Teenagers Recite Poems

Reluctantly, my daughter drags herself to a required high school poetry recitation.

While I chat with parents I haven’t seen in ages, I see her laughing with a boy she’s known since third grade.

Adolescents and poetry — how fun! One boy gives a comedic performance of “Stopping by Woods on a Snowy Evening,” beginning by asking the prompter, Where am I stopping now?

Another boy’s fingers tremble as he reads a particularly beautiful poem. A shy girl comes alive.

Afterwards, talking in the dark on the short drive home from the theater, my daughter tells me about each student, how they chose their two poems, and what their voice was like. My daughter’s second poem was Frost’s Two roads diverged in a narrow road, so familiar, such a beloved poem. Nervous for her first poem, Emily Dickinson, she gained her voice with the second, her eyes on the upper balcony, her voice clear, melodious, utterly her.

Tonight the bear
comes to the orchard and, balancing
on her hind legs, dances under the apple trees,
hanging onto their boughs,
dragging their branches down to earth.
From ‘The Bear” by Susan Mitchell
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Stories From the Past and Present

At just a little over zero degrees — the sun shining beautifully — my daughter and I went ice skating at the town’s rink. Set behind the elementary school, in an out-of-the-way field where burdock grow in the summer, the rink is the vision of one woman, coupled with 2″x6″s and a plastic liner and a lot of help.

I slipped off my mittens to pour a cup of hot chocolate. My hands nearly froze.

Small town life is generally cozy. We see each other’s kids grow up. By and large, we look out for each other. But every now and then, the underside, the other, deeper side of small town life appears. That same day, two different people appeared in my life from a long-ago part of my life. One was a woman. She and I exchanged stories. The other was a man who stole from me and my daughters.

My daughter with her red cheeks and I were on our way home. A friend leaned close to me and asked who was the stranger. I whispered to her, and then we left.

Long ago, I crossed out of any Pollyanna view of New England village life and into the realm of Sherwood Anderson and Ray Carver. I’m nearly finished Ensouling Language — a book that unexpectedly arrived in my post office box. I’d never heard of the author, Stephen Harrod Buhner, although the book from its opening lines writes in my familiar world, particularly of Lorca’s duende, of traveling in the wilderness, of baptism with dark waters.

As a woman writer, particularly, I often find myself pushing back against this cultural insistence to “make nice” and pretty things up. We live in an enchanting world, but the world’s waters are often dark, too, populated by saints and by thieves.

My daughter and I took our skates home, hung them up, and ate dinner.

A thousand thanks and more for this book.

Love is nice… but writing is too hard for love alone. Love is crucial for many reasons but it is not enough to get through [writing] the book. And whether you call it hate, or rage, or anger, or irritation, it is all some form of the same thing. You must have this hate, this rage to be a writer for this is one of the hardest professions on the planet and without rage you will never survive it. You will always run out of steam about page 60.

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Photo by Molly S.

Little Gummy Bears

Dirty, grubby, road-salt-stained: that’s my midwinter boots.

Walking down Montpelier’s Main Street, on a whim I stop into Delish, the candy store. Not so long ago, my younger daughter eyed their door each time we walked by. Yesterday afternoon, on my way to meet someone for an interview at Capitol Grounds, I impulsively walked in, bought a small white paper bag of chocolate-covered gummy bears, and slid it in my backpack to take home to her.

I’ve been mothering — a mother — for twenty-one years now. Not a single day — and hardly an hour, it seems — has passed when I haven’t been actively or mentally engaged in parenting.

Now, my older daughter is all grown up, busily writing her own narrative about work and college and a complex network of friends. In our house, it feels like all of us are on precipices — of turning 21, of adolescence heading toward young adulthood, and myself. Even the cats are keeping busy. Midwinter? Oh yes.

Happy final day of January, 2020.

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Duo Residence

Ooooo, midwinter.

After work, while my daughter memorizes French for an exam, I head out for a walk. A slight snow is falling, just a few lazy flakes as if nothing much is going to happen, just that little bit of snow. It’s my most very favorite snow, just lovely, and in the cone of streetlight I have that enchanting Narnia feeling — as if it’s just me and the lamppost and that snow, and maybe the mysterious White Witch might silently appear. In that twirling-down-slowly snow, Turkish delight might still be an untasted promise in my life, rather than the too-sweet candy I remember.

That’s it, from my end of the world. I’ve been “dividing my time” between desk and couch, finishing up a manuscript. When I submit it Friday, I’m planning to ski out the back door — snow willing — and paint my daughter’s room.

Then, on to the next month.

But land is land, and it’s safer than the stocks and bonds of Wall Street swindlers.

Eugene O’Neill, Long Day’s Journey into Night


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Winter Chimes

Early evening, I pull on my winter coat and hat and walk down the hill and through the neighborhood. Snow falls so heavily my eyes blink as snowflakes accumulate on my lashes.

I walk from streetlight to streetlight, house lights muted through curtains of falling white. In one dark road bend, I hear a man’s smoker-raspy cough: that’s all for the sound of humanity. In those side streets, not even a car or a pickup with a plow passes me.

The swirling storm knocks wind chimes. Likely, the stillness brings those sounds to me, their tiny chimes usually muted beneath the humdrumness of folks going about their daily lives. But on this walk, it’s just snow and the variation of darkness and streetlight and the jangling chimes like an invisible rope tugging me along. Not even the dog walkers are out.

The best way out is always through.

Robert Frost

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Poetry, Philosophy, Piles of Snow

Snow falls all night.

In the darkness, I lie awake thinking about a line from Karl Marx; “Men make their own history, but they do not make it as they please; they do not make it under self-selected circumstances.” The line figures predominantly in the book I’m writing — the initial draft nearly finished. More than that, the line is one of the main questions of my life.

In our dark house, the cat and I stand at the back glass door, watching the snow drift down in the cone of the porch light. Upstairs, one daughter reads, the other sleeps. For a little while, the cat and I read on the couch. Just before I turn off the light and head back upstairs, I glance at the pile of index cards penned neatly in my younger daughter’s hand. For school, she has to choose a poem, memorize it, and recite it aloud. I lift the top card and read, Two roads diverged in a yellow wood….

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