A very long way we have traveled, the youngest daughter and me, stocking up on new sights of very old places, and now headed to dear friends.
In this enchanting, beautiful city, we drink coffee and walk until our heels are bloodied. This enormous world. On a rooftop garden, we discover a snail in a rainbow of blossoms, watch a wedding.
My father’s physical therapist tells him to keep moving. No matter what, keep moving to keep alive. My dad, thankfully, keeps moving.
My youngest and I are about to be on the move, too. We’ve left our cats and our house with competent and caring people, and are headed out for a spell. I’ll send a few photos along the way.
On the precipice of young womanhood, she’s game. And me — I’m somewhere in the Dante dark woods of what I hope will be a long life yet to come. It’s been a long pandemic, a long haul, for me, and certainly for you — for all of you reading my words.
Keep moving, keep alive in body and soul. I’ll be home to plant a bed of spring flowers.
Rainy afternoon. I wander through the neighborhood where I once considered buying a house. Someone else lives there now. With new paint and two rocking chairs on the front porch, I need a moment to recognize the house, to remember the kitchen door I went through, envisioning in those days how my life might bend.
These years, walking by, I’ve watched the vehicles’ license plates change from Maine to Vermont, a tricycle appear, a front step break, two hydrangeas expand in the front yard.
April: season of mud and rain, snow and patience. Some reasons are obvious. Snow vanishes first on south-facing slopes, but other patches around us aren’t so readily knowable. Why does snow cling to some fields and not others? Quickly running water beneath, perhaps, the softening of what our human eyes can’t see, the knowledge gained only by years of our wandering footsteps.
So it goes. April, thaw, brown to pea green.
The world begins at a kitchen table. No matter what, we must eat to live.
The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.
We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.
It is here that children are given instructions on what it means to be human. We make men at it, we make women.
At this table we gossip, recall enemies and the ghosts of lovers.
Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.
This table has been a house in the rain, an umbrella in the sun…
From Joy Harjo’s “Perhaps the World Ends Here”
At the co-op, the words are: dirty March. So much snow, rain, the deep ooze of mud, what feels like the very faraway promise of green. Returning home, the teenager has burned herself reading on the back deck. One cat let the other eat his dinner and yowls plaintively, furiously, at household injustice. Stove ash and common dust have invaded the house. Sunlight spills through the windows onto the floor.
March: the season of radiant joy, sullen unhappiness. I lie awake and wonder about my own private death: next week, next month, or four decades from now? I decide the only reasonable course is to bargain for forty more years on this planet, and inevitably take what comes.
Thursday, the day dawns with the scent of loosening mud. The rain slides in. Midday, redwing blackbirds.
A good day for a poem:
Flowers, by Cynthia Zarin
This morning I was walking upstairs
from the kitchen, carrying your
beautiful flowers, the flowers you
brought me last night, calla lilies
and something else, I am not
sure what to call them, white flowers,
of course you had no way of knowing
it has been years since I bought
white flowers—but now you have
and here they are again. I was carrying
your flowers and a coffee cup
and a soft yellow handbag and a book
of poems by a Chinese poet, in
which I had just read the words “come
or go but don’t just stand there
in the doorway,” as usual I was
carrying too many things, you
would have laughed if you saw me.
It seemed especially important
not to spill the coffee as I usually
do, as I turned up the stairs,
inside the whorl of the house as if
I were walking up inside the lilies.
I do not know how to hold all
the beauty and sorrow of my life.
Walking this afternoon, I’m reminded of Sylvia Plath’s line, The winter landscape hangs in balance now… What a long balance it might be. Nonetheless…
A pileated woodpecker swoops down from a branch above my head and disappeared into the woods. I take this as an auspicious sign. Ides of March. More snow moving in. Nonetheless….
Things take the time they take. Don’t
— Mary Oliver
worry.
How many roads did Saint Augustine follow
before he became Saint Augustine?
Checking out at the co-op, an acquaintance says she has a question for me. I follow her outside, and we stand in the falling snow, she with her bags full and me with the tomato and yogurt my youngest requested.
Through the snow, the mural across the street glows its brilliant rainbow of colors. Across Vermont, murals have appeared in the past few years, not just in the usual suspect cities — Burlington and Brattleboro — but in places where art seems least expected: a parking lot, or the roadside field in Jeffersonville where cement silos are beautifully painted with an old man sowing seeds, a red clover blossom. Half a decade ago, driving with four young teenagers, I pulled over and we walked around and into the empty cement tubes. Springtime, we splashed through standing water in the hayfield.
Now, snow swirls around us, my favorite kind of drifting snow, magical and full of possibilities. We talk for maybe ten minutes, while I hold that tomato and a paper bag of granola, shivering, while people trudge through the snow around us, buying baguettes and greens and bottles of wine. We’ll find no answers in our brief conversation that picks up those knots of privilege and power, of pretense and betrayal. This far along in our lives, there’s nothing textbook here. The questions shape our lives, the little world where we live.
I suggest a sliver of a solution, a tiny change, a minuscule movement, a small slice of good. By then, I’m shivering fiercely. The night’s falling down, and my small household will be hungry.
The painter’s vision is not a lens,
it trembles to caress the light.
— Robert Lowell, “Epilogue”
Stony Soil Vermont 