Bald Eagles. Vermont State House.

Montpelier, Vermont

Sunday, we bought coffee and pastries in Montpelier (for a change of venue, a change of scene) and ate outside in the cold. There’s a pandemic, after all, and bakeries open on the weekend had closed their indoor seating anyway. None of us complained or even remarked — something I silently noted.

On this cold morning hardly anyone was walking. We passed a man sitting beside an apartment building, flossing his teeth. My youngest pointed out a bird gliding high above the state house. “Bald eagle.”

Bald eagles have recently been removed from the endangered species list in Vermont. I noted again how eagles are now part of our life. Last summer, in particular, we saw eagles frequently. I grew up in New Hampshire and never saw either an eagle or a loon my entire childhood. Now loons (also removed from the endangered species list) have always been part of my daughter’s life.

We walked up the street and then returned. The eagle was still silently gliding on its immense wingspan.

Like eagle that Sunday morning

Over Salt River…

Breathe in, knowing we are made of

All this…

Joy Harjo

Overheard.

Far enough after twilight that the darkness has set in for the night, I walk up to the library to leave my returns in the book drop. The bitter cold has snapped, worn down by the day’s warmth. Cold in February will return — it nearly always does — but the tide of winter has pushed over.

Spring in Vermont is a long ways off. This is a rude truth, and it’s also true that this is the time of year I begin hungering for green. I take my time, walking back through a neighborhood. Hardly anyone is out, save for a man standing on his back step, drinking a beer and smoking. The smoke curls upward in the lamplight just above his head. Down the street, a small child comes running at me, his or her head hung down a little, tired perhaps. The child wears a knit cap and a dark coat and hurries along, keeping a wide berth from him. At the house with the man and the cigarette, the child leaps the snowbank. The man says, “Hey now, been waiting.”

The boy rambles about “sledding gone soft.” As I turn the corner, the man’s deep voice follows me. He says kindly, “Wait a week, kiddo.”

Good advice for kiddo, I think. I follow the steep street up to my house, where the cat is waiting in the windowsill for me, and the daughter is solving math equations.

Collectively, I think, we’re all in a waiting period.

January. Twenty Below Zero.

Daughter and sap line

20 below this morning as I head out to start my car. The moon hangs in a crescent over our house, visible through the smoke from our wood fire. In January, Vermont, the days creak along with the cold.

In an evening meeting, it’s just me at the town hall, holding that physical place as an open meeting law requirement, everyone else virtual from their living rooms or home offices. From the hallway, I pick through a box of cast-offs and take a pair of Teva sandals. A kind of promise, for another season.

Tonight as it gets cold 

tell yourself 

what you know which is nothing 

but the tune your bones play 

as you keep going. 

— Mark Strand

Color.

We’re nearly at midwinter, the turning-around point of early February. The ice is hard; there’s snow; the light returns, an extra dipperful of it each day.

There’s that Currier & Ives vision of midwinter, nestled deep in fluffy snow that I’ve experienced in a few flashes. This year, unease eats us all around the edges, in strange kinds of ways. A shortage of kitty litter in the supermarket. What does that mean? Maybe nothing worth thinking about at all.

I buy a gallon of paint at the local hardware store. The young man who mixes it went to high school with my daughter. He puts the paint to shake, and I wait and wait in my winter coat and my knitted hat. I remember the first summer I canned so much from my garden and the endless jars I bought here — invested in, really — so many mason jars. High on a storage shelf above my head are those boxes of Ball jars, waiting for tomatoes and green beans and chutney.

He reappears, his face mostly hidden behind his mask. With a key, he opens the can of newly mixed paint. For a moment, he stands there, studying it. Then he asks if that yellow is the right color. I tell him, Yes. He hammers back on the lid, then pushes the can towards me. Good luck, he says.

As I walk out, I wonder if he means good luck with the color, or the painting, or just generally. But what’s the point, really? We all could use a little good luck.

Lovely review of Unstitched in Carved Spines. Thank you!

January Dreaming.

The cats and I write in the mornings, ski in the late afternoons. In the middle part of the day, on these cold weekends, I paint the downstairs walls yellow. The yellow approximates the hue and consistently of vanilla cake batter. If this is my way of keeping sane in a pandemic winter, I suppose it’s holding firm enough.

While I paint, I listen to stories about Sidney Poitier, about the teachers’ union strike in Chicago, about Ginni Thomas — spouse of Clarence Thomas. If nothing else, the words remind me that the world goes on. The first room I ever painted by myself was a room I rented in a house on High Street in Brattleboro, Vermont. I was 21. It was July, and the windows were open. I was drinking gin and tonics. Now, water has replaced the G&Ts. I have two daughters, two books, and I’m imagining a little orchard I’m going to plant this spring. Maybe it’s just the yellow paint (or the fumes) but more and more, I dig down into my imagination, into its deep reserves.

Our cats dream of good cat things: cardinals and tuna on a little flowered plates and sunlight before the wood stove. A loving hand on their furry heads.

Words from Thich Nhat Hanh:

“We have the tendency to run away from suffering and to look for happiness. But, in fact, if you have not suffered, you have no chance to experience real happiness.”