Mid-October.

In the night, a wild wind throws rain through my bedroom window. It’s before midnight. At twilight, the maples shimmered with a rosy-golden light, but our world has shifted. The wind’s tempestuous, shaking the storm against my house, driving away that autumn dreaminess.

The cats and I are awake. I lie on the couch, reading Ducks. Our little world has seen a proliferation of cats recently — a gray one the neighbors’ boys named Follower, a glossy black, a white-and-brown tabby, a tortoiseshell. The light on the back porch kicks on when the cats, one by one, appear, sodden, and then race off again. A raccoon sniffs my sandals I’ve left out beneath the overhang. My two cats stare through the window, mesmerized.

All night long, all day long, leaves fall. The butternut tree I planted a five years ago is skinny trunk and branch. Magnificently golden, the neighbors’ maples shed their leaves into a giant carpet. Their little boys rake and burrow. As their top branches reveal their starkness, the height of these trees soars above our houses.

October, and midday the light is tinged with sootiness as the sun bends away from my place on the earth. Whether it’s the pandemic or where I am in life, the old patterns I knew for years have splintered, fractured. To my list I write long before dawn, I add: cover the garden with leaves.

The water wheel spins
holding up the milky way,
and then spills it out.

– Kawasaki Tenkō

Voyages, Tiny & Massive.

As has been noted repeatedly in our house — the cats live in their own sleeping and dreaming schedule, small world within our world. My daughter, heading out early to work, remarks about this again.

October, and the days shorten daily. I’m awake in the dark with the full moon and a radiance of clouds passing over our house. The cats appreciate their full bowls, and I stir the wood stove’s ashes, grateful for the bone-dry wood I lay on the embers.

As I make coffee, I remember strands of a conversation I had yesterday with someone I’ve known peripherally for years. His parents met in Eastern Europe at the end of World War II. We swap stories for a bit, and I tell him about my grandparents who immigrated from Romania. He spoke Hungarian as a child and later returned to the country and relearned, to an extent, his original language.

My cats oversee what I’m doing with the wood stove (proprietary as always about their heat source). The acquaintance and I mused for a bit about the loss of language in the Great American Empire, the great push for conformity. But that’s facile, too. Our ancestors lived in harder times and sought reasonable things — a steadier life, a solid home, maybe even peace.

All afternoon, I pull up frost-killed flower stalks and bury hard knots of bulbs — narcissus and crocus. My hands stain with soil. The sunlight is radiant but thin now, scant. The fatness of spring looms so distantly that these bulbs I plant don’t even seem a promise. Walking around, appraising, I note the barn needs painting. Next spring, I think. Get on it then.

…. And a quote from Laurence Bergreen’s phenomenal book Columbus: The Four Voyages.

To his Sovereigns and their ministers, it was intended as a landgrab and a way to plunder gold. Instead, it became, through forces Columbus inadvertently set in motion and only dimly understood, the most important voyage of its kind ever made.

Autumn, Moon, Small Town.

While my daughter washes the dinner dishes, I head out for coffee. That morning, I finished the last of the grounds. I pull on a sweater and cut through the back woods to the cemetery. A gibbous waxing moon hangs like a splash of cream over the cemetery and keeps me company as I cut through the elementary kids’ ballfield.

As I walk down a side street, I see the co-op below, lit in the falling twilight. Last year, the co-op moved from its tiny Main Street store — packed literally to the ceiling with stuff — to a much larger boxy grocery store around the corner. A number of years ago, the co-op quit selling bottled water after a staff member complied compelling reasons to quit. Instead, the co-op offered cups of free water. Now, the co-op sells local veggies and cheese and meat and wine and so on — and Cocoa Puffs.

As a long-term co-op shopper, I’ll simply note that people don’t know how to use this larger parking lot. For whatever reason, we keep tangling up ourselves, backing out into Route 15, nearly colliding.

In the parking lot, I stand for a moment, admiring the moon and the scent of autumn. All day, the sun has shone brilliantly, unseasonably hot, and rain will be pushing in Friday. The man who lives in the apartment across the street opens the co-op door and gestures for me to walk in ahead of him. We stand talking for a few moments about that drop-of-cream moon and how the scent of fallen leaves reminds us of childhood.

Peak Foliage, Thursday 1:35 p.m.

