said, Come in through the door and not the window.

As a writer, I’ve spent years training myself to look for junctures, to know actions matter far more than thoughts — and yet, that afternoon, I kept walking. Maybe I guessed I had all the time in the world, maybe I judged some things can slide without action and the world will work its own wonders. Maybe it was simply that the day was a fine autumn one, and I believed I had things to do.

I turned left, up the dirt road, and carried on with whatever I was thinking, and that particular day passed in the great finality of the past.

I believe that there is one story in the world, and only one. . . . Humans are caught—in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too—in a net of good and evil… There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill?

— John Steinbeck, East of Eden

Johnson, Vermont

Winter’s Grass-Is-Greener

January 17, 2018 / Brett Ann Stanciu / Leave a comment

Driving down the Woodbury gulf in the twilight, staring at the road — snow-crusted, ice packed, with two curving black lines of asphalt worn through winter — I remember all those years of driving mountainous Route 9 in southern Vermont and wonder, What if I’d stayed in Brattleboro? What if my kids went to school there? I made soup with my publisher and used the Brooks Library with their enormous windows? What if I lived on Elliot Street again?

That’s January thinking.

My gaze lifts from the treacherous road to the gray and white mountains folding around that narrow valley, with the waterfalls and the rocky cliffs high overhead.

Trouble follows you anywhere. I know that. The last time I was in Brattleboro, itinerancy surprised me, the darker threads of our society thickening. I was glad I hadn’t stayed, that I had swapped a larger town for a smaller one. In the end maybe, it’s all Vermont roads, with those mysteriously beautiful mountains always greater than us, rising silently.

The winter wind flings pebbles
at the temple bell

— Buson

Store Window Art, Hardwick, Vermont

Mid-Jan

January 14, 2018 / Brett Ann Stanciu / 3 Comments

Like a long-ago friend, the cold has settled in. Those summer nights sleeping with the windows wide open, listening to the peepers’ throaty hum, might as well be a memory from a long ago life.

With gusto, the girls ski, their appetites enormous, their cheeks red as cardinal feathers.

Halfway through January, we’re meshed in winter’s routine, with so much of the season ahead. In breaks of thaw, memories of spring will tease us again, reminding us of loosening earth, the rustle of rain on leaves. Robins singing their love songs.

It seems to me that the desire to make art produces an ongoing experience of longing, a restlessness sometimes, but not inevitably, played out romantically, or sexually. Always there seems something ahead, the next poem or story, visible, at least, apprehensible, but unreachable.

— Louise Glück

Kid note. Sunday afternoon.

Early Hours

January 13, 2018 / Brett Ann Stanciu / Leave a comment

In the night, rain thickens to snow. Wind has washed away yesterday’s balmy temperatures.

The cats and I are awake hours before the girls, myself with that eternally running list and dialogue, the cats warm-pawed and hungry. Satiated with their breakfast, one lies on my legs, the other on my feet, while I read The Perfect Nanny, a book brutal and beautiful.

I parse Slimani’s sentences: How has she written this? How has she put this together? and wonder, Who of my library patrons would read this?

Ice pelts the windows. Our house is blessedly warm, the kitchen filled with light.

She feels alone with the children. Children don’t care about the contours of our world. They can guess at its harshness, its darkness, but they don’t want to know anything more.

— Leila Slimani, The Perfect Nanny

Mist and Clouds

Stony Soil Vermont

Vermont Writing

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