#motherhood

Cat, hand, breeze.

/ Brett Ann Stanciu / 4 Comments

Morning after the election, I stop in the food co-op on my way to work. The air is balmy sweet as early September; the light is November thin. Cheeriness this morning.

My car’s hatch is jammed with castoffs. My youngest is a college senior, and only now am I tackling a shifting around of our upstairs. It’s not a large house (there’s two closets on the second floor), but her first college year I pretty much missed her terribly, wrote and worked and wept. Then a year of lymphoma, a year of recovery, which brings beaten me to now. Imprinted in my bones is the memory that, two years ago, I couldn’t walk up my stairs. (Things went down from there, then up, fortunately.)

I open the windows in her bedroom. The warm breeze that smells of apples and wet wood drifts around my little cat sitting on the windowsill. My little cat thinks cat thoughts, or maybe not thoughts at all, but something wiser: pure perception of the pleasure of moving air on whiskers, of wonderment at a rustling in the dried leaves below, maybe a squirrel foraging for dried seeds in the flowerbed.

When I first became a mother, I was surprised at how the parenting landscape shifted constantly. Just when I figured out that I needed to raise things like boxes of empty canning jars above the crawling baby, the baby began running (she skipped the shaky walking phase). Now, a kind of relief at the normality of what I’m doing: ordinary empty nesting (ache, ache) and not profound disease.

I am a woman who appreciates a plan, even if the plans are going to break. Paint the walls blue? My cat mews for a caress on his chin. He and I sit on the windowsill for a long while. I let the words go. Cat, hand, breeze: these become one.

Pre-election. Cows.

/ Brett Ann Stanciu / 3 Comments

November 2, and chatter is all about midterms and the lingering balmy and dry weather. Variables.

For whatever mysterious reason, I keep thinking of Hayden Carruth’s “Cows at Night” poem, which I’ve surely quoted here, perhaps numerous times over the years. This weekend, the moon waning, I drove home on a back road after dinner with friends. In the rural dark, I passed intermittent houses, windows glowing. Where I’d been was hot, so I drove with the sunroof open, in my thin sweater, the scent of woodsmoke drifting in with the breeze, my head filled with a killer live blues band. But where my road parts left, I kept driving, through the village mostly closed up, and to the town forest where I parked.

I’m mostly not afraid of the dark except when I’m terrified. I’ve lived a whole adult life to write this—mostly not afraid except when I tremble with fear—for the immeshed reasons of experience and will and desire that spiral into all our lives. In the thin starlight, I walked along the path, the woods redolent with fallen leaves. Where the path edged along a field, I paused and placed my hand against a white pine, listening, listening. Were the cows yet in the field? The night opened my eyes wide. Yes, indeed, the cows, shifting and chewing, steady.

The Cows at Night

The moon was like a full cup tonight,
too heavy, and sank in the mist
soon after dark, leaving for light

faint stars and the silver leaves
of milkweed beside the road,
gleaming before my car.

Yet I like driving at night
in summer and in Vermont:
the brown road through the mist

of mountain-dark, among farms
so quiet, and the roadside willows
opening out where I saw

the cows. Always a shock
to remember them there, those
great breathings close in the dark.

I stopped, and took my flashlight
to the pasture fence. They turned
to me where they lay, sad

and beautiful faces in the dark,
and I counted them–forty
near and far in the pasture,

turning to me, sad and beautiful
like girls very long ago
who were innocent, and sad

because they were innocent,
and beautiful because they were
sad. I switched off my light.

But I did not want to go,
not yet, nor knew what to do
if I should stay, for how

in that great darkness could I explain
anything, anything at all.
I stood by the fence. And then

very gently it began to rain.

Scrap of a love story: “…the only things you know…”

/ Brett Ann Stanciu / 6 Comments

Asters I planted in my garden, withstanding first frosts.

More indicative, perhaps, would be this:

Darkness lies deeply on each end of the day, cats rising hours before dawn to eat, myself to weld that fork and open my laptop. Afternoons wind down into early darkness. A friend and I walk through spits of rain, wander along Main Street, jammed with locals and leaf peepers, negotiate the two empty stools at a long bar, where she drinks beer and I drink club soda, eating the pip of lemons.

What does time matter? It might be six or ten, maybe nearing midnight. Night presses against the wide windows, as if hungry.

