Keeping On….

I drive home from a Selectboard meeting with my friend the moon who hangs over the dark mountain ridge, a creamy misshapen teardrop shot-through with crimson. It’s me and her. The clouds have scrimmed low enough that the Milky Way does not join our duet.

My house glows when I return home. The girls have chopped up the cherry tomatoes I left on the table and added these sweet chunks to couscous they bought in Santa Fe and cooked on their camping trip (and why do I never cook couscous, anyway?) The girls are familiar with the town and the people where I work. I tell stories about who’s there and what’s happening — the nuts-and-bolts of local truckers who’ve appeared for the bid openings, hoping to score more work — a man who lives nearby, has no electricity, comes to use the internet, and wanders in and out, curious, offering a few comments. People are angry about all kinds of things, the sheriff’s there and then not-there, a man yells, the chair regains control, decisions are made, bids are granted, that FEMA word with its trailing uncertainties rises and falls. There’s a pause about a bridge washed out in last year’s flood with a replacement price tag that’s beyond comprehension. A board member and I whisper commiseratingly about the days when we shared homemade cookies at meetings while kicking around decisions. He’s heading fishing this week.

The girls eat up my stories, share their own stories of their day. In the humid night, we stand on the back deck, listening to the foxes bark in the ravine, the crickets sizzle away these final summer days. The girls head out for a walk, in search of the moon and some adventure. My cat follows me as I walk around the house picking up dropped socks and empty bowls, clattering forks in the kitchen sink. Forget about national politics for a bit. It’s the same human stories: the mixture of ego and thrumming anger, a knight-like determination to serve others, the uncertainties of how do we get along?

The foxes keep at it. Eventually, I sleep, too, wake in the murky darkness, fed my cats, and then I keep on, too….

A real clusterfuck of thinking…

Hurrying from one thing to another, I detour to my favorite swimming pond, under these overcast skies. A woman and a little girl are swimming. There’s no one else around, and the woman and I chat about the fish nibbling our toes. The girl sits on a floatie shaped like a chocolate ice cream cone and looks skeptically at us, as if her mother and I might be making up everything. Maybe, in truth, our toes are bleeding from fish fangs. The child is taking no chances. She leans back on the floatie and stares up at the sky. Her mother gently pushes her from shore.

I swim out.

My head is jammed with the conversation I just had over Pad Thai, three of us women, about writing and Vermont and friendships, about money, of course, always about money, how money winds into decisions we make. These are old conversations, worked out in new ways. As I drift out in the cold water, I keep thinking about all the material I’ve been reading about rivers and history, about farming and logging hands on the land, 100, 200 years ago, how what made sense then (sense? perhaps even seemed downright innovative, bordering darn smart) has piled up over these generations of rivers, now dredged too deep, the roads and the towns built far too near.

Because my mind works in metaphors, I keep thinking how years pile up mistakes, one after another, a real clusterfuck of thinking. There’s no one else around in the water save for me and the mother and girl. They’re both lying on their backs on the ice cream floatie now, circling around, the mother’s heels trailing in the water. All those summer days I spent at the beach with my daughters, with plastic shovels and buckets, with the sleeves of red cups that I used at the farmers’ market back in the days when I sold homemade root beer floats, $2.75 per cup…. The kids are now all (mostly) grownup, as happens. Maybe those years were nothing more than a light way to pass the days, insubstantial as dreams.

I swim out as far as I can bear in the cold water. When I return, the beach is empty. Clouds have pushed down low, and the sand is clammy. On my short walk back, two bikers ask me for directions. Go west, I advise. That’s the way out of here.

All kinds of summer rains…

Too stormy to swim on Sunday, I take up a new friend’s offer to walk the trails she’s cut on her property. Her property is off a back road, with a gorgeous view into the valley where the Lamoille River is barely beginning to fatten its strength.

