Kid Project

Deciding she wants to improve her cursive handwriting, my daughter writes a careful sentence in her notebook and hands it to me. I’m sitting beside her on the couch, reading Volkswagen Blues. In my clumsy cursive, I pen an answer to her sentence and hand the notebook to her.

As we fill a page back and forth, a curious thing happens. My handwriting, never stellar anyway, unwinds into a nearly illegible scrawl while hers, tidy and careful, improves.

One little moment of her childhood, of my motherhood.

At five this morning, my teenager and I shovel out her car — so many inches of fine, perfect snow. When she leaves, I keep shoveling by the light of the living room window. Today, snow will fall all day, and maybe we’ll remember it as the day we baked blueberry pound cake and the trampoline frame disappeared in the snow.

Or not.

But for a few moments, sweating from shoveling, my hat pushed back, I stand listening to my breath and the far-off sound of a snowplow, in those millions of snowflakes, twirling their way to earth.

He wanted to know what kind of people had decided, in the early 1840s, to give up everything and travel across most of a continent simply because they had heard that the land was good and life was better on the shores of the Pacific. What sort of people had had the courage to do that?

“Ordinary people.”

— Jacques Poulin, Volkswagen Blues

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Pre-storm photo, January 2019

 

Laughter, Light

Standing in mud and slush in the dark last night, we watched women spinning cords with knots of flames. Their faces concealed in the darkness, I listened to the women talking and laughing, each of their laughs remarkably distinct.

Later that night, walking down Montpelier’s State Street, with hardly anyone around, we admired the mighty Christmas tree at the State House. On the capital’s shiny dome, Ceres — goddess of agriculture, grain, and motherly love for children — reigned.

Vermont — realm of wild blackberries, chittering sparrows, lush forests, and the deep, dark winter. There’s no denying this state holds its portion of troubles, but also the willingness to lift fire, spin it around in the darkness, and laugh.

Take bread away from me, if you wish,
take air away, but
do not take from me your laughter….

— Pablo Neruda

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Red Flicker

A single cardinal sits in the bird feeder on the wooden pole listing in the old woman’s yard. I pass this way often, where she sits on the glassed-in porch with her friends, a colored paper turkey pressed decoratively against one window.

Her boots have trampled down the snow around the feeder. My eyes search for a fallen crimson feather, but there’s nothing — just a flap of the bird’s wings, and then the bird’s gone.

Let the fox go back to its sandy den.
Let the wind die down. Let the shed
go black inside. Let evening come.

 

From Jane Kenyon’s Let Evening Come

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Stockpiling

As the garden withers for the winter, I collect seeds — tithonia, marigold, coneflower — pulling the dry seeds with their tufted ends with my fingers, secreting them in my coat pockets.

My daughter takes a handsaw to the mammoth sunflower stalks fencing the garden, their heavy heads picked nearly clean of seeds from marauding birds. From a scant palmful of seeds, what pleasure these beauties have given us this summer. Now, the birds and the scavenging squirrels feast, too.

A friend stops by with a bare peony root, cushioned in paper, transported in a Negra Modela box. I’m out that evening. When I return, my daughter carefully unwraps the root — not merely a stick but a complicated branching — and then lifts another smaller root. Good luck, she says. They may not grow.

Or, they might.

Wait, for now.
Distrust everything, if you have to.
But trust the hours. Haven’t they
carried you everywhere, up to now?

— Galway Kinnell

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Juncos flock the double glass doors in our kitchen, tantalizing our cat.

The Promise

Beautiful news!

Via email, I’m offered a division of a giant “butter yellow” peony. Oh, in this gray-upon-gray end of October, such a radiant promise of tender blossoms.

A piece of the Bartzella will be coming our way. Roots and dried stalks = creamy petals.

This morning the green fists of the peonies are getting ready
to break my heart
as the sun rises,
as the sun strokes them with his old, buttery fingers…

From Mary Oliver’s “Peonies”

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Okay, not a peony….

 

Digging Deeply, Vermont Cold Soil

Returning home in the dark, much later in the night than we usually do, my 19-year-old grabs her camera and insists on walking through the dark. She wants a picture of the little white lights she sees from her window at night — where, she’s not exactly sure.

All afternoon, we’ve been in and out of the house and barn in the thin autumn sunlight, shoveling compost and carrying buckets of potatoes and beets. The 13-year-old and I played soccer in bare feet on the cool grass. The 19-year-old baked a cake. Her younger sister gave her curious cat a bath in the kitchen sink.

Like many people I know, my life is jammed with scrawled lists, with dates on the calendar, with attention given to work and money and house and cars — with gardening, with worrying about kids, seeing friends, making sure my desk has a pile of library books. Much of this is pleasant and joy-giving, and some of it — particularly the middle-of-the-night angst of what the hell am I doing with my mortal life — just erodes your soul.

As an antidote, simply this.

In the late afternoon, I snap off kale leaves. Overhead, geese honk — eight birds, followed by five more — calling, arranging themselves in flight, flying so low I hear the whoosh of their wings, as they press on their journey, south and away.

Listen. Slide the weight from your shoulders and move forward. You are afraid you might forget, but you never will. You will forgive and remember.

— Barbara Kingsolver

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