writing

We are every experience we’ve ever had…

/ Brett Ann Stanciu / 4 Comments

A sunny morning, I’m at a place I’ve never been before, a sizable post-and-beam gallery at the end of a road. A fenced vegetable and flower garden shines orange and gold. A marble bust smiles mysteriously.

I love this about Vermont: these unexpected pockets of mighty talent. The woman’s house is built around the gallery — a beauty of wood and stone and glass. We talk for a while, and we discover that her artist parents were from the same midwest area as my father — Detroit — and then she opens the gallery and takes me in. Let me say here: I’ve been around the block a few times, seen my share of museums and art; I’m also feeling this sunny morning like the dirt road my Subaru tires pounded into, driving uphill.

The gallery ceiling soars in a peak. The wooden space holds the owner’s and her deceased parents’ work. She allows me walk through the metal sculptures wordlessly. Then I stand beside an oil portrait of a woman wearing a black and red dress that reminds me of a velvet blouse I bought for a friend, many years ago, when she graduated from college. The woman in the painting rests her chin on her fist.

The owner looks at me. “It’s always the females who are drawn to her.”

“She’s me.” Woman of a thousand and one sleepless nights, bread baker, hearth tender, the woman who swam under the luscious full harvest moon. Woman hard as these back roads, fragile as coreopsis.

We walk upstairs and finish the tour. Before I leave, though, I stand again before this portrait, a long soulful moment. “Gracious,” I say, “gracious.”

“…we are everything, every experience we’ve ever had, and in some of us, a lot of it translates and makes patterns, poems. But, my God, we don’t even began to touch upon it. There’s an enormous amount, but we can touch such a little.” – Ruth Stone

Cutting grass at night…

/ Brett Ann Stanciu / 5 Comments

I’m finishing mowing the front lawn when my neighbor opens her door and hollers, “Hey, there!” across her driveway. Save for a series of apartments in my twenties, I’ve never lived so close to another house and moved here, in fact, from a house that was surrounded by wilderness.

She’s a darn good neighbor. Twilight fattens to darkness as we talk about small things — a mutual friend who visited her, red roses blooming yet by her door. My pink cottage beauties have long since dried up.

I’ve lived long enough now in this town to have experienced the meanness of catty gossip and the kindness of strangers; nothing different from any other town or city, I suppose, simply the variety of human behavior, the tenor of thinking that makes me satisfied to be standing here in this dew-dampening grass, listening. A fallen pear that’s split by the mower blade bleeds its sweetness into the evening.

It’s a harvest full moon night, diminished by the eclipse and then returned. I sleep with the windows wide open, the moonlight on my curled cat who’s sleeping in his own cat way, more dream than rest, busy at his own cat magic. Here, too, I can hear the traffic on route 15, coming and going, going and coming. At 3:30 a.m., the traffic stills. The tree frogs sizzle on.

As a girl, we traveled summers in a green jeep and slept in tiny nylon tents. Waking in the night on those cross-country trips, I’d hear the interstate. So curious I was to know where everyone was headed. I repeated all that again in my hungry twenties. For a summer, we lived near the river in St. Johnsbury, Vermont. Every night, the train whistle bleated mournfully, passing through. Here I am now, in my fifties, lying awake, listening. The scent of the grass I cut that evening drifted into our house. In the moonlight, my cat lifts his head, questioning. “We’re here,” I counsel, “all’s well.” He tucks himself back into his curl. The moon and the frogs keep on. A milk truck rumbles by, pushing us towards day.

Mechanic talk….

/ Brett Ann Stanciu / 7 Comments

The garage I use wasn’t flooded this summer — the river simply swiped away the owner’s land in back, a great chunk, along with his plow truck and two customer cars. A few weeks later, I stood on a bridge, watching a towing company winch the truck free from the lowered river. For weeks, the two cars remained nearly submerged in a muddy wetland along the riverbank, badly beaten. Then one day, the cars had vanished, too.

Friday morning during what suffices as rush hour in Hardwick, Vermont, I park behind his garage. The three bay doors are open. We stand talking for a bit in the shadows of his garage, the autumn sunlight filtering through the great oak trees his great-grandfather had planted along the river, a few lifetimes ago.

I’ve been coming to the garage for years, from the crazed put-on-your-snow-tires season to this kind of September morning where we stand, in no rush, watching the parking lot dust drift in the honeyed sunlight. Curious, I ask about the town’s plans for the river tumbling so near to what remains of his back lot. In these dry autumn days, the river’s low, sunk among the rocks and boulders strewn by July’s flood.

He says simply, A lot of talking, many plans.

