Art? Why?

Yesterday, while the 12-year-old girls swam in Greensboro’s perfectly clear Lake Caspian, I read on the beach, just me and a few gulls, a pair of kayakers pushing off. An older woman wandered down and waded into the water and said only kids could swim in that water, and then left, too. The girls had swam out and were experimenting with laughing underwater.

Later, we went to Bread and Puppet’s outdoor theater, sprawled in the hot sun. Coming home, the girls swam again, while I eavesdropped on a pleasant conversation between our former pediatrician, his wife, and friends.

I kept thinking, What does art matter, anyway?, all this barefoot and Blundstone-shod performance in the field? What does poetry, fiction, song, mean, anyway? The more I thought, I wondered if my question was wrong, if the answer lay in who was listening, like myself listening to those 12-year-old girls. Maybe art is like that a cappella hymn, voices raised in harmony and confidence, to the variated audience, the shape of the earth, the enormous pine trees, and all that sky, blue and shifting with clouds, over field and forest, highways and water, on and on, and on.

Maybe my question, like a koan, holds the answer.

A painter should begin every canvas with a wash of black, because all things in nature are dark except where exposed by the light.

– Leonardo da Vinci

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Sunday Evening

Every year at at this point in the summer – just about at the end – I have an almost insatiable desire to lie down and take a nap. Between work, kids home from school, and trying to cram in as much warm weather happiness as possible (like an evening swim), the days arc all the way through dusk, and the nights, so long in winter, are still brief.

I’m not complaining; black winter nights will press in soon enough, and we’re still in the rowdy cricket circus.

Today, visiting High Mowing Seeds, my daughter and I walked through fields of all-sized sunflowers, happy marigolds, delicately fragrant sweet peas in shades from pale pink to nearly black. This is Vermont’s summer apex: parents worn out, surrounded by unsurpassable beauty.

You got to understand: here
Winter stays six months a year—
Mean, mean winters and too long.
Ninety days is what we get, just

Ninety days of frost free weather….

From David Budbill’s “Summer Blues”
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Heart in the Hand

When my husband and I bought our first house, I intended to live there forever, unpack my two cast iron skillets, have a couple of kids, dig a vast garden, and stay. Then there’s that Robert Burns’ line John Steinbeck retooled, and maybe I should have reflected that line might encompass the lives of women, too…. The best laid schemes of mice and men…. and so on.

Luckily, what I perceived as plans awry has evened out – at least for now. Intrepidly exploring the terrain of where we’re living, I realize, again, just how corporal our lives are, how the angle of light through the kitchen window – whether wide open or filtered through mist  – shapes the kernels of our days. Walking through the dusky forest with three girls last night, the muddy path surrounded by August’s copious greenery was all alive, alive: pencil-thin snakes, slugs, a darting rabbit, Cooper Brook running over its pebbles, shallow and clean. As we entered a field of goldenrod and chicory, crickets sang wildly, lusty in the heat of summer.

Simultaneously, I’m re-entering the landscape of the heart through my own daughter stepping into her young adulthood. What a bodily world is love. Those well-made schemes? Perhaps that’s what makes our lives so fascinating – our clever designs, and the universe’s unfolding and rearranging of our blueprints.

A summer river being crossed
how pleasing
with sandals in my hands!

– Buson

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Mason-Dixon

The summer my nephew was 10, my daughters and I spent a long piece of the summer with his family in Charlottesville, Virginia. We were visiting because of family illness, and so it was me and the kids and a palpable uncertainty and unhappiness, and sweltering days and nights – and, since we are this kind of family, we laughed a lot, even at things that may not have been hugely funny. The four kids and myself explored the surrounding woods and the downtown, and my nephew – a boy hungry for history and stories – offered a near nonstop commentary about his hometown’s past. My own daughters, who’ve lived in woodsy Vermont all their lives, were mystified by the sprawling historic mansions, the prolific Civil War statues, the presence of the past.

In one long ramble, my nephew mentioned the War of Northern Aggression –  a name never mentioned in my New Hampshire public schooling. He was stunned I’d never heard the term.

Really? he asked.

Really. Like that, I was ashamed, suddenly seeing this sticky and different place more foreign and infinitely more complex than I’d imagined. The statues, the big houses, my nephew’s intricate stories were but keyholes, tiny slits into a titanic past.

And one day we must ask the question, “Why are there forty million poor people in America?” And when you begin to ask that question, you are raising questions about the economic system, about a broader distribution of wealth. When you ask that question, you begin to question the capitalistic economy.

– Martin Luther King, Letter From Birmingham Jail, 1963

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First Star I See Tonight

Dislike of burning fossil fuels notwithstanding, I love driving through the White Mountains, this journey from my brother’s house to mine. Last night in the crepuscular light, my feet wet in sandals from kayaking, my 12-year-old daughter quiet beside me, we wound through the granite mountains as dusk fattened into dark.

Just before we left, my brother and I walked through his house, talking, feeding his dogs leftover bits of dinner. My brother remarked how much he remembered this one particular hike we took as kids on countless Saturdays: in black-fly spring, humid summer, autumn’s splendor. We saw a snowy owl, an opossum in a tree hanging by its tail, scads of wildflowers, a few other hikers.

Driving through that gorgeous sprawl of granite and forest, white-clapboard towns and curvaceous river, with the sky morphing from blue to onyx by our evening’s end, my daughter and I talked about little things, her hands around glass my brother had given her from his brewery. Playing music from her teenage sister, she asked if I knew a particular song she didn’t: AC/DC’s Highway to Hell. Sure, I