Keep Reaching.

Dark as a pocket or the inner chambers of my heart — so goes these December nights. The nights descend earlier, more afternoon than evening. I randomly meet friends on Main Street with the darkness kicking around my ankles. We step into a community center, pulling off our coats and hats and talking about random things — the price of gas, the upcoming holidays. For those who don’t live in a northern climate, a public building in Vermont sometimes has a curtain just the inside the door to stave off winter’s wind and snow. I push aside the curtain, and we step into a well-lit room.

It’s a simple/not simple thing. We eat bowls of hot soup and chunks of fresh bread at a long narrow table. A couple I’ve never met sits beside me with a brand-new infant, gustily sucking. I refrain from bending my head and breathing in the child’s milky scent.

Darkness presses against the windows as we talk and keep talking, and eventually the three of us are all leaning our elbows on the table, our heads propped on hands, spent. People appear, say hello, offer a hug, disappear, and still we’re talking about what might happen with the schools and our old parents and the persistence of memory from early childhood. How do we reconcile our stories? Escape or rewrite our stories?

Eventually, sodden with sleepiness, I pull on my boots and step out. The weather has turned, and the sidewalk is slick. I head out of the village. The wet air is not so much clean but fresh, a mystery of fomenting things both lovely and fearsome. But for now at least, I carry these gems of companionship in my heart. A pleasure, a warm joy.

…. and a poem from a friend….

Keep Reaching

The trick is to keep reaching

for the light you will never touch,

and to be nourished by the stretch

toward impossible things.

The trick is to bloom where you are,

not calling it a failure because

you wanted a different outcome.

Live each day devoted to awe, 

so that when a monarch lands 

on the tip of a coneflower, seeming 

to swell with that sudden infusion 

of sweetness, you don’t miss it. 

So that, while you watch, a pair 

of hard-won wings seems to open 

and close, and open again in you.~ James Crews

The Featherweight.

“Once I witnessed a windstorm so severe two 100-year-old trees were uprooted on the spot. The next day, walking among the wreckage, I found the friable nests of birds, completely intact and unharmed on the ground. That the featherweight survive the massive, that this reversal of fortune takes place among us — that is what haunts me. I don’t know what it means.” — Mary Ruefle, Madness, Rack, and Honey

The Scythe, the Past.

Twilight, 25 degrees yesterday, the temperature dropping, I’m walking back and forth by the town garage, a tumbling-down quonset hut beside the town’s towering sand pile. Such much winter yet to come. On the snowy road, I pace back and forth, watching the sky turn from blue towards black, the stars hidden behind the clouds, talking with my friend about family and politics. Listening, I remember the Christmas manicotti she brought me last year. My daughter and I ate that delicious meal at the kitchen table; through our glass doors, I watched the snow fall, wondering if I would live another year.

Another year is not a guarantee for a single one of us. Another lymphoma lesson. I’d woken that morning with that now-familiar fatigue, as though sandbags were tied to every bone in my bone, pulling me earthward. I fed the wood stove, drank coffee, rallied and did my writing, rallied again and pulled on my coat and boots and left the house.

Later, by chance, at an outdoor fair I see a woman I’ve known for many years, who was part of a trying time in my life when my daughters were young. She offers me a particular kindness, and I thank her, wondering what I’m supposed to say. She does not seem to expect the standard answer of all’s well, that’s over and done because of course any fool knows, once cancer has rooted profoundly in a body, the reaper’s scythe does not hide. By now, it’s not so much the scythe that frightens me, it’s the suffering to get there.

On my way home from the fair, I pull over and get out of my car. The sun shines brightly, but it’s freezing, and I’m shivering. I walk back down the dirt road that’s empty of everyone, not even a crow perched in a bare-branch maple. Far up the valley I see enormous white wind towers, the Lowell Mountain Project. To my left is a house where one of the leaders of a group that protested the towers now lives. When the tower project began, my then-husband joined that protest group. The experience broke my naive love affair with Vermont and my blind faith in that too-hard-used word community. Not so long after, the husband and I divorced. My life went on, and I became intimately familiar with my own fallibility, my own deep pockets of untrustworthiness. I devoted two years of my life to writing and publishing a book in atonement for my own callous actions. Which never changed the consequences but widened the story. Then, cancer — the plot turn.

Robert Frost, no stranger to suffering, famously wrote that everything he knew about life could be summed up in three words: it goes on. Standing alone on that roadside, I imagine myself as the mangiest cur, footsore, half-starved, near mad. Disease may yet be rising within me. If not now, perhaps soon, perhaps never. This hillside above the Black River valley will endure long beyond my bones and flesh, long beyond yours, too. The sun and wind cut into my eyes. Why do I refuse to remember my mittens? Rather than letting all this go, I stuff these stories back into my heart and trek back to the village. I’m not finished with any of this. I’m still following the strands of all these stories.

…. and last, Rick Agran of Bon Mot has kindly invited me to his radio show at 5 p.m. EST tonight…

Trainwreck.

