Cat, hand, breeze.

November 5, 2026 / Brett Ann Stanciu / 4 Comments

Morning after the election, I stop in the food co-op on my way to work. The air is balmy sweet as early September; the light is November thin. Cheeriness this morning.

My car’s hatch is jammed with castoffs. My youngest is a college senior, and only now am I tackling a shifting around of our upstairs. It’s not a large house (there’s two closets on the second floor), but her first college year I pretty much missed her terribly, wrote and worked and wept. Then a year of lymphoma, a year of recovery, which brings beaten me to now. Imprinted in my bones is the memory that, two years ago, I couldn’t walk up my stairs. (Things went down from there, then up, fortunately.)

I open the windows in her bedroom. The warm breeze that smells of apples and wet wood drifts around my little cat sitting on the windowsill. My little cat thinks cat thoughts, or maybe not thoughts at all, but something wiser: pure perception of the pleasure of moving air on whiskers, of wonderment at a rustling in the dried leaves below, maybe a squirrel foraging for dried seeds in the flowerbed.

When I first became a mother, I was surprised at how the parenting landscape shifted constantly. Just when I figured out that I needed to raise things like boxes of empty canning jars above the crawling baby, the baby began running (she skipped the shaky walking phase). Now, a kind of relief at the normality of what I’m doing: ordinary empty nesting (ache, ache) and not profound disease.

I am a woman who appreciates a plan, even if the plans are going to break. Paint the walls blue? My cat mews for a caress on his chin. He and I sit on the windowsill for a long while. I let the words go. Cat, hand, breeze: these become one.

Moon Shadow.

October 25, 2026 / Brett Ann Stanciu / 2 Comments

A line an acquaintance wrote recently sticks with me….. how the world feels increasingly artificial and the antidote is to chop wood. That Zen phrase — chop wood, carry water — certainly not written for late Vermont autumn, but yet… apt. Early mornings in the dark, I boil water for coffee, the wood floor chilly beneath my bare feet. Not painful, simply something to note. Flesh, wood, temperature. The cats, thinking otherwise, sleep in the stray ash beneath the woodstove.

As the country rushes towards yet another election, late autumn moves in conversely slowly, balmy and verging on warm. Barefoot, I stack wood on my back porch, gather the summer’s garden debris of emptied flower pots, my watering can. Nearing November, the sky is sooty with the remains of sunlight. I rake leaves over the garden, gather apples and bake a pie, write everyday, do billable hours. I think: paint a bedroom before Thanksgiving. In all of this, time races through from that pre-dawn coffee to the evenings I lie on couch, reading. One cat emerges from pre-winter hibernation to nestle against my hip.

The nights are cold. Walking under the full Hunter’s Moon, a friend asks why we always seem to walking beneath the shining moon. The moonlight is so brilliant my cupped hands hold moonbeams. The bare branches are shadows across my boots. At dinner, we’d talked about what’s real, what’s not, and the national trend to make up your own narrative, facts be damned. In the witchy, enchanting moonlight, the whole thing seems real: fact, lie, shadow, brilliance, health and disease, the near and faraway. The evolving story.

To be well again, what might that mean?

The flowering plum sprung from late snow… ~ Meena Alexander

Illumination of Constellations.

September 17, 2026 / Brett Ann Stanciu / 6 Comments

On the way home from a conference in Montpelier, I stop at #10 Pond. Late afternoon, there’s no one around, and I open my laptop and work, perched on a rock. For a good long while, it’s just me and two curious loons swimming by, the September sunlight dropping over the hillside full of hovering gravity-defying dust and damselflies.

A stellar autumn day.

I hadn’t intended to swim, but the afternoon turns sweaty. The water’s temperature hovers at perfection, the morning’s chill vanished this late in the day. Afterwards, I stand on the shore’s mud, drying off. A stranger appears and wades in. The sunlight moves between us, a great creature.

We talk about the clear water and the leaves turning gold, and waking in the post-midnight wee hours. The nights are cold, and we agree that we close our windows, now, to keep some warmth in our houses for the morning. A young mother and two small children scramble down the bank. The youngest child runs into the pond, splashing, hands outstretched.

