A Sweeter Version of Macbeth’s Day to Day

On our back deck yesterday, my 19-year-old and I talk about the crickets, how their songs are lengthening and yet quieting at the same time, their strength slowly leaking away with summer.

The sunflowers are high in our garden.

This summer has been one of the daughters coming and going, and myself mostly staying put. The younger daughter’s suitcase is packed again, as she happily heads to Maine with friends. The older daughter has been working mixed-up nursing home shifts — most recently the graveyard hours. Her bags are packed, too, as she anticipates returning to college.

We’re busy, sure, but not that busy. In the midst of all this, we cook dinner together when we’re all home, and in these long dusky evenings, we go for walks.

Last night, we were in the town’s community gardens, taking photographs in the pink-leaved echinacea. I remembered that very first year I was a mother, and I kept trying to grab some stability — Oh, this is what being a mother is like. This is how our life will go. But my baby kept changing. She slept, or she didn’t sleep. She crawled, and then she ran. She babbled. Sometimes, she cried fiercely. She was radiant and fierce and deeply loving — a babyhood version of who she is as a young woman.

But she grew and changed all the time, which is — and I really don’t know why this came as such a shock to me — the essence of this earthly life. But the deep down elements of our lives haven’t altered: her eyes are the same curious, merry upside-down crescent moons I first saw on the night she was born.

All this, I suppose, means that I intend to swim in the nearby pond as long as possible. The water is warm yet, and the banks are brilliant with goldenrod.

I had to learn that I was a better mother and wife when I was working than when I was not.

— Madeline L’Engle, Walking On Water

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Photo by Molly S.

Opening Up

On a muggy afternoon, my daughters and I swim in a cold New Hampshire mountain stream with my brother’s girlfriend. She suggests going to the ocean the following day. I see my younger daughter’s eyes — the quiet girl — gleam with love of ocean.

While I drive that familiar way back over the mountains back to Vermont and back to work, the girls and my brother and his girlfriend head the opposite way, east, to the sea. Later that evening, I read Louise Erdrich while the cats sprawl on the windowsill, watching a pouring rainstorm. In my garden, the sunflowers stretch far above my head, not yet blooming, their golden faces not yet opened up to the world.

The Erdrich book is her memoir of early motherhood. Watching the rain with the cats, I imagine my 13-year-old when she was three, picking colorful bouquets of zinnias in my garden for her two best friends.

At 13, wearing sunglasses and jean shorts, she’s so often savvier than I give her credit for, happily stepping into a wider world.

… with each celebration of maturity there is the pang of loss. This is our human problem… how to let go while holding tight, how to simultaneously cherish the closeness and intricacy of the bond while at the same time letting out the raveling string, the red yarn that ties our hearts.

— Louise Erdrich, The Blue Jay’s Dance

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Maine/Photo by Molly S.

Crickets

My daughter’s pinpointed the difference between her two tiger cats: Acer has an imaginative life keeping him busy — he’s a mighty African lion, a belly-crawling spy, a baby who must be carried up the stairs — while Tar is simply happy being a cat.

I’m a little worried the contrast offers great metaphor for human life. Satisfied and sweet? Or creative and twitchy?

Yesterday, on such a lovely August day, after swimming in the pond, my friend reminds me of this E. B. White quote from Charlotte’s Web. Ah…..

The crickets felt it was their duty to warn everybody that summertime cannot last for ever. Even on the most beautiful days in the whole year – the days when summer is changing into autumn – the crickets spread the rumour of sadness and change.

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August First

August 1st dawns quietly — the songbirds winding down, the dew slipping in silently overnight — save for the cats who mew in hunger.

Yet another summer day, a small kind of miracle that will disappear, a day promising to be packed with work and obligations, with laundry hung on the line, and a very long list on a scrap of paper beside me.

But it’s August. Just a few blocks from where I sometimes work in Burlington is a fine bakery named after an even finer poem by Hayden Carruth.

August First

Late night on the porch, thinking
of old poems. Another day’s
work, another evening’s,
done…..

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Hardwick Reservoir, Vermont

 

Black-Blue, Turquoise-Blue

Sharing poems with little kids this week, I keep reading this one:

I’m glad the sky is painted blue,
And the earth is painted green,
With such a lot of nice fresh air
All sandwiched in between.

While Long Winter in Vermont has its endless permutations of snowfall and cold, Spring in the Green Mountain state yields treasures every day — coltsfoot in this unexpected place, emerald so luminescent it seems nearly impossible. How quickly this season sometimes moves.

Last night, from the windows at the top of our house, I saw blue-black thunderheads far down the valley, and white curtains of rain. Rapidly, dead leaves blew against the glass, and handfuls of hail.

This is the morning for the other poem the kids especially liked, about a rain-glazed red wheelbarrow and white chickens.

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Waking

Not plausible, perhaps, but last night the current bushes still appeared as a handful of sticks. Early this morning, the world still damp with dew and rain, green leaves have emerged from those brown sticks, their tender folds already beginning to open.

No other words for this: spring in all her viridescent beauty.

She is working now, in a room
not unlike this one,
the one where I write, or you read…

Let her have time, and silence,
enough paper to make mistakes and go on.

— from Jane Hirshfield’s ‘The Poet’

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