The Might of Imagination.

Round Church, Richmond, Vermont

The geese fly overhead in great Vs, chattering in geese-speak as they align themselves, tugging their flock together. In my garden, I rip out the frost-blackened tithonia, the dry fronds of bachelor buttons.

The migratory geese are rhythm, nothing clichéd about their brassy calls. As I steadily work at my annual chores — burying more daffodil bulbs, the candy-like crocuses I’ll happily search for, months from now — I let my body do this work, my boots on the earth, a few spits of rain falling from the clouds, listening, listening.

In the town office where I work, stories surge through, as in any small town. Having lived through scads of my own drama, I know too well how the private seeps into the public, any truth strewn carelessly among chatter. For the most part, I endeavor to do my work and head out; yet, like anyone, I’m always listening, listening, wondering about motive and desire, curious about betrayal and courage, and the ineffable complexities of human behavior. In a conversation with a friend about a couple we jointly know, my friend said, For anyone who’s been following the story, this shouldn’t be a surprise… In a similar vein, I realize I’ve long been quietly following the story of the world where I live.

On my way to visit my daughter, I detour slightly and walk around Richmond’s round barn, shuttered up until dandelion season returns. The afternoon is especially balmy, sunlight bright even in the scarcity of November. I marvel at how mightily humans can create, mixing utility and beauty. How well we can do this.

“Sometimes it seems to me that, in the end, the only thing people have got going for them is imagination. At times of great darkness, everything around us becomes symbolic, poetic, archetypal.”

— Helen Garner

The Power of Maples.

This year, my extended world includes widows, including women mentors I looked to when I was a young mother. These women are all somewhat older than me, with long marriages. It wasn’t that long ago I was in the world of the new babies, the swapping of baby clothes, the intent to get the low-down about cloth diapers versus disposable.

There’s a line from one of my most favorite novels, Red Sky at Morning by Richard Bradford, about a woman widowed in World War II. Like a teacup, she would crack, but not break. Same.

Rain’s washed our world last night, and the sun is radiant this morning. While hanging out the laundry, I think of an acquaintance who says he’s still trying to figure out his life. But aren’t we all as grownup now as we’re ever going to get? The birds and squirrels scavenge in my flower garden, gathering for their families.

Here’s “The Power of Maples” by Gerald Stern which seems apt on myriad levels today:

If you want to live in the country
you have to understand the power of maples.
You have to see them sink their teeth
into the roots of the old locusts.
You have to see them force the sycamores to gasp for air.
You have to see them move their thick hairs into the cellar.
And when you cut your great green shad pole
you have to be ready for it to start sprouting in your hands;
you have to stick it in the ground like a piece of willow;
you have to place your table under its leaves and begin eating.

Impossible Zen.

There was a time in my life where I didn’t yet know about the tamaracks. It’s an odd thing to think about: there was a time in my life when I hadn’t yet met my daughters, either, when I hadn’t read a novel, kissed a boy, slept under the constellations.

I head up through the woods to the tamaracks’ marshy place where I’ve never seen anyone else, a swampy patch off a road. In the gray afternoon gloaming, I wander off the path. I’ve forgotten my boots. I trip on a rock and fall on one knee. The twilight settles in silently.

On my way home, I stop in at the co-op. The co-op’s not really a co-op any longer, the handwritten baby announcements and politics scrubbed out in this new business model. In the produce area, an acquaintance is buying peppers. We stand at the wall of produce, kicking around a few thoughts. We agree, this has been a year of unbelievable things; there’s no need to list. I offer my micro philosophy I’ve mulling around, very Zen. As I’m talking, I remember the whole problem with Zen, anyway, is its impossibility.

At the register, the cashier can’t figure out a bag of greens. But what is it? he asks. The man in front of me says he liked the sunflower sprouts, so he’s trying the radish ones now. Micro greens?