19 years ago to this day, my youngest and I were at the ER, when my husband had a chainsaw accident. All’s well could be the pronunciation, nearly two decades later, but is that so? Another of these questions that only I seem to ponder—how much of our difficulties were caused by us, how much by fate? An impossible question with no answer. A human, not a loon, koan.

Mid-September, a day balmy-sweet. I drop my damp towel and wade out. I fear I may not swim again this year, maybe never, but as I stroke out further than I have this summer, far beyond shore, I let those fears sink down to the pond’s hidden bottom.

Much later, the day’s heat lingering, I lie on my splintering picnic table beneath the Milky Way and let the words wash out of my mind, sink down through the grass and sandy soil, the realm of worms and grubs and groundhog burrows. The constellations illuminate the darkness.

Dumpster Raiding, Poetry, Independence Day.

July 5, 2026 / Brett Ann Stanciu / 4 Comments

Ocean Vuong reads at a nearby arts center that is built in a farm field with a stage modeled on the Globe Theater. My friend and I cruise in, nearly late, and the parking lot is full. Hundreds of people have arrived. On this holiday weekend, I’ve swam and eaten ice cream, stepped inadvertently from friend to friend, like the twilight walk that ended in darkness on a trail, two small women talking, talking, fireworks booming in the blackness around us.

Vuong reads mesmerizingly, like a dream. He begins with remarking that humanity began in poetry and war, and how this will shake out after the Anthropocene is yet of course to be determined. By the reading’s end, I wipe tears from eyes. Immensely talented, utterly humble, Vuong offered homage to craft of storytelling—its essential role in all human life—and to the women who raised him. Four Vietnamese women in hardscrabble Massachusetts wrested free from their bad men and raised seven sons. None of these women were writers, but they were all oral storytellers who told their stories to salvage their dignity from the harms of the men. The repair was for their sons—and themselves.

And the poetry and war where Vuong began? By the hour’s end, his words stream through me, like that Buddhist retreat I attended last summer, my body still bitten by cancer to more bones than flesh. In those days, for fleeting moments I could envision my own near death, that this body I’ve used so hard will go down into soil and stone, that tendrils of roots and melting snow will erase me from this world of language and teeming desire, and yet I will have never gone anywhere at all.

Likewise, listening, I realize the poet carried all of us, not one more than another, along his mellifluous words, that the human history of this country, America, is inextricably bound in the polarity of war and poetry, a profound rushing flood of passing time and undefinable generations.

Later, my dear friend headed home to her dog and her life, I wandered along the back end of the village where a dumpster lies overturned. From the rubble, I extricated a glossy Dorothea Lange photo, the famous portrait of a mother and children. I rolled it up and tucked it beneath my arm. For you, I write for you, because you are me.

