Vermont

Small Things.

/ Brett Ann Stanciu / 4 Comments

Early April, hot midday sun, I spy a Mourning Cloak butterfly darting over frozen Caspian Lake. The water has thawed blue holes in sporadic places around the shore, but the snow still crumbles into my boots as I follow the butterfly. The butterfly darts into a stand of cedars and disappears. On this afternoon, how lovely the lake lies, just me and the boarded-up summer cottages, the rusting can used for worms or smokes emerging from its wintering over beside a porch post. The ice spreads out in varying ribbons of pale blue and pearl.

On my back through town, my boot avoids the first of miniature grape hyacinths, tiny buds and furled leaves emerging from gravel.

This spring day, Van Gogh is on my mind, his immense talent, troubled mind, these words: “Great things are not done by impulse, but by a series of small things brought together. And great things are not something accidental, but must certainly be willed.”

Monday.

Layers.

/ Brett Ann Stanciu / 7 Comments

A week of sun ends in scattered raindrops and my hands dirtied with creosote from cleaning out my wood stove. The cats hunker against the wall, glaring at my labors, annoyed at the chill descending into their cat realm. My daughter, fluent in Cat Language, feeds the creatures small pieces of roast chicken. I brew more coffee.

Mid-March, the sudden season of reckoning: what is it I’m doing? This is the week of self-doubt and the week of the kindness of strangers, too. March has long meant the season of sweet maple and cold hands, of leaning hard into work, the season of faith that spring’s crocuses and snowdrops and ephemerals will return—that they always return—to remind myself that the wider world holds us inevitably, for good or ill and sometimes for both.

Cutting into with the ax,

I was surprised at the scent.

The winter trees.

— Buson

Small Reckonings.

/ Brett Ann Stanciu / 4 Comments

I’m sitting in the back of the school library on the wall heater when a friend I haven’t seen for years walks in. A large school board meeting has started, and we whisper to each other until I suggest we leave and talk. Early evening, the school is empty, and turn on the lights in a room where my daughters both had classes. I pull out two chairs from the student tables.

Almost immediately, we start in on what should be a simple math problem — March 2023 to March 2020 — which yields an unbelievable three. Before the pandemic we worked together and spent hours talking about literacy and kids, about schools and families, but we also talked about canning tomatoes, about parenting, and being women. We ask how this or that turned out for each other — some decisions, some simply a bend in circumstance.

By the time we leave, the school has completely emptied out for the night. The weather has turned mild, and we walk slowly under the dim lamplight to our cars. A mist rises over the soccer field. I get in my car and drive down the hill and across the river and up the hill to my house. The village lights sparkle in the mist. The moon edges around a break in the clouds. In the darkness I stand there, thinking about the numbers we put together, marking places in our lives, then adding and subtracting our lives—people and jobs and books and houses. The numbers all mesh together, consumed in our shared stories.

At 86.

/ Brett Ann Stanciu / 25 Comments

I grew up in a family nearly devoid of grown men. No grandfathers, no uncles save one uncle by marriage I met once in California and never saw again. Like any kid, how I grew up seemed just the way of the world.

Every summer, we saw my grandmother and wacky and wonderful aunts and female cousins. In those weeks, the ordinary rules were suspended. We kids lived in our realm, quite happily, while the adults did their endless talking and laughing. In all this, my father headed our rambling crew, whether we were swimming in Maine’s icy Atlantic or visiting a Shaker village. My father taught his three kids to love E. B. White and Shakespeare, to fly a kite and cross country ski. The original YouTuber before YouTube was a thing, my father is a lifelong library aficionado. He taught himself — and so taught us — to paint a house and repair a leaking washing machine, to write a clear sentence, play Hearts, understand mathematics is exquisite, and lean into the happiness of lying on your back under the summer constellations. The list is eternal: use a sharp pencil to solve algebra; chop garlic fine; Plato is sublime; be polite to cashiers; work hard; pay your bills; hike.

If you couldn’t figure out an answer, keep thinking. My god, that’s useful.

I inherited his nose and his utterly irreverent sense of humor. He never indulged his children in the illusion that the world is easy or kind. The summer I was ten, we drove from New Hampshire to Wyoming to Colorado to New Mexico, living out of our green Comanche Jeep and careening back into New England two days before school started. By that time, my sister and I had read his copy of Huck Finn at least twice over and thoroughly kicked around Huck’s aversion to civilization. 86 today, my father is still modeling Thoreau’s behavior of sucking the life’s marrow, grit and all, while savoring espresso.

Sundays too my father got up early
and put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.

I’d wake and hear the cold splintering, breaking.
When the rooms were warm, he’d call,
and slowly I would rise and dress,
fearing the chronic angers of that house,

Speaking indifferently to him,
who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love’s austere and lonely offices?

— Robert Hayden, “Those Winter Sundays”

Interlude.

/ Brett Ann Stanciu / 3 Comments

Checking out at the co-op, an acquaintance says she has a question for me. I follow her outside, and we stand in the falling snow, she with her bags full and me with the tomato and yogurt my youngest requested.

Through the snow, the mural across the street glows its brilliant rainbow of colors. Across Vermont, murals have appeared in the past few years, not just in the usual suspect cities — Burlington and Brattleboro — but in places where art seems least expected: a parking lot, or the roadside field in Jeffersonville where cement silos are beautifully painted with an old man sowing seeds, a red clover blossom. Half a decade ago, driving with four young teenagers, I pulled over and we walked around and into the empty cement tubes. Springtime, we splashed through standing water in the hayfield.

Now, snow swirls around us, my favorite kind of drifting snow, magical and full of possibilities. We talk for maybe ten minutes, while I hold that tomato and a paper bag of granola, shivering, while people trudge through the snow around us, buying baguettes and greens and bottles of wine. We’ll find no answers in our brief conversation that picks up those knots of privilege and power, of pretense and betrayal. This far along in our lives, there’s nothing textbook here. The questions shape our lives, the little world where we live.

I suggest a sliver of a solution, a tiny change, a minuscule movement, a small slice of good. By then, I’m shivering fiercely. The night’s falling down, and my small household will be hungry.

The painter’s vision is not a lens,

it trembles to caress the light.

— Robert Lowell, “Epilogue”

Order.

/ Brett Ann Stanciu / 9 Comments

Dreaming, I untangle my knitting conundrums: rip out one half-finished cardigan and use the yarn for a cabled pullover. Nothing earth-alternating, planet-changing, simply my need for order and creation. Some small measure of satisfaction.

Which is why I understand the volunteer in the Giving Closet, the room in the old school building where I work these days. The Giving Closet holds the community’s castoffs and giveaways, an endless motion of clothes and toys and dishes and not enough artwork that swaps around from household to household.

Late afternoon, low clouds pressing around the wide windows as a storm moves in, I wander into her space and offer hot water for tea. She’s endeavored to straighten and tidy the concatenation of stuff that invariably slides into chaos. Two women are looking for scrubs, holding up shirts and asking each other, This? or This?

Through the windows, snow drifts down. The roads part and V around this old schoolhouse, empty. Across the way, the Ukrainian flag hangs down from the church’s sign.

….. and here’s a few lines from a recent review of Unstitched by Joanna Theiss.

While Unstitched is a valuable and important book for its discussion of opioid addiction, the writing is quietly beautiful, every word appreciative of the Vermont landscape and its seasons, on mothering girls while grieving with a mother who lost her own daughter, on the stark class divides that hinder our efforts to grow past this crisis, and the joy of community, no matter how much mending it requires.