This Offering

After a day of high school kids reciting poetry, I hold up in the Barre public library. Not far from me, a man unscrews a plastic bottle of sweet tea and mutters to himself. Abruptly, I pause my frantic emailing and wonder if I’m speaking to myself, too.

It’s March and sunny, and the snow has melted — not entirely, but a noticeable amount — since this morning. I’ve left my jacket in the car, as if daring myself to complain about this breeziness-with-a-promise-of-spring in my thin dress.

My head is still filled with poetry, and with the people I’ve met today who, in one way or another, bend their lives around writing and art — people who fashion meaning from the sometimes jagged stuff of this world.

Like libraries, poetry has always been a home to me, filled with the things of the world that both amuse and enchant me — like the man laughing at some secret only he might understand, and myself, staring out the window at a little girl in muddy black boots, digging through the soggy snow with a snapped-off stick, searching for treasure.

I am offering this poem to you,
since I have nothing else to give.
Keep it like a warm coat
when winter comes to cover you,
or like a pair of thick socks
the cold cannot bite through,
I love you…

— Jimmy Santiago Baca

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Barre, Vermont

Art For The People

What I might lamely describe as rain and the middle school girls laughingly referred to as moistiness, we stopped at the two painted silos. Beautifully painted with agricultural scenes, these two silos stood empty by the side of Route 15 for years.

I walked through a puddle-ish field. The girls, impetuous, ran.

I’ve been aching for weeks now for some brightness of color — and here it was — art transforming the landscape.  Around the back of the further one was a barred owl I hadn’t seen. The girls wandered over cement pad around the silo, talking about what might have once been here.

Four more cars had parked around mine. We took one last look and headed off into the mist and rain — the moistiness — again.

In art, either as creators or participators, we are helped to remember some of the glorious things we have forgotten, and some of the terrible things we were asked to endure…

— From Madeline L’Engle’s Walking on Water