NOTHING

We are shoveling snow, this man and I, our backs coming closer
along the drive. It’s so quiet I can hear every flake on my coat. I
used to cry in a genre no one read. What a joke, they said, on fire.
There’s no money in it, son, they shouted, smoke leaking from
their mouths. But ghosts say funny things when they’re family.
This man and I, we take the weight of what will vanish anyway
and move it aside, making room. There is so much room in a
person there should be more of us in here. I wave to you, traveler,
inches away but never visible from where I am. Are you warm
where you are? Are you you where you are? Something will come
of this. In one of the rooms in the house the man and I share, a
loaf of rye is rising out of itself, growing lighter as it takes up more
of the world. In humans, we call this Aging. In bread, we call
it Progress. We’re in our thirties now and I rolled the dough just an
hour ago, pushing my glasses up my nose with my flour-dusted
palm as I read, reread, the hand-scrawled recipe given me by the
man’s grandmother, the one who, fleeing Stalin, bought a ticket
from Vilnius to Dresden without thinking it would stop, it so
happened, in Auschwitz (it was a town after all), where she and
her brother were asked to get off by soldiers who whispered, keep
moving, keep moving like sons leading their mothers through
wheat fields in the night. How she passed through huddled coats,
how some were herded down barb-wired lanes. The smoke from
our mouths rising as the man and I bend and lift, in silence, the
morning clear as one inside a snow globe. For how can we know,
with a house full of bread, that it’s hunger, not people, that
survives? The man pours a bag of salt over the pavement. But
from where I’m standing it looks like light is spilling out of him,
like the ray of dusty sun that found his grandmother’s hands as
she got back on the train, her brother at her side, smoke from the
engine blown across the faces outside blurring into pine forests,
warped pastures, empty houses with full rooms. The man
clutches his stomach as if shot, and the light floods out of him, I
mean you—because something must come of this. Poetry makes
nothing happen, someone who is dead now said after a friend’s
death. When the guard asked your grandmother if she was
Jewish, she shook her head, half-lying, then took from her bag a
roll, baked the night before, tucked it in the guard’s chest pocket.
She didn’t look back as the train carried her, newly seventeen,
toward where I now stand, on a Sunday in Florence,
Massachusetts, squinting at her faded words: sift flour, then beat
eggs until “happy-yellow.” The train will reach Dresden days before
the sky is filled with firebombers. More smoke. A bullet in her
brother under rubble, his name everywhere outside her like the
snow falling on your face forty years later, on December 2, 1984,
while your mother carries you, alive only three hours, the few
steps to the mini-van where your grandmother, nearly sixty now,
crowns your head with her brother’s name. Peter! she says, Peter!
Peter! as if the dead could be called back from rubble into new,
stunned bones. The snow has started up again, whitening the
path as though nothing happened. Oh, to live like a bullet, to
touch people with such purpose. To be born going one way,
toward everything alive. To walk into the world you never asked
for but then choose the room where your hunger ends—which
part of war do we owe such knowledge? It’s warm in this house
where we will die, you and I. Let the stanza be one room, then.
Let it be big enough for everyone, even the ghosts rising now
from this bread we tear open to see what we’ve made of each
other. I know, we’ve been growing further apart, unhappy but
half full. That clearing snow and baking bread will not save us. I
know, too, as I reach across the table to brush the leftover ice
from your beard, that it’s already water. It’s nothing you say,
laughing for the first time in weeks. It’s really nothing. And I believe
you. I shouldn’t, but I do.

~ Ocean Vuong

Multitudes.

June 17, 2026 / Brett Ann Stanciu / 6 Comments

A friend comes for cheese sandwiches and raspberries, and we walk through the hydrangeas and across the cemetery and downtown to the Galaxy Bookshop where Garret Keizer launches his new book. The evening is illuminated with sunlight. Keizer reads well, and at the end, my hands folded over my knitting in my lap, I feel how this room of friends and strangers leans together, yoked by the intensity and compassion of his words. He thanks the audience and says drive home carefully.

Over those sweet raspberries, we’d talked about the curious threads that knot through communities, the connections between people known in segments. Likewise, we comprehend this universe in all its radiance and brutality through a smudged lens. This week, in a nearby town, an unimaginable car crash.

Lingering at the bookstore’s door, two old friends and I muse about these strange political days. One friend ventures that collective celebrations, like the recent Knicks’ win, keep us buoyant. As a writer, I’ve always leaned into words, the shelter of creation, the force of imagination. Yet, there are realms where language no longer suffices. Nine years ago, we moved into this house. I opened the living room windows, and the perfume of roses washed through the rooms. Nine years? a friend asks. What does that feel like?

It feels like multitudes.

… Last, grateful for this nice write-up of Call It Madness in the Times Argus.

Shift in POV.

February 22, 2026 / Brett Ann Stanciu / 6 Comments

My daughter sends word and photos of walking on Lake Champlain, frozen hard. I send word back, Be mindful! For those of us who love to swim and lounge on lakes and ponds, walking on the ice in the dead of winter is exhilarating, a flip in view in these cold months.

11 degrees this morning when I rise in the dark and shovel ashes from the woodstove while the cats mewl a protest for breakfast. I’m still thinking of those photos, and how it feels to have the cold air descend on your cheeks and walk that border between hypothermic water and all that sky. In a troubled winter I worked in a nearby town, I’d walk on the lake’s ice at noon and lie down and stare up at the sky. There were a few ice fishing shanties, never a sign of anyone, just me and the crows, all ice and the limitless sky and whatever the heavens had to offer. Sometimes spitting snow, sometimes endless blue, sunlight without warmth.

Heart of February. The skiing is excellent. A friend who I’ve known forever picks me up, and we walk along an ice-and-sand-strewn road. Below, the valley where the Black River and Route 14 is hidden in the folds of mountains. We look across and muse at the snow we can see on the mountains’ forest floor, how the bare trees reach up towards the sky.