Last July, the bank where a motel was built was swept downstream, turned into silt, gone elsewhere. The town owns the property now. The mechanic tells me that people visit every day, fishing or wandering or simply enjoying the river sparkling in the sunlight. Weekends, families picnic.

Much later in the evening, as the moon hangs its three-quarters lamp in the clear sky, I wander there, too. The land slopes down gradually to the river. When the floods come again — and of course the floods will return — the water will rise here, stretching over Joe Pye weed and asters.

Along the river, the oaks and maple leaves splash gold and orange, early change. End of the summer, with its troubled river and kids on the banks, flying box kites.

Two autumns…

/ Brett Ann Stanciu / 8 Comments

I leave the garden to do its final hallelujah of the season, the tithonia and sunflowers and cosmos fraying now, the basil still slipping into my cooking pot. September 11, the morning I stood in my sun-filled kitchen watching my toddler tricycle around the table, listening to public radio and wondering what was happening. My youngest was not yet born. Now, 23 years later, my daughters and I text during the debate. My cats are curled at my feet, in their usual, wise cat-disdain way, thinking their feline thoughts, savoring like any smart creature the warmth from the wood stove.

On my evening walk, I meandered the long way home. A half moon hung in the sky, sweet as maple pudding, so near I imagined I could reach out and lay my fingertips on its smooth sheen. Early autumn. So much more to come.

for me going

for you staying—

two autumns

– Buson

Imagining a fox, two strangers in a canoe…

/ Brett Ann Stanciu / 4 Comments

A fox runs out in front of me as I leave the library, so quick the creature might have been my imaginings in the night. Upstairs, people are still talking and laughing, remnants from the Selectboard meeting. Behind me, the man who lives down the road, with neither water nor electricity and is often at the library at night, his phone plugged into an outlet in the foyer that’s left unlocked, perhaps for this reason, says, “Saw it, huh? Fox.”

The sunset has simmered down to a liquified gold spill in the darkness. I pull into the beach. I’m alone here, and I get out of my Subaru and lie down on the wet sand. I can feel the damp sand clump into my hair. The waves lap. The spill of light shrinks. The crickets are doing their sizzling thing, and goddamn, here it is again, end of August, a goodbye to the sunflowers not far in the offing.

I spent so many hours of my mothering life at this beach, and now this summer has slipped by without a single visit to this particular beach. The sun goes down. And here’s the weird thing: while I’m lying there, dampening, dampening, wondering what’s up with the universe anyway? Why does it always feel like loss, loss, loss, a canoe paddles by. In a funk, I don’t bother to sit up and chat with strangers, but the couple steers their craft right onto the shore and asks what’s up with me….

So, I sit up and talk.

Turns out, even strangers, we have strangely similar intersecting points. In the dark, the lake lapping at their canoe, we stand talking while the stars blink on, just a few, in the cloudy night. Then, instinctively, as if in some kind of pact, we reach out and shake hands. Then I’m off to my home and my hungry cats, and the couple paddles on…. maybe an imagining, maybe not….

Crash, smash, end of summer….

/ Brett Ann Stanciu / 7 Comments

Sure, it’s hot again, but it’s a day without swimming. I’m in the nether in-between place where the youngest is headed back to college, and my life inevitably tips towards the not-so-fun adult things I’ve kicked down the proverbial road. Borrow a spark plug wrench and fix the lawn mower, walk down the hill and ask the young carpenter what to do about that stucco that crumbled from the house foundation, just behind the rose bushes that we sliced away last weekend, tearing away the moss to keep the moisture, moisture from my house.

We are inside and outside all day long, hanging up laundry and sweeping the porch, loading a car… The cats are confused. The kitchen floor is sandy. I think of this day and the next and the few following until I might meet my friend for dinner, exchange our mothering stories, ask what’s happening? what now? what next? This year, I have officially crossed over into the population of the dead mothers club. In a strange kind of way, I find this like membership in the new parents club: once you’re a parent, you’re in, a lifer, whichever way you’re going to take that ride. As for me — and maybe it’s really my suspicion I’ve been poisoned by mold at work — but I turned with an anathema against cattiness and pretense, as if my own death perches on my back just like my daughter now heading back to college classes who hung on my back not that many years ago, her miniature fingers curious against my ears, reaching for wild blackberries. Evenings, the August she was one, I walked her sleep every night as the twilight sank and then laid her, sodden with dreams, on our bed.

So it goes, this rich wild life.

On a whim, I buy a copy of Pearl by Siân Hughes in Montpelier. Oh, novel of my heart:

Had I stopped to think for a minute that the fracture in my family, the rift opened in my own heart, would be passed down to the next generation, through my own damage if nothing else? No, I hadn’t. It never crossed my mind….