I read Wendell Berry for the first time the 20th century summer I lived in a tipi we set up in a wild blueberry field. The land was owned by the widow of the well-known ecologist Robert MacArthur. Nights, when it rained, I stowed the library books in the VW Rabbit we drove all over the country, often sleeping in the back, from Montana to Arkansas. Recently, from an upstairs closet, I pulled out a photo of myself, circa the 20th century summer before grad school, when I painted houses and drank Genny beer. My best friend had taken up with a schizophrenic who collected rocks, so many he eventually buried his mustard-yellow Toyota Corolla beneath a pile of rocks from fist-to-large-dog-sized. I’ve long ago lost track of these people. They went their way, and I was swimming along in the current of my life, so young I didn’t realize the rising waters. I was headed out on my own long journey across the country, returning years later to the sweet and cold soil of Vermont to sink my roots deep.
Wendell Berry, Gloria Steinem, Dolly Parton… in their own unique way, each exuded pragmatism and optimism, perhaps the best of American qualities. Wendell Berry’s The Unsettling of America? Still ringing true….
“The soil is the great connector of lives, the source and destination of all. It is the healer and restorer and resurrector, by which disease passes into health, age into youth, death into life. Without proper care for it we can have no community, because without proper care for it we can have no life.”
I’m standing on a dirt road, looking up at the blue sky unblemished by any smear of cloud as my friend wraps a scarf around her face, when a Subaru speeds over the crest. Jolted, I lurch to the roadside.
$750k in cancer treatments and I’m felled by wrong-place, wrong-time on an otherwise untraveled back road? Not this afternoon.
Bitter cold warnings jam the local news. In snow-drenched Vermont, February marks winter’s swing, where the daylight begins to rush back, the light tinged with warmth, suffused with this second-half-of-winter’s promise that seeds will stir again. In the meantime, I take off my mittens as we walk and talk about writing and people and the value of a precise query letter.
We step aside for intermittent vehicles, a silver pickup, a friend’s Prius, a Corolla with split exhaust. A year ago, I’d been sprung from a stay at Dartmouth-Hitchcock and returned to my cancer-and-chemo habits that shifted from bed to couch to what felt like a Herculean effort to open my notebook at the kitchen table and scrawl a few lines, my shaky pencil a balloonist’s line that tethered me to the world. What I didn’t know then was that the hard things I’d endured in my life, some of my making, some not so (sobriety, a divorce, selling a house and lighting out for new territory with my daughters, writing and selling books, the pandemic, the constant wear of subpar home economics), was training for the next 10 weeks. In what is now a blur of that back-and-forth from home to Dartmouth, at one point my oncologist’s eyes widened just the slightest; I wondered if my life was tapering to its end. Was my body about to be driven under?
But not last winter. Not this sunny afternoon, either. What rich luck to walk on a Vermont ridgeline road, the snowy mountains in the distance, finches in a roadside maple. To work, to share a plate of roasted salty Brussels sprouts with a friend, bake a chocolate cake for my daughter’s birthday.
I will never escape this cancer, whether I live a year more or thirty. Its fearsome and awesome power churns through my heart. How it revealed unequivocally to me the brutality and dearness of this world.
Meanwhile, as I cherish these days, these hours and minutes, the country where I live hemorrhages, the last moment of a man’s life pounding through the chaos, his words to a stranger, “Are you okay?” illuminating suppurating wounds. All the things, sadness and delight and such sorrow, the radiant sunlight. Each of us, moving along our paths: separate, together.
Be like the fox who makes more tracks than necessary, some in the wrong direction. Practice resurrection. ― Wendell Berry
On this day of sunlight and chores, I end the afternoon walking through the back areas of town, behind the town garage and around this year’s dwindling sand pit. I turn around in the neighborhood with the scary unleashed dog, backing up slowly and doing, perhaps, exactly what should not be done.
Out of sheer carelessness, I never got the wood stove heated up to temp this morning, early at my desk, so intent, that I carelessly let the stove smolder low. In the day’s heat, I’ve let the stove dwindle further. That chore awaits me. My carelessness annoys my daughter, who’s afraid of burning the house down (what sane Vermonter isn’t at least slightly afraid of that?) and in love with the stove’s fierce heat. Two things at once. Which sums up March. Winter and spring. Breezy clean and ponderous with the thawing earth’s muck.
I pass hardly a soul on my walk and wonder if I should have made friends, or at least a kind of peace, with that snarling dog. As I walk, the air cools. The puddles are luminous with what remains of the day. I remember that beloved line from Wendell Berry — To know the dark, go dark — the line that’s driven so much of life. When I get home, I look it up.
To go in the dark with a light is to know the light. To know the dark, go dark. Go without sight, and find that the dark, too, blooms and sings, and is traveled by dark feet and dark wings.
I’m reading outside with my bare feet on the firepit stones when I feel something like my cat’s tongue on my toe. I’m reading intently, in the few remaining minutes before my daughter returns from soccer practice and my attention will abruptly shift into chat about school and peers and the righteous outrage I suddenly see emerging in this teen. How had I forgotten that one of the most interesting aspects of adolescence is an emerging moral sense of the world? What’s wrong? Who’s right? (And, please, as a parent, could I just remain low and out of the light?)
I’m reading, of all things, Wendell Berry, when I realize a grasshopper is nibbling my toe. It’s the very end of August, the sunflowers are opening, the basil is prolific, the beans have spread into a sculpture in the middle of my garden. I close the book and let the grasshopper gnaw.
We are dealing, then, with an absurdity that is not a quirk or an accident, but is fundamental to our character as people. The split between what we think and what we do is profound.
— Wendell Berry, The Unsettling of America: Culture & Agriculture
The summer’s so brief and nearly unbearably beautiful in Vermont that I believe we stock up these days for the monotone of winter ahead. Maybe it’s different for families who travel a lot, who possess the luxury of multiple vacations, but the few days my girls and I camp each summer, sleeping beside lakes and under cool trees, return to us often in winter conversations…. Remember when the raccoons ate our food? When the canoe nearly tipped? When we watched the full moon rise from the breakwater?
My daughter sunk above her knees into the snow over my garden. Somewhere, deep down, lies my garlic. Are you stirring, little white cloves? In your tender hearts, are green shoots stretching?
Bit by bit, the world changes. Starting with the soil, I’m searching for ten solid beacons of spring. How much better does the world get for children than mud?
The soil is the great connector of lives, the source and destination of all. It is the healer and restorer and resurrector, by which disease passes into health, age into youth, death into life. Without proper care for it we can have no community, because without proper care for it we can have no life.
Stony Soil Vermont 