Later, walking home, the air touches my face with its scents of diesel and rotting leaves, woodsmoke. Every year, this pause. The need to gather coats, who needs new boots? and where are the mittens?, the price of snow tires, the aligning of ash buckets, the necessity of socks. All that long winter I was sick, I couldn’t navigate the porch steps and the ice by myself, darkness relegated to my windows. Only in those rushing nighttime drives to Dartmouth Hitchcock did I know the constellations arced overhead, Ursa Major, the gleaming Pleiades, the scrap of cold on my lips. How I missed this.

And a favorite Maggie Smith poem:

First Fall

I’m your guide here. In the evening-dark

morning streets, I point and name.

Look, the sycamores, their mottled,

paint-by-number bark. Look, the leaves

rusting at the edges.

I walk through Schiller Park with you

on my chest. Stars smolder well

into daylight. Look, the pond, the ducks,

the dogs chasing prized sticks.

Fall is when the only things you know

because I’ve named them

begin to end. Soon I’ll have another

season to offer you: frost soft

on the window. The first time you see

something die, you won’t know it might

come back. I’m desperate for you

to love the world because I brought you here.

Wedding Bells: Chop Wood, Carry Water.

/ Brett Ann Stanciu / 20 Comments

Van Morrison’s Enlightenment begins with a riff on the Buddha’s Before enlightenment, chop wood, carry water. After enlightenment, chop wood, carry water. Didn’t I first stumble into that koan in Salinger’s Franny and Zooey, that little white paperback my sister and I checked out of the public library and handed back and forth between us? Those were the adolescent years when I devoured literature — Dostoyevsky, James Joyce, Sylvia Plath — so hungry, those years of amazement, at how literature could sing. So hungry I was in those years that merged into that Vermont mountainside college where I often stayed up most of the night, talking, drinking, often sleeping under the dazzling constellations. In the mornings, we trekked to seminars in the former cow barn and debated Plato and Kant.

Those years, I believed I could wrap my mind around life, that understanding was possible in more than ragged snippets. All my adult life I’ve leaned into a daily version of chop wood, carry water, that three-legged stool of raising children, writing books, earning a livelihood to keep shelter and home whole for my tiny family. An insanely complex equation.

With great merriment, my oldest daughter marries, we host a party, folks arrive, cake is eaten. The night before, we stay up late, the girls decorating the cake, my brother on a kitchen stool, shaking out the stories of our memories together. Such happiness to have a full house of youth and laughter. Monday morning, awake long before dawn, I labor at my version of carrying wood, those Van Morrison lines humming through my mind. Illusion? Nonattachment? Perhaps all my life I’ve thought about this koan in the wrong Western way, an either/or. Cold dew washes my bare feet.

As for the cake…. I’m still handing around leftovers, sweet luck.

the leaves believe
such letting go is love
such love is faith
such faith is grace
such grace is god
i agree with the leaves
― Lucille Clifton

The taste of fallen leaves, pond water, crumbly earth…

/ Brett Ann Stanciu / 1 Comment

In any lifetime, there are dividing events, the Before, the After. In my years, the most recent schism is Before Cancer and Everything Else. But the most profound? Before Motherhood, and the clanging, crying, joyous Everafterward, my truest realm. Happiest of birthdays; spring is in the offing, darling. 

A child is born and doesn't know what day it is.
The particular joy in my heart she cannot imagine.
The taste of apricots is in store for her. — Nan Cohen

Giving the slip….

/ Brett Ann Stanciu / 23 Comments

Back again at Dartmouth, anyone entering my room dons a yellow gown, inadvertently hiding staff name tags. Two nurses enter yesterday and pause. My daughter and her boyfriend stand at my bed’s foot.

A nurse asks, Are you two the main medical team?

The three of us look at each other. In these days where not much has been funny at all, I’m tempted to roll with this, but my daughter jumps in and says, We’re family.

Oh, the nurse says, the Main Team. You looked so intent.

I add, Talking politics….

I’d been in the ER for two nights. The fact that I didn’t care is evidence of how lousy I felt. Due to my contagious infection, I’d been squirreled away. Wheeled through the hallways, I see how jammed this place is, people waiting in hallways, tucked into corners.

In these days, my daughters arrive with their cheery energy, with stories of their lives, their patience with me. I tell them my dream to start walking again…. A few warm days and I’m imagining the four feet of snow have vanished into mud. Not so.

My girls laugh. We’re going to have to Apple chip our mother so she doesn’t wander off….

No fear of my wandering in the (very near) future. But how I’m hungering for that. Just where, exactly, would I look for that chip? Under my boot sole? In the hem of my jacket? So I can give the slip when spring calls…..