How To Write a Story….

Any writer knows a story can be told a myriad of ways. Today, visiting a school that once hovered near the brink of disintegration, I realized that school’s story could once have been told in numbers that reflected too much poverty, too little resources and not enough skills: too little – and too little again, and again, and maddeningly again – all the way around.

Instead, this is now a story of growing gardens and colorful classes – and thriving children. Who decides when a story needs to be rewritten? For a school? Or for yourself?

I remember Mary Oliver’s line posing the question about what to do with your one wild and precious life. Create at least one or two fine things, I thought. Leave one or two marks for better, and not for worse.

Sometimes I go about pitying myself, and all the while I am being carried across the sky by beautiful clouds.

– Ojibway proverb

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Hardwick, Vermont

Spring Fever

Since the time change, my ten-year-old daughter cannot sleep. At 10:30 last night, she peered from her bunk bed, cheshire cat-like in the dim room, insisting she couldn’t sleep because she was excited. But I don’t know what I’m excited about!

I reached up and held her slim, warm fingers. It’s spring fever, I told her.

But I don’t have a fever….

All day long, as much as possible, she’s outside, poking a stick in running streams, painting her fort beneath the pine trees, biking up and down with road with her friend. The two of them run into the kitchen, breathlessly excited about spying on her father and his friend in the sugarhouse. Their stories spill out about biking through icy puddles and finding turkey tracks along the road. Beneath our boots, more of the earth reappears in its muddy glory every day, shaking off winter. Spring!

….And does it not seem hard to you,
When all the sky is clear and blue,
And I should like so much to play,
To have to go to bed by day?
– Robert Louis Stevenson, “Bed in Summer”
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Molly S. Photo/Woodbury, Vermont

Martenitsa, or Bulgarian Spring

Years ago, I worked with a Bulgarian family who, every March, made little yarn dolls of red and white wool. Red for the heat of summer, white for winter. We were all friends at that workplace, and everyone wore those little gifts of martenitsa dolls until they frayed. Then, our Bulgarian friends insisted, spring was here.

Spring may come quicker in Bulgaria than it does in Vermont.

With snow falling today, the little girl left her forest fort alone, reading library books by the wood stove and eating popcorn.

Another way, perhaps, to think of martenitsa is as a great leveler: even winter’s savage teeth will yield to the persistence of spring.

But not yet… not quite yet… Vermont’s version of martenitsa is maple sugaring. Fire, sap, sugar: all eventually overtaken by budding.

The value of doing something does not lie in the ease or difficulty, the probability or improbability of its achievement, but in the vision, the plan, the determination and the perseverance, the effort and the struggle which go into the project. Life is enriched by aspiration and effort, rather than by acquisition and accumulation.

– Helen & Scott Nearing, The Good Life

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Woodbury, Vermont/Photo by Molly S.

 

A Starlit Night

Last night, my daughters and I walked the neighbor’s child home in the dark. We had been outside for a while, playing a variation of tag with flashlights and laughter, resulting in the older daughter slipping on ice and lying elbows-down in mud. With the flashlights off, we walked along the muddy road beneath the starlight. The night was balmy for mid-March, suffused with the scent of thawing earth: a rich odor so pervasive it was a constant companion. The moon, a white curve, shone a pure, yellow-white light.

On the way home, we saw our house through the bare hardwoods, the strings of little lights the girls nailed along the eaves twinkling. We passed just one house along our road where a single light shone; they must have been gone. It was just the girls and the star-and-moonlight and the mud and I. The peepers are not stirring yet, and none of the woodland creatures called. Beneath our boots, the earth shifted, softening, giving up its winter frost. My older daughter said, I could walk forever, on a night like this.

This morning, watching a single robin tugging at our lawn, I thought of my older daughter, and how, before long, this girl will be on her womanly journey, walking different patches of earth – in boots, or sandals, or heels – beneath this same exquisitely beautiful sky. I opened the window and listened for birdsong, relishing the season we’re in.

What a strange thing! to be alive beneath cherry blossoms.

– Issa

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Vermont, Mach 2016

The Sweet Spring Season

Signs of spring:

The school busses won’t travel on the backroads due to impassably muddy stretches. The superintendent sends an email: Drop off your kids to meet a bus at the corner barn…

An enormous flock of singing blackbirds in a single maple tree beside the post office.

Steam from the sugarhouse sweetening cold fog; April’s come early, this year.

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain…
In the mountains, there you feel free.
I read, much of the night…

– T.S. Eliot, The Waste Land

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Hardwick, Vermont/Photo by Molly S.

The Great Wide World

Early this morning, on what promised to be an incredibly balmy Vermont day, I read with intense fascination a few pages my father had emailed me. The pages were from Sherwin Nuland’s How We Die, about a horrific and bizarre murder of a young girl. Having two daughters myself, I read with agony. In this excerpt, Nuland clips in a lengthy written piece by the child’s mother. She described her own sensation of warmth at the murder scene, and a calmness in her dying child’s eyes, as though the actual event of dying had been cosseted – or eased–  in some inexplicable way for the child and the mother present at her violent death.

While I have been fortunate beyond measure never to experience that kind of trauma or grief, three times in my life I have had a wholly mystical experience at pivotal junctures.

At the caesarian birth of my second child, lying prone on the table, I had a forceful urge to rise up and leave the room, that I would suffocate imminently if I did not move. With the anesthesia, of course, I couldn’t do more than raise my arms and head, and then abruptly I was external to my body. With a clear understanding that I was drifting towards the ceiling, as if I were a helium balloon, the voices of the operating room lessened, words receding into murmurs. I had a profound sense of calm, and I had no regrets about slipping away. Then I heard an infant crying, a thin, plaintive wail, and I thought (this seems quite odd now), Whose baby is that, crying and alone? I thought how cold it was in that room for a baby. Later, I thought I had pity for that baby, but perhaps, more accurately, it was empathy. Abruptly, I realized that crying baby was mine, and instantaneously I was back in my body in the OR, begging to hold my newborn.

I first met this daughter through sound, not through the flesh of a vaginal birth or a wet and squirming infant laid against my bare breast. Yet the bond between the two of us is impermeable. My impulse to nourish and protect this child – to mother her – is as mighty as any universal law, consistent as gravity pulling falling apples to earth. Repeatedly over the years, I’ve thought of that Shakespearian line There are more things in heaven and earth, Horatio,/Than are dreamt of in your philosophy. Those wonders, certainly, are far more faceted than simple pleasure, in our world filled with such joy and such incredible grief. And yet, reading this morning, again I realized how wide is our universe, infinitely wiser than its players.

As a confirmed skeptic, I am bound by the conviction that we imust not only question all things but be willing to believe that all ithings are possible.

– Sherwin B. Nuland, How We Die

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Photo by Molly S./Burlington Airport, Vermont