Vermont

Habits of the Heart.

/ Brett Ann Stanciu / 2 Comments

A radiantly sunny September afternoon, I’m at the northern edge of Caspian Lake, an afternoon with the slightest of breezes so the water shimmers and ripples. The summer people have all returned to other places, the local families at work or school, so it’s just me. For the longest time, I stand at the edge of the long dock and watch a bald eagle fly low over the water, then circle back and disappear into the woods.

Where do you find succor?

For years, with little girls, I spent hours with my friends at the public beach on the other side of the lake. Our worlds dispersed now, I haven’t walked there this summer. In no rush on a day that’s already been crammed with people and my to-do list, I take the longer trail back to the road. The usually wet forest is so parched the boardwalk bridges span over dry soil.

As the afternoon folds down, I take a walk along the river, the path I’ve been following all summer, watching the trout lilies give way to soapwort to the persistent asters. A pickup truck idles across the trail. A woman I knew years ago from a library kids’ group waits for me to pass, then ropes off the trail so she can move her cows from one pasture to another.

On my way home, I stop at the co-op for vinegar and coffee beans and cashews. A stranger says hello in the bulk aisle and reminds me he’d passed me on the trail, he on a bike and me walking in sandals. We talk about the moon and a star named Arcturus. When we part, he says, “See you on the trail — a metaphor for life.” Slow I am these days, as if I’m floating on my back in a warm pond, my eyes open to this flawless blue sky, the undulating water gulping in my ears. Autumn, this heartbeat of beauty, its own true metaphor.

… From this week’s New Yorker:

… what made America great—were “habits of the heart”: the everyday engagement of citizens that sustains institutions by holding leaders to account. Habits fade, but they can also be revived.

Moonrise, More.

/ Brett Ann Stanciu / 6 Comments
Barn door view.

An old friend unexpectedly appears at my door one evening as I’m folding laundry. We sit on my back porch and drink hot honeyed tea and watch the just-beyond-full moon slowly rise. September, the night’s chill creeps in around us. I grab my hat and coat and brew more tea.

All this fall, I’ll be thinking of a year ago, when I was getting sicker and sicker, with no real understanding why until that terrible night in the ER when a scan revealed cancer, so much cancer. Heading towards a year later, I’m admiring the moon sail over the mountain ridge and up through the trees. We keep talking and talking. It’s not so much the words that stitch us together but our chuffing breath that hangs in clouds between us, a howling neighborhood dog, a rustle in the ravine of a wild creature.

After my friend leaves, I wander around the moonlit garden, hands in my coat pockets, the tall amaranth a shadowy forest beside the closed four o’clocks. Frost is not far in the offing.

Inside, a daughter has texted me….. where are you?… Outside, breathing in the moonlight. Still here.

Instructions on Not Giving Up

More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor’s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it’s the greening of the trees
that really gets to me. When all the shock of white
and taffy, the world’s baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come. Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty. Fine then,
I’ll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I’ll take it all.

~ Ada Limón

“Listen, no one signed up for this lullaby…”

/ Brett Ann Stanciu / 11 Comments

Incantation of the First Order 

Listen, no one signed up for this lullaby.  
No bleeped sheep or rosebuds or twitching stars  
will diminish the fear or save you from waking  

into the same day you dreamed of leaving—
mockingbird on back order, morning bells 
stuck on snooze—so you might as well  

get up and at it, pestilence be damned.  
Peril and risk having become relative, 
I’ll try to couch this in positive terms: 

Never! is the word of last resorts, 
Always! the fanatic’s rallying cry.  
To those inclined toward kindness, I say 

Come out of your houses drumming. All others,  
beware: I have discarded my smile but not my teeth.

~ Rita Dove

Lucky.

/ Brett Ann Stanciu / 8 Comments

August is exceptionally hot this year, the rivers so low they can be crossed by foot. In the woods, streams have dried to rock beds. In Montpelier, the state’s tiny capital, I walk by a store with bright bowls in the window and think, My mother would love this store. She passed over a year ago, and yet I still catch myself thinking that she might appear around a corner, her purse tucked under her arm, amused at me. Of course I’m not gone…

My father, the physicist, schooled his three kids early on about entropy. In a week where things repeatedly broke — the hot water heater leaking, the Jetta refusing to start in the rain — he made jokes that we were in a High Entropy Zone. So, this lovely August, with the chorusing crickets and the waning red moon — I’m determined to suck each day to its marrow. Sandwiched around work and the steadiness of washing dishes and so on, I’ve pushed aside space for swimming and ice cream, for lying under the apple tree and studying a spider spin her web. The entropy of living keeps on, as it does.

In the years when I was raising my own young daughters, our days zigzagged from bowls of blueberries to bath time. The days were endless, and the years rushed by. Now, my girls newly grown, I relish the silence and crave their company. Lucky I am, so lucky, to be alive this summer, this month, these days. All day long, I walk around with my tender heart cradled in my hands, wounded and raw from cancer, from weeks of hospitalization, from the knife of mortality pressed against my windpipe. August: the season of great loveliness, the intimation of winter. The reminder to love where and what we are.

Hitch Hiker at a Truck Stop

The hitch hiker asks to look at

the palms of my cold hands

and thanks me for unfolding them

on the frost-edged

picnic table between us.

