Reasons to Love Vermont

Yesterday, bees and butterflies busied around the garden while I planted leeks and peas, and today it’s darn near freezing. Reasons to savor Vermont?

A bit of pink pushes through the apple blossom buds. Siberian irises have dislodged stone in our backdoor entryway, and the rose-cheeked children appear to have grown two inches overnight, rivaling the dandelions’ growth. For dinner, we’re eating pork from a friend’s pig and my tart greens and another family’s sheep cheese. We hear coyotes in the morning, waiting for the school bus, and the principal made phone calls for my daughter and her friend to get together “because I like them so much.”

The sweater I knit is sifted with garden dirt, and my hands are stained from weeding. Rain pours; walk around the house, and the sun shines brilliantly. How could you want to be anywhere else?

….Can I leave
you the vale of ten thousand trilliums
where we buried our good cat Pokey
across the lane to the quarry?
Maybe the tulips I planted under
the lilac tree? Or our red-bellied
woodpeckers who have given us so
much pleasure, and the rabbits
and the deer? And kisses? And
love-makings? All our embracings?
I know millions of these will be still
unspent when the last grain of sand
falls with its whisper, its inconsequence,
on the mountain of my love below.

– Hayden Carruth, “Testament”

FullSizeRender

 

Daughters

In my usual, take-your-kids-to-work-with-you way, the girls came, too, when I read at Vermont’s Norwich Bookstore, in the first real sunny day of spring.

Afterward, my daughters and I walked around Dartmouth College, where the enormous green was filled with students and flying frisbees. The young women wore strappy dresses; the daffodils spread their buttery petals; we ate homemade cherry gelato. All was budding and new in the world. Driving back along Vermont’s sparsely travelled interstate, we passed fields turning toward emerald from the dull brown they’ve held for weeks. The rivers and lakes had thawed, and flocks of birds darted in quick waves.

All the way home, needing no map, we laughed and told stories.

…You are born a woman
for the sheer glory of it,
little redhead, beautiful screamer.
You are no second sex,
but the first of the first;
& when the moon’s phases
fill out the cycle
of your life,
you will crow
for the joy
of being a woman,
telling the pallid moon
to go drown herself
in the blue ocean,
& glorying, glorying, glorying
in the rosy wonder
of your sunshining wondrous
self.

– Erica Jong

FullSizeRender.jpg

Hanover, New Hampshire

The Footprint of Where You Live

I live in a Vermont town which has very little pavement. Route 14 heads north-south right through the village’s tiny center. In the village, a small amount of pavement fronts the post office, volunteer fire station, and the currently-closed general store. The elementary school has a square in the dooryard, none in the playground or dirt parking lot. Our town is wood, field, and a great deal of water in lakes, ponds, running streams.

The schoolkids took a field trip to Barre, and I met them in the morning, standing beside their one school bus, in a sunny but cold morning, eating apples on cracked asphalt. I laughed.

If you’re a kid, does it matter that your school garden’s footprint is larger than your pavement’s print? Does it matter as adult that you have both winter boots and mud boots? That your horizon is framed by trees and not rooftops?

I tend to think, whether we notice or not, where the soles of our feet walk matters.

Instructions for living a life.
Pay attention.
Be astonished.
Tell about it.

– Mary Oliver

FullSizeRender.jpg

Burlington, Vermont

This Small, Good Moment

When I was 17, I was infatuated with James Joyce. I remember watching a documentary with a woman who knew Joyce and described the undercurrent of his life as filled with tristesse. I was learning French at the time and found that notion so romantic. What would that mean, to have tristesse in one’s life? Oh, naiveté.

As a young mother, I endeavored (oh, how hard I tried) to never let unhappiness or want cross my daughter’s life. I failed, of course, miserably and utterly predictably. Now, I’m at that place in my life where I know human life is filled with tristesse and also fear, longing, happiness, and laughter: an ever-changing sky boundless with wind and cloud, studded with arcs of rainbows, their roots eternally concealed.

Over and over, I have wondered what I could give my daughters instead, what arms might they raise against the inevitable slings and arrows of their earthly lives? At the very least, this: my own pleasure in this tangible world, in a handful of strawberries, a kite cartwheeling across the spring sky, a daughter’s haircut. In this moment, in this time together.

 

One of the things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is the signal to spend it now. Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.

– Annie Dillard

FullSizeRender

A Need for a Nap

The other day, I sat beside a woman who was breastfeeding her baby, and I remembered just how physical were those early years, so much milk and baby holding, so much need and so much affection. Mothering growing girls remains remarkably physical, too.

Who ate all the strawberries? Braid this girl’s hair, race down to the mailbox, rule on which friend is now taller than me. Sweep dried mud from boots, bake chicken legs with sage scavenged from the garden, whisper good night.

No wonder mothering can be so exhausting. Like writing, parenthood is something we take in, our very bodies forever expanding with this dimension.

Only after the writer lets literature shape her can she perhaps shape literature. In working-class France, when an apprentice got hurt, or when he got tired, the experienced workers said, “It is the trade entering his body.” The art must enter the body too. A painter cannot use paint like glue or screws to fasten down the world. The tubes of paint are like fingers; they work only if, inside the painter, the neural pathways are wide and clear to the brain. Cell by cell, molecule by molecule, atom by atom, part of the brain changes physical shape to fit the paint.

– Annie Dillard

 

FullSizeRender.jpg

Hardwick, Vermont

When Traveling Through a Storm….

Here’s one good reason to read:

Captain Bligh, in his ill-fated, famous Mutiny on the Bounty story, sailed from dreary, oatmeal-eating England to Tahiti, lush land of coconuts and little clothing. He naturally headed across the Atlantic to curve around Cape Horn, situated way down at the bottom of South America. But the ship, plagued by fierce winter storms, was unable to navigate that Cape. Instead, after weeks of battling fierce weather and sailing backwards rather than making headway, Captain Bligh ordered a change in course around the Cape of Good Horn (at the southern-most tip of Africa), adding over 10,000 more miles to the Bounty‘s journey.

In the midst of the sleet, snow, and wind that eventually turned him back:

Bligh could note that blue petrels and pintados, “two beautiful kinds of bird,” followed their wake. – Caroline Alexander, The Bounty

When to turn? When to change direction in a life?

Remember this: in the harshest, most ungodly conditions, note unexpected beauty, following your travels.

FullSizeRender

Hope Cemetery/Barre, Vermont