… or so I predict. Such a silly thing. The branches of some trees have already blown bare, others are just beginning their radiance. It’s later that the torches of tamaracks will begin.

On these stunningly beautiful autumn days, the cats and I wake early. They’re easily satisfied with a few morsels of cat food, a rub on their furry heads, a few more sticks in the wood stove. The two of them stretch on the rug before the stove, worshipping.

Daughter and I go about our day. Coffee and dishes and firewood. At night, I dream of spring peepers.

Here’s not the famous lines from Robert Frost that rattle through my mind these days. Instead, Ezra Pound:

IN A STATION OF THE METRO

The apparition of these faces in the crowd:
Petals on a wet, black bough.

— Ezra Pound

October 1.

I spend the better part of Saturday stacking wood, beginning bundled in a sweatshirt and hat, and quickly stripping to a tank top and shorts. A black cat wanders by and appraises my work which, admittedly, is uneven but certainly sufficient. I breathe in fresh sap, wet earth, dusty bark crumbles.

The month of September — all thirty days — disappeared in a few heartbeats. I’m still pulling in frost-choked parts of my garden, the dead lily stalks, putting away the clay fairy house in the rock garden my daughter made so many years ago.

Friday, I’m at a summit all day that brought together people, who, in one way or another, are enmeshed in healing from addiction. Here’s the thing: a few years ago, I never would have attended a summit like this, let alone speak to a large group. For years, I said nothing about my own struggles with addiction. But publishing Unstitched acknowledged in a very public way my own miserable struggles with drinking. Because I had written the book, I had to answer questions publicly about this, and I needed a surprising amount of time to acknowledge this, to really accept what this meant. But I heard — and I kept hearing — from people I both knew and complete strangers — about their struggles, or a friend or family member’s struggles.

The Rumi line I quote in Unstitched is “the wound is the place where light enters.” When I returned Friday evening, my daughter asked me why I go to these sad things. And it’s true; there’s such grief that’s shared. But now I understand that there’s my own grief — still much of it in a private place in my heart — but grief is our human commonality, too. The wound is what renders the light possible.

When I step out, three hot air balloons are rising.

Nearby the expo where the summit is held is a hair salon named The Rusty Clipper where I dropped off maple syrup wedding favors about twenty years ago. The father of the bride gave me a check. When the bride opened a box, she told me I had given her the wrong bottle — hearts instead of leaves, or leaves instead of hearts. I gave the check back to the father. I put the boxes back in my car. I buckled in my three-year-old and drove home. At home, I redid all the favors and drove back the next day. When I got the check again.

I stand there under the hot air balloons and wonder about that bride whose name I’ve long since forgotten. Then I follow the crescent moon home over the mountains as the light gives way to twilight.

Take Joy.

There’s a line in a Raymond Carver that describes a woman as a long tall drink of water. The line reminds me of my oldest daughter — a kind of welcome draught. Myself, I’m more like a splash in the face.

She and her friends are in their early twenties and have lived an amount of life that surprises me at times. At her age, I’d had a whole, full childhood and was drifting through young adulthood, through college and graduate school and what amounted to an awful of driving around the country and sleeping in the back of our Volkswagen Rabbit. I’d sandwiched in a number of jobs, but the economy was sparse in those days. The pre-internet world was slower, less fierce, less competitive. In the collective vocabulary, the words climate change, pandemic, trauma, were never bandied around.

So on these balmy, early autumn weekends, it’s a pleasure to see her strap the kayaks on her car and head off for a pond ringed by mountains. Summer in Vermont is always too short. But this year, in particular, has been especially brief. Maybe it’s where I am in my life, with my youngest about to fly from the proverbial nest. But the stresses of the pandemic — hardly just for me, but collectively — have worn profoundly into our world. A delayed car part on order seems something hardly worth considering. As a personal sanity strategy, these lovely, golden autumn days, I pause outside and listen to the cricketsongs, the ruffle of wind on leaves that aren’t long for this world.

One thing I wish I knew in my twenties is that happiness matters. At that age, I had a whole confused theory about happiness versus pleasure, saving my soul and the planet, writing and sacrifice, and a narrow view of good parenting. Silently, I think to myself, Take joy where you find it. Surely our world needs more laughter. And rowing your narrow boat makes you strong.

…. Last, Streetlight published an essay of mine today. Many thanks!