Why Vermont?

The service we attended Sunday was for a beloved student in my daughter’s high school. A devastating, tragic death. Monday at dinner, her sister and I ask about the day. This is a rural high school, maybe 300 students in grades 7 through 12. The principal asked the whole school to crowd into the auditorium.

What did he think was going to happen? she asked me. We all cried. We all sobbed.

In particular, she told us about the teachers — the men, too, she emphasized. They cried.

There’s certainly less-than-desirable elements about living in rural Vermont: the winters can be nearly unendurably long. It’s an insanely expensive state to live in, particularly in a single income home.  But when the utter awfulness of tragedy rears — as it has before, and as it will undoubtedly do so again — these little communities circle the metaphorical wagons. These hard, hard experiences remind me why I live here, and why I can’t ever imagine leaving.

The earth says have a place, be what that place
requires; hear the sound the birds imply…

— Wiliam Stafford

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Cusp

On the eve of another year, my daughters and I talk about that trite tradition — resolutions — and I think of these lines from Rilke:

Whoever you are: some evening take a step
out of your house, which you know so well.
Enormous space is near, your house lies where it begins,
whoever you are…
The world is immense…

Not so long ago, walking outside our house meant wandering down our dirt road and looking for pebbles or newts. While the big world has always been around us, how much mightier the possibilities seem now. And that, I suppose, sums up where we are now.
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Squall Survival

Driving home in the crepuscular light, as I approach Woodbury Lake the sky shimmers violet, dusk refracted through snow squalls. I’m mesmerized by the voices on Vermont Public Radio — I cede two minutes to the gentlewoman from Wherever State — and I don’t turn off the radio as I head into the squalls.

Almost immediately I can’t see the edges of the road. I’m not even sure where to turn off, so I keep driving. Somewhere ahead, in that squall or on the other side of it, my daughters are waiting. As I drive, I keep hoping they’re not driving, that they’re safely home, baking muffins and playing music.

It’s not just me driving slowly — we’re all creeping along. The UPS truck has marooned in a driveway, flashers blinking. That last steep, curving downhill, through the Woodbury gulf, seems to take forever. At the end, there’s just snow, snow, snow. At home, my daughters have the lights on, the Christmas tree sparkling through the window. I gather my backpack and head up the path.

Whirling snow and darkness: that winter mystery.

to love life, to love it even
when you have no stomach for it
and everything you’ve held dear
crumbles like burnt paper in your hands,
your throat filled with the silt of it.
When grief sits with you, its tropical heat
thickening the air, heavy as water
more fit for gills than lungs;
when grief weights you like your own flesh
only more of it, an obesity of grief,
you think, How can a body withstand this?
Then you hold life like a face
between your palms, a plain face,
no charming smile, no violet eyes,
and you say, yes, I will take you
I will love you, again.

“The Thing Is” by Ellen Bass

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Geographical Balm

We moved two-and-a-half years ago, and only now does our house seem to feel worn in as a house should — both with memories and simply day-to-day use. While I’m a huge fan of tradition — like camping on the same lake every summer — this holiday I had an incredible need to mix it up, do something different. There’s three of us now when there were once four.

We left, just for a night, with a single cat feeding required, and didn’t even go far — a little more east in Vermont where there was even less snow. I was looking for a break from work and school, for talking together in the same darkened room before sleeping, for exploring a different place with no looming deadline of time.

Interestingly, the unexpected part was the pleasure in returning home, to our warm house and our cats and the patterns we’d left behind. That, perhaps, was worth the trip alone.

… writing is a way of making sense of the world, a way of processing — of possessing — thought and emotion, a way of making something worthwhile out of pain.

— Emilie Pine, Notes to Self

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Wear Your Sunscreen

As if to compensate for last winter’s length, June turns ineffably beautiful. Last night, a downfall again: this morning, our world sparkles, the greenery drinking up rain and growing — every day. Every day, the mock orange beneath my bedroom window unfurls more leaves. The skinny pears in the front yard are fattening their branches lushly.

From New Hampshire, my 14-year-old writes me, I went on a 10 mile hike today. Today, with family, she and her sister are kayaking in a river. I can’t help but remind her wear your lifejacket, use sunscreen. After work, I swim in the evenings with my friends, whose children — paired up in ages and friendship with mine — are also elsewhere. Down the pond, a loon fishes. We make up a silly story about a goose and goslings we see, and the other goose who makes its way along, later….

This June is not a variation of Ram Dass’ Be Here Now. The past is always with me, clinging, and the future unfolds around me, every day, mine and the lives of others’ around me. But there’s this: from where we live we can see deep into the valley where our town, Hardwick, lies. We can see storms mixing in the distance, the white sheets of rain before water dampens my garden. We’re surrounded by the mysteries of the world — the swifts, the pollinators, the raccoon determined to eat our chickens. We’re here, at this moment, taking it in.

And… my daughter’s photo (much to her happiness) heads up my recent Postcard from Hardwick in State 14.

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