On the year anniversary of beginning chemotherapy, childishly I crab at my siblings. It’s a small thing—a bad internet connection, a request to make a phone call that might have taken 10 minutes—and I’m angry as all get-out, fury galloping in my blood. The common lingo is that chemo equals nausea, like a bad flu. That is not true, or was not true for me. Enduring chemo was like lying between two burning rails while a train sped over me. I held myself still as could be to survive that months-and-months-long train (how could something be so large?) rattling over me. Sure, there’s a few moments where the train slows, and you think maybe I’ll survive this, but steaming metal rushes right over your face, your mortality far closer than spitting distance. While the rest of the world is immersed in meetings or drinking wine in Spain or skiing, there you cringe, the pain so intense in your bone marrow that morphine means nothing.

In the first round, I had a common and horrific reaction to one of the drugs, rituximab, which stole my breath and shook my bones so hard the bed rattled. The room filled with people in scrubs. I did not know one person’s name. They kept talking to me, and I could not understand a single word. I was under that train, remember, the wheels hammering on tracks.

I never considered myself a warrior battling cancer. But my body was a war zone between two matched enemies: would the chemo quell the lymphoma, or would all of us go down together? A year later, in remission, I’m suffused with gratitude for my life, for so many people who got the train off me. And yet, a year later, there are days I’m still turning the pieces of my life over and over, wondering WTF? Like anyone, jab a shovel into the soil of my life, and the layers appear infinite. Twenty-two years ago, I left my crying four-year-old (“I want to come!”) behind and drove to the airport with my brother in my sister’s time of need. I had left in such a rush that I’d forgotten my driver’s license. It was not long after 9/11, and I had to cry to get on the plane without ID, but I finangled it. Coming home, we hit a snowstorm. My friend and her four-year-old drove over the White Mountains in a white-out to bring me home. At the crest of Franconia Notch, she pulled over. I got out to clean snow from the windshield and lights. No one else was on the road. Snow billowed through a freezing wind. I looked through the window at her son in his carseat between us. I had bought him a little toy, a hexagon of blue fluid with a yellow fish, and he was turning it around and around in his hand, so the fish would swim. It seemed like we were the last three souls on the planet. Such a long and treacherous way home to my little daughter and her twiggy braids. But my friend drove carefully in her red pickup. That story shook out into all’s-well, something that needs no bow-tie of a moral. Simply, all were saved. Our lives went on.

So many pieces of a life. On this Thanksgiving morning, how grateful I am to remain yet here, disease-and-treatment battered, broken by fate and my own rough actions. The terrain of the living.

… And last, I’m honored to have been nominated for a Pushcart Prize (a secret dream of mine) by Under the Sun for my essay “Weeds.”

Stopping in the Snowy Forest.

In the woods, I hear voices and pause, thinking a cluster of children might emerge over the hill. Instead, a flock of clangorous geese wings low overhead, then a second V, a third. Town traffic sounds filter into the woods. I am not in the deep wilderness, not so far from high school and road and village, but for this hour, it’s just me and the sweep of wind and drifting snow and the human and dog prints of whoever walked here before me.

As a kid, my father was never one to be daunted by adversity. Evenings, he often set down his coffee cup and took us on walks to the library or around the block, and around the block often meant across a thin-grass soccer field to the woods. Who owned those woods, I never knew. We jumped across the stream and along worn logging roads, past the piles of New Hampshire boulders and stone walls in the forest where fields had dominated not so many years ago. The woods were alive with rabbits and deer, birds and ferns. We wondered about the Natives who lived here and the colonists who cut down the trees, and then the trees grew up again.

On this twilight Monday, I lean against a hemlock, snow in my eyelashes, remembering when my daughters filled their snowsuit pockets with tiny hemlock cones. Intentionally or not, my father instilled love and not fear of the forest in his kids, the understanding that our feet could carry us to unexpected and miraculous places.

Here’s that classic New Hampshire poem threading through my childhood, my daughters’, and so many others:

Stopping by Woods on a Snowy Evening

By Robert Frost

Whose woods these are I think I know.   

His house is in the village though;   

He will not see me stopping here   

To watch his woods fill up with snow.   

My little horse must think it queer   

To stop without a farmhouse near   

Between the woods and frozen lake   

The darkest evening of the year.   

He gives his harness bells a shake   

To ask if there is some mistake.   

The only other sound’s the sweep   

Of easy wind and downy flake.   

The woods are lovely, dark and deep,   

But I have promises to keep,   

And miles to go before I sleep,   

And miles to go before I sleep.

Such a World.

Late afternoon, walking with a friend on the town forest trails and talking all-things-grownup-and-fascinating, her little girl runs ahead of us, stops suddenly, raises her arms in a Y over her head, and exclaims to the woods, “I love this place!”

Relish this.

Slowly, the rain is returning, the streams beginning to flow again. Puddles muck the trails in a few low places. Meanwhile, people ask, “How’s your water holding up?” Word travels of dried up wells. This morning, I stand on my porch in the dark, listening to rainfall patter through the leaves that linger on the trees around my house. The crests of the apple trees hang onto their crowns of gold. We’re at that dipping point, the swing of seasons, the earth yet warm, redolent with this summer’s abundance.

Such a moon —

the thief

pauses to sing. — Yosa Buson