Little Kid Yellow

Two summers back, I bought a gallon of paint for $10. At the local hardware store, the clerk had inadvertently mixed the wrong color and offered it to me. What a score, I thought. The color approximated the hue I once used to paint windows in a cupola — a color I christened Little Kid Yellow.

Not everyone in my household has been an enormous fan of painting our front steps bright yellow. Afterwards, even I wondered, Why do I do these things?

Likely, because of January. Because of November, too, and December, and February. Heck, March and April. By the end of May, tiny blue squill will sprinkle the greening-up grass.

But right now, color in northern Vermont is hard to come up. And the little bits of brightness — that’s gold.

The winter wind
flings pebbles
at the temple bell

— Buson

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Jan Thaw

Rain pours. My daughters return, full of excitement of the ocean, of staying in a city, of a friend, and — for my younger daughter — driving around with my brother, stepping into his cool life.

They have brought me a wooden box of green tea and a tin of red goji berry tea.

Time seems suspended in the endlessness of January, but it’s not: the rain will slick to a landscape of ice, the days are already lengthening.

Again, from poet Kim Stafford:

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Bright Lights, Sparkly City

This stepping out of the nest thing?

Wow, has the internet changed the world from my 20th-century youth. Via I-phone, my rural Vermont daughters rented their first solo AirBnb in Maine, to check out a college. My older daughter texts: It’s busy here. So much is happening.

Ocean, lights, dinner in a hippie place kind of like Vermont.

Meanwhile, the cats and I have holed up in my office, eating curry and drinking espresso. Plenty happening here, too.

I’m fed up to the ears with old men dreaming up wars for young men to die in.

— George McGovern

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Photo by Molly S.

Wild Honey, Tough Salt

Sunday afternoon found my family unexpectedly at a memorial service at the high school, standing in the cold and snow around a bonfire. That evening, my daughter sits  on the couch beside me, reading Robert Frost’s poem “Fire and Ice.” Why, she asks, is she required to memorize poems and recite them aloud?

Because poetry is who we are, both the beauty, the sheer ugliness at times, and the unexplained complexity of life. Here’s a poem by Kim Stafford:

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End of a Not-so-long-ago Terrible War

While cooking a dinner I’ve made for years — udon and broccoli and a spinach omelette — I listen to NPR and wonder, like any reasonable parent, what kind of world my daughters will live in when they’re my age.

At dinner, our conversation bends around to current events — the man in the White House — and then to history. I tell the girls I remember my father telling me about the end of World World II. Although they won’t know each other for years, he and my mother were eight-years-old. World War II seems such an infinity ago that my daughters are amazed. This puts that terrible war within not only their grandparents’ lifetimes, but their memories, too.

Really? my older daughter asks.

Really, I answer. I wasn’t there, but that’s what I hear.

I do not know what I may appear to the world; but to myself, I seem to have been only like a boy playing on the seashore, and diverting myself now and then in finding a smoother pebble or prettier shell than ordinary, while the great ocean of truth lay all undiscovered before me.

— Sir Isaac Newton

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Holiday Chat

Perhaps in no little part due to my hammered-up lower jaw, I let the holidays simply unroll (albeit with some effort before).

Here’s a scruffy shot of my brother cooking Christmas dinner, while I shiver, and we talk about Marx’s assertion that people make their own history but not in self-selected circumstances, family camping trips and the collapse of the American Empire.

Afterwards, he hung up his beer cans on the line with clothespins. That’s some quality family time.

Winter solitude —
in a world of one color
the sound of wind.

— Basho

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