Through the wide windows, I realize I’ve been out for much longer than I realized. Darkness is falling quickly now, car headlights sweeping through the village. The man lifts his bag of slender greens, crimson roots, and turns it around and around.

Good luck, I offer.

He nods, and then disappears into the night.

“Our stories from around here…”

I convince a friend to pull on her raincoat and meet me along the rail trail. The story this summer and fall has been rain, rain, more rain; the river runs high. Grabbing alders, we stumble along the edges, marvel that the two cars rammed deep into a bank have finally been removed. What remains is a sandy patch.

This amble is not conducive to talking: we toss bits of our lives between us as we struggle through the mud. Eventually, we make our way back to the trail. The bridge there is intact from July’s flood, but where the river rewrote its course the bridge hangs over the river, the bank jagged black earth. The rain falls hard now, streaming down my cheeks.

Vermonter Kenneth Cadow’s novel Gather (just named a finalist for the National Book Award) is fresh in my mind, a contemporary version of Huck Finn. Walking back in the rain that’s determined not to let up, my friend and I talk about growing up in New England: how powerful the autumn is, redolent with the scent of rotting leaves, the earth shaking off her pretty leaves, exposing the bones of mountains, rocks, the hungry rivers. Another friend sent word recently of this particular date’s power for him: the date his world shifted, spun from destruction to creation.

Walk finished, I’m grateful, ever so grateful, to return to my hot hearth, my wool sweater steaming, redolent of the sheep and grass that gave me these materials to knit….. and so it goes….

From Gather:

But I feel like you need to understand this. Our stories from around here come out like the way we keep our work shed: you go in there, see what you have lying around, some of it being old as hell, some of it being stuff you might even have had the money to buy for yourself. You move something, you find something else. You brush it off a little, then you use it or set it back down. But you need it all to piece together how things come to be the way they are now, how you come to be who you are.

Talking Past Dark.

A friend comes to visits, heads to my picnic table, and we commence talking. Hours later, a dewy dusk has descended. I’m shivering, my sweater cuffs pulled all the way over my hands. Inside, my cats are grousing for a fire in the wood stove.

I remember my friend’s oldest son sitting on my couch, about an eon ago. The boy was so small his legs didn’t reach the end of the couch. Now, he’s thinking of heading into a PhD program.

I haven’t seen this friend in months, since before I traveled to Europe and decided I was born on a continent that mismatches me. Yet, we start talking as though I was a young mother again, walking along the dirt road with a toddler, my hair unbrushed for days.

It’s a cliche of course, how the world changes and how it remains the same, that one long Heraclitus river — always the stream, never the same.

The foxes didn’t return to den behind my house this year. A few stray lilacs bloomed in late September. The harvest moon sails up in the sky. All our hours of talking and we solve absolutely nothing, not a single problem, except this, perhaps: a fattening of our friendship, this woman who assured me I would survive my divorce, that my life would continue. The sun heads down, and we keep on talking.

A Story in Here…

I visit a woman whose family bought a house on a peninsula in a glacial lake. She invites me in — a stunning place of wood and glass and French doors — nothing polished, all preserved as if it’s still World War I. There’s an enormous stone fireplace. She tells me that, after a hurricane in the 1930s, the original owner (who lived elsewhere, New York or Pennsylvania) never returned after he heard that all the trees on the peninsula were destroyed, save for eight. He sold the house to this woman’s family. Great pine trees tower over the lawn and hydrangeas.

She says to me, Imagine the view of the lake in the thirties, when the trees were all gone? That must have been stunning, too.

I drive home in a sudden windstorm. I’m passing a stand of poplars, their leaves crinkled and finished with summer. The wind blows leaves through my open car windows, over a bucket of apples, on my library books, into the lap of my skirt. Ahead of me, two cars are pulled over, blinkers flashing. A branch smashed the windshield of one car. Two young woman stand in the road, the wind circling, twigs snapping, rain beginning in earnest. One woman raises her arms in a giant Y.

There’s a story (or two) in here for sure….