Closing February

We wake to rain, the sound more reminiscent of March than April in Vermont, but not unheard of. So it begins: this back and forth marching to spring, freeze, thaw: put that on repeat.

My little cat sits at the glass door in the kitchen, staring out at the rain, dreaming of chickadees and grackles.

Likewise, my daughter gets a little better from her illness each day, the fever emptying from her. So it goes in this winter: this season when I’ve felt surrounded by so much unhappy news. Sad deaths, lost jobs, injuries. Against this, a fever looms almost welcome, as if a lesser, harmless inoculation.

Spring’s a distance away: there’s no arguing with that. But the season change looms inevitably now. Outside my library door, deep in the pebbles against the southern wall, the first green shoots press upward, tentative, persistent, resilient.

 

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Best-Laid Plans

My daughter wakes with a fever, and so we leave her uncle’s house. No skiing on this sunny day. We head back that familiar way, through the White Mountains dazzling beneath fresh snow, the way we’ve traveled so many times, through so many years.

She’s sleeping and not sleeping, the roads nearly empty on this early Monday morning. I’ve switched the radio to Maine public radio, a steady stream of coronavirus news.

What she has is fever — miserable and simple. She’ll ache, sleep, and heal. As I drive, and the radio moves through the BBC broadcast, I remember myself as a teenager listening to Terry Gross while my father drove us home from the dentist’s office. At some undefined point, Terry Gross morphed from the most boring person in the universe to a woman who asked questions whose answers I wanted to know.

Maybe it’s nothing more than my sleeping teenager beside me not quite legally ready to drive yet — or maybe it’s just the driving time to think — but I feel utterly a parent. It’s not a cherished, dear moment (she really wanted to stay and ski) but our lives will move on. For these few hours of driving, we’re in an unbroken space. Nothing to do but keep on….

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Dribbles of Spring

Light returns in a rush in these clear sunny days, where the sun has warmth but the shadows are frigid. My daughter abandons her coat.

The days, once so slow with toddlers, spin along, dawn to evening to the night’s constellations, as if the final years of my youngest’s childhood have accelerated. Living on the edge of this small Vermont valley, the sky stretches out as much as it ever does in Vermont, unlike the endless horizons of the west. Come summer, this world will be dense with leaves and gardens, but for now, we’re living in layers of snow and sky, beginning that push-pull of warmth-cold heading toward spring.

What was difficult
was the travel, which,
on arrival, is forgotten.

Louise Glück
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Stories

My favorite opening line from a Ray Carver short story reads, “I’ve seen some things.” Winter weary, in mid-February: I’ve heard some things.

A colleague shares a nearly-unbelievable story of her marriage breakup, and I think, madness, madness. The story is so unreal, it’s plausible to me. Kierkegaard wrote, “Life can only be understood backwards; but it must be lived forwards.”

Every morning, every evening, the light lingers just a little longer, reminds us that spring is buried deep but not impossibly buried, that forwards is always the thrust of life.  Smartphones and the internet notwithstanding, the human story in many ways repeats its endless variations of the same simple story, over and over. We’re sentient beings on a changing planet. Snow trickles into tulips. Spring light inevitably emerges.

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Teenagers Recite Poems

Reluctantly, my daughter drags herself to a required high school poetry recitation.

While I chat with parents I haven’t seen in ages, I see her laughing with a boy she’s known since third grade.

Adolescents and poetry — how fun! One boy gives a comedic performance of “Stopping by Woods on a Snowy Evening,” beginning by asking the prompter, Where am I stopping now?

Another boy’s fingers tremble as he reads a particularly beautiful poem. A shy girl comes alive.

Afterwards, talking in the dark on the short drive home from the theater, my daughter tells me about each student, how they chose their two poems, and what their voice was like. My daughter’s second poem was Frost’s Two roads diverged in a narrow road, so familiar, such a beloved poem. Nervous for her first poem, Emily Dickinson, she gained her voice with the second, her eyes on the upper balcony, her voice clear, melodious, utterly her.

Tonight the bear
comes to the orchard and, balancing
on her hind legs, dances under the apple trees,
hanging onto their boughs,
dragging their branches down to earth.
From ‘The Bear” by Susan Mitchell
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Stories From the Past and Present

At just a little over zero degrees — the sun shining beautifully — my daughter and I went ice skating at the town’s rink. Set behind the elementary school, in an out-of-the-way field where burdock grow in the summer, the rink is the vision of one woman, coupled with 2″x6″s and a plastic liner and a lot of help.

I slipped off my mittens to pour a cup of hot chocolate. My hands nearly froze.

Small town life is generally cozy. We see each other’s kids grow up. By and large, we look out for each other. But every now and then, the underside, the other, deeper side of small town life appears. That same day, two different people appeared in my life from a long-ago part of my life. One was a woman. She and I exchanged stories. The other was a man who stole from me and my daughters.

My daughter with her red cheeks and I were on our way home. A friend leaned close to me and asked who was the stranger. I whispered to her, and then we left.

Long ago, I crossed out of any Pollyanna view of New England village life and into the realm of Sherwood Anderson and Ray Carver. I’m nearly finished Ensouling Language — a book that unexpectedly arrived in my post office box. I’d never heard of the author, Stephen Harrod Buhner, although the book from its opening lines writes in my familiar world, particularly of Lorca’s duende, of traveling in the wilderness, of baptism with dark waters.

As a woman writer, particularly, I often find myself pushing back against this cultural insistence to “make nice” and pretty things up. We live in an enchanting world, but the world’s waters are often dark, too, populated by saints and by thieves.

My daughter and I took our skates home, hung them up, and ate dinner.

A thousand thanks and more for this book.

Love is nice… but writing is too hard for love alone. Love is crucial for many reasons but it is not enough to get through [writing] the book. And whether you call it hate, or rage, or anger, or irritation, it is all some form of the same thing. You must have this hate, this rage to be a writer for this is one of the hardest professions on the planet and without rage you will never survive it. You will always run out of steam about page 60.

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Photo by Molly S.