Pink Infatuation

A friend of mine once said she aspired to have everything in her house handmade. She’s a potter, and we were sitting at her table, set with plates she had made, and clay mugs she’d swapped with potter friends. A pink Hello Kitty plate was at her daughter’s place.

I love this goal — and that she didn’t give her daughter any grief about the Hello Kitty infatuation.  Her daughters — teenagers now — have left the Loving Pink realm, like my own 19-year-old, once so ecstatic about pink overalls my mother had mailed her.

Pink, she told her friend with reverence, lifting the bib.

We are now out of the Loving Pink realm, too.

writing is rebellion. Art takes place when we’re unable to accept the boundaries we inherit, when we’re compelled to reimagine what others are willing or even eager to receive.

— Kim Brooks, Small Animals: Parenthood in the Age of Fear

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Mid-October Garden

In the garden, fat Brussels sprouts nestle against the stalks. My daughter says two words when she sees them: With bacon.

While the light funnels away — every single day, a little less — the remaining flowers in my garden brighten: marigolds, pink and violet hydrangeas, gold calendula, ragged now and past their prime.

None is travelling
Here along this way but I,
This autumn evening.

— Basho

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October Gardening

In the garden this late afternoon, a slow-moving bumblebee sways on a Mexican sunflower blossom tucked beneath a great sunflower leaf, its tender orange spared from frost. With a knife, I cut broccoli.

Every bit of sunlight we can get, I take — and urge my daughters to take, too.

The trees are throwing their leaves away. This time of year, some trees hold green canopies, while others have already emptied their branches.

Calligraphy of geese
against the sky —
the moon seals it.

— Buson

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Gabriela, Wheelbarrow

 

 

Beautiful Travels

Reading Daniel Mason’s new novel, The Winter Solider, I’m reminded of first reading Russian novels — Tolstoy, Dostoyevsky, Turgenev — when I was a teenager. How hungry I was for those books — what will these characters do? — in their snow-buried landscapes. Tender green shoots of spring poked through the gritty ice.

This reading mirrors the kind of life I carved out as an adult. Live on a hundred acres of woods, work outside in all weather, pull your toddler along the backroad in the sleet, just because…. Know that where the moon rises above your house is essential. Be afraid; know that the snow and the long-toothed northern cold can and will maim and kill, but how beautiful this world is…..

They were five hours east of Debrecen when the train came to a halt before the station on the empty plain.

— Daniel Mason, The Winter Soldier

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Cambridge, Vermont

Loving Yellow

Lador Day Weekend, we’re all home Sunday — both girls and myself — and I followed in the family tradition instilled by my father: painting the house. Our previous house was cedar shingled, with paint only on the window trim. That house had many windows, so, most falls, I painted some of the trim or old storm windows, always the same exterior deep blue teal.

My daughter, when she was three, called this Mama velvet-tealing, a neat way of turning a noun into a verb.

While gray is a traditional New England choice for steps, I had picked up a remainder can of exterior floor paint for a mural on the barn door. When I opened it up, the paint sparkled the glossy richness of spring dandelions.

No, the girls said.

Yes, I said.

Later, when the new neighbors walked over for cake, they asked how long the steps had been so brilliant. Since today, said my older daughter.

Once again, I find myself wildly painting. Next, a deep yammish orange for the upstairs floors. Color, the consolation of fall.

…What is yellow? pears are yellow,
Rich and ripe and mellow….
— Christina Rossetti, from “Color”

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Turtle Visitor

A wildlife biologist smitten with wood turtles makes an evening presentation at my library, turtle in tow.

The room fills with people I know, and some I don’t know — a little girl from Montpelier with her grandfather whose family has owned a lakeside camp in Woodbury for 100 years. The trustees bring homemade desserts; there’s cold cider; we borrow chairs from the elementary school’s second floor gymnasium. In the humidity, I wipe sweat from my forehead with the school’s paper towels.

An older couple brings their dog, who otherwise would have cowered alone at home, if thunderstorms moved in.

These evenings are a microcosm of small town Vermont: one woman quietly counsels another about obtaining a medical referral. The kids pile a paper plate with brownies. Another woman raids my book sale, asks for a box, and says she’ll drop a check by later.

In the end, I lock up, saying goodnight to the silent 100-year-old schoolhouse. So many people have gone through these doors; so much living has happened here.

In my library, next door, I glance around at a bit of chaos — a pile of old buttons in a pie plate the children have strung into necklaces, picture books on the floor.

Enough for one day. I turn off the light, lock the door, and walk out into the cooling-down rain-sweet night.

And over the grass at the roadside a land turtle crawled, turning aside for nothing, dragging his high-domed shell over the grass: His hard legs and yellow-nailed feet threshed slowly through the grass, not really walking, but boosting and dragging his shell along.

— John Steinbeck, The Grapes of Wrath, 1939

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