The trails wind down through the woods, studded with white quartz on either side, so gleaming the rocks appear to have been freshly washed. On the verge of rain, the forest is still. In a kind of labyrinth, I walk over springy moss, beneath leaning cedars, around a former beaver pond now dense with green. At the far end, I lean against a great pine, bark rough through my t-shirt.

Rain begins, pattering through the canopy, then soaking me by the time I’ve returned to my Subaru parked at the edge of the road. I’m so soaked the windshield scrims over with fog. But the time the glass clears and I’m on my way, the rain has stopped, the sun burst through the pearly clouds. In no rush, I pull over and walk along the road, admiring the luminescent rainbow, one end in a leafy hedgerow of maples.

Sunday afternoon, rural Vermont, there’s no one around. I keep walking, thinking about a conversation I had recently with a geologist about what’s happening in Vermont. He’d stepped away from a conference to answer my questions for an essay I’m writing, and gently pointed out that the concatenation of flooding and heavy rainfalls and the great shifting around of debris has been human-caused, not by the folks who live on slopes or streams, but collectively.

His voice is persistent, filled with facts, but also not despair; we need to be cognizant, wide awake, look lively. His voice reminded me of what a good summer’s rainstorm used to be, not so long ago. You might sit on the covered steps of your back porch, listening to the rain gather strength to satisfy your kale and broccoli, the thirsty hydrangeas.

The rainbow winks out, and I head home, carrying with me the memory of those silvery cedars, a few chips of pine bark nestled in my hair.

A sense of urgency…

My youngest and I are watching a track-and-field race in the Olympics when a commentator remarks that a runner needs to up her sense of urgency to medal. In the humid night, the fan whirring through the crickets’ amped-up August songs, I keep riffing on the sense of urgency… My god, what does that actually mean?

Early August, and I always remember Hayden Carruth’s poem “August 1,” its line: The world is a/complex fatigue. Which perhaps sums up these days, so humid the yellow coreopsis flowers gleam, the cats sprawl on the kitchen floor, hungry for coolness. This summer has been fat with growth, the butternut and walnut trees I planted seven years ago spreading into their own canopy, already offering shade for me to lie beneath, as I read in the late afternoons.

Someday, perhaps, I’ll look back at this year as it’s own of kind of waiting — which way will this world tip? Even as I’m busy, busy with my urgency of work and gardening, my perpetual lists, of finish these three projects and then paint the back of the house, the outside world burrows in. Some of this is our own story, as my daughter heads back to college soon, but some are my own observations — the two battered cars crammed along the riverbank from the last flood, the perpetual national dialogue — and my wondering, which way might this go?

Urgency, raw want. At the farmers market, I see my daughters’ father across the field, appeared again from wherever he’s hidden. I hold a hot cardboard box of dumplings while the market crowd swirls around me. I turn to talk with a friend and when I look back again, he’s disappeared. Meanwhile, dumplings and curry in my hands: the urgency of eating, the words and life we’ll share over this savory meal, this evening, these moments.

August First

Late night on the porch, thinking

of old poems. Another day’s

work, another evening’s,

done. A large moth, probably

Catocala, batters the screen,

but lazily, its strength spent,

its wings tattered. It perches

trembling on the sill. The sky

is hot dark summer, neither

moon nor stars, air unstirring,

darkness complete; and the brook

sounds low, a discourse fumbling

among obstinate stones. I

remember a poem I wrote 

years ago when my wife and

I had been married twenty-

two days, an exuberant

poem of love, death, the white

snow, personal purity. now

I look without seeing at

a geranium on the sill;

and, still full of day and evening,

of what to do for money,

I wonder what became of

purity. The world is a 

complex fatigue. The moth tries

once more, wavering desperately

up the screen, beating, insane,

behind the geranium. It is an

immense geranium,

the biggest I’ve ever seen,

with a stem like a small tree

branching, so that the two thick arms

rise against the blackness of

this summer sky, and hold up

ten blossom clusters, bright bursts

of color. What is it — coral,

mallow? Isn’t there a color

called “geranium”? No matter.