While I look at his downcast eyes

trying to see if he sees,

nearby truckers stare

at his narrow face,

long blond hair.

He asks me if I garden,

rips a scrap of newspaper

and folds it up

into a tiny origami

package for anise seed.

Here, he says,

seed I gathered in Oregon,

plant it in Colorado.

I always have a garden, he adds,

I plant and leave to others.

He tells me he has no sex;

when you ride in the righthand seat,

you have to nod your head

without listening.

Face pressed to the window,

he can see the lacquered edges

of the earth.

So I imagine him 

practicing calligraphy

on truck windows,

recommending honey and vinegar

in a glass of water

every morning.

Mad, mad, mad.

A yellow warbler,

the moon at the bottom of the stream.

Out on the highway

he is raising his thumb again. ~ Mary Crow

Keeping Company. Neighbors.

/ Brett Ann Stanciu / 9 Comments

A friend mentions her mother has an art opening that evening in the sprawling building that was once the village inn. We’ve just returned from a walk and stand in a field where, 25 years ago, she sold homemade pies and I sold maple syrup. We each held a nursing baby, in those years.

Her mother lives beside me, so about eight o’clock, the time I’m usually brushing teeth or walking around the house putting water glasses and cat bowls in the kitchen sink, I pull on a sweater (hello, Vermont July) and walk downtown. Monday, hardly anyone is out this evening, as the sunset does its peach-and-rose watercolor magic along the mountains.

I’m amazed, again, at my neighbor’s talent, her unique vision a mixture of O’Keeffe and Cézanne. I stand holding her hand and talking, this woman who lived plenty of lives before I met her. When I weed my front yard garden, she’ll sometimes lean out of her door and holler, “Hello, neighbor!” her hair in plastic curlers.

I walk the long way home through neighborhoods where the children have been called in for the night. Stray teenagers are out; no one else. There’s no glimmer of moon, but the stars are winking into their nightly places. I take an extra loop, and the darkness folds around me.

I’m in this odd place where people I hardly know touch my shoulders, rub my growing-back hair, as if to confirm that, yes, I’m alive. Or I’m looked at silently, uncertainly. The cancer’s made me rougher and gentler. Disinterested in cattiness, willing to visit a neighbor when my body aches to lie down.

At home, I linger on the house steps, the tree frogs serenading. These summer days are long, long, with some hours of work. More than anything, I’m determined to finish a draft of this third novel, determined to sell this book, too. Stubborn my mother would tell me. You’re so stubborn. By now it’s dark, the scattered village lights cupped in the town’s narrow valley, the Milky Way a silent celestial river. My mother despised my stubbornness, this trait that mirrored her. Or maybe I’m completely wrong about that.

I water the hanging plants, and yet I’m not willing to go in for the night, lie down and read, sleep. Last November, I was sitting on these steps in the darkness, the news of having cancer fresh and raw. A different neighbor appeared and sat with me. We talked about opioids and THC. She told me about her husband’s death. In the chilly November, we sat in our coats, a quiet between us, she keeping me company.

“The purpose of poetry is to remind us
how difficult it is to remain just one person,
for our house is open, there are no keys in the doors, 
and invisible guests come in and out at will.”
― Czesław Miłosz

In the great [and holy] darkness.

/ Brett Ann Stanciu / 4 Comments

In these sultry July days which I love, I walk in the evenings. Wildfire smoke from Canada renders the sun bloody. In the heat, there’s few folks out. I often follow the trail along the river to the pastures where cows graze. The air, fat with humidity, is redolent with wet earth and cowshit. The smell reminds me of those childhood camping trips and those journeys in my twenties when we explored the West, driving around with Rand McNally and pitching a tent in a forest or farmer’s field.

The world indeed might be going mad, the planet hurtling into fire and heat. On these July evenings, though, it’s me and those cows and the wildflowers blooming rampantly. In the night, rain patters. I leave the cats sleeping in their hot fur and slip outside. It’s so far along in the night that this village is sleeping, too early yet for milk trucks, too late for teenagers. I sit on the steps in the tiny cool bits of raindrops, tree frogs and crickets chorusing.

I’ve posted this poem before, but Hayden Carruth is always worth reading again, and this remains one of my favorites.

The Cows at Night

The moon was like a full cup tonight,
too heavy, and sank in the mist
soon after dark, leaving for light

faint stars and the silver leaves
of milkweed beside the road,
gleaming before my car.

Yet I like driving at night
in summer and in Vermont:
the brown road through the mist

of mountain-dark, among farms
so quiet, and the roadside willows
opening out where I saw

the cows. Always a shock
to remember them there, those
great breathings close in the dark.

I stopped, and took my flashlight
to the pasture fence. They turned
to me where they lay, sad

and beautiful faces in the dark,
and I counted them–forty
near and far in the pasture,

turning to me, sad and beautiful
like girls very long ago
who were innocent, and sad

because they were innocent,
and beautiful because they were
sad. I switched off my light.

But I did not want to go,
not yet, nor knew what to do
if I should stay, for how

in that great darkness could I explain
anything, anything at all.
I stood by the fence. And then

very gently it began to rain.