They are clusters of richness

held against the night in quiet

exultation, five on each branch,

upraised. I bought it myself

and gave it to my young wife

years ago, in a plastic cup

with a 19cent seedling

from the supermarket, now

so thick, leathery-stemmed,

and bountiful with blossom.

The moth rests again, clinging.

The brook talks. The night listens.

Messy democracy.

So this whole democracy thing? Since we’re in an election year and all?

I work in a small town for a Selectboard. Monday morning, I pull into work (late, again), and a Selectboard member is eating a blueberry muffin as fast as he can in the parking lot, a muffin I’m certain the town clerk made. I get out and make some comment roughly along the lines of it’s a good thing I don’t do drugs anymore because Your Town….

He counters with, Let’s get serious. What’s your cucumber and zucchini situation? I’m coming back at noon with four full boxes.

Monday morning, it’s revealed that people have stolen signs. People have written letters to the Selectboard and newspapers and the Sheriff about the theft. People arrive in the office with dogs and laptops and questions, eat muffins and disappear. I walk outside with the phone. It’s possible that the thief arrives. It’s also possible there’s some laughter. Or maybe I’m making all this up.

Democracy is messy, chaotic, often brutal. People arrive who look as though they’ve slept in ditches for their entire adult lives and complain about the flood. People complain about their neighbors. People run for election. In all of this, I take off my shoes and walk around barefoot. I do all the things I’m supposed to do and I keep wondering if I’m doing any of these right. I give an old woman a bottle of water. I am always trying to leave, disappearing into the asters around the lake, into the rooms upstairs where it’s just me and the wasps and the open windows. I am always trying to sew the pieces of my life together. Sometimes I crumple paper and throw it at my coworkers, which is not really at all charming or funny.

As a writer, I learned from reading. I learned so much from sugaring — the majesty of the world, the inarguableness of cause and consequence. I learned joy and love as a parent. I learned grief as a broken wife. Working for a small town, I’ve learned the peculiar American craziness of little towns and politics, of gossip. How to spy cowardice and when to lean against the courageous.

There’s not one damn thing perfect about any of this. Here I am as usual, half in, my head and heart filled with my garden gone rampart with rudbeckia and coneflowers. But we’re all that way…. July is the season of joy, January the season of despondence and loneliness. In the heart of midwinter, I leap from the snowy shore to the frozen lake. Far out, I sometimes lie down in the middle of the day, the ice a bed between my bones and the sludgy lightless waters. Overhead, the infinity of the heavens.

But today it’s Good Old July. In the afternoon, I walk with a woman along the forest trails she’s cut. She’s eased white quartz from the soil. The rocks gleam, as if freshly scrubbed with rain.

Koan answer.

It’s dark in the mornings now when I wake, the light silently seeping over the hillside, creating a new day. Late afternoons, I swim after work. Ten geese accompany me. The next afternoon, I swim towards two young boys fishing from the bridge. Their line holds the sunlight, a line thin as a spider’s web.

Late July, I’ve been here before, the garden wealthy in basil. July: the season to relish the fatness of hydrangeas, cucumber vines gone rouge among the onions, ice cream made on a nearby farm. The overcast sky touches the line of trees, the green fields. As my friend and I talk, a hawk circles low over the field. Our conversation winds back to that question I keep asking these days — where to find solidity in a time that increasingly veers to stridency, to a yawping against a fracturing world.

The hawk dives and nabs its meal, then vanishes into the treeline.

Rain begins to patter. All this past month, as I’ve been traveling across the country and then working with a Vermont Selectboard, listening to the news and following the storylines of those around me, I keep thinking of Yeats’ famous line that “the worst/Are full of passionate intensity.” An ordinary late July early evening, the swallows dipping in and out of the treeline. I stand for a moment, watching. The boys’ fishing line shone like the thinnest rod of light, vanishing into the dark water. The two children stood on the bridge, chattering and pointing. Perhaps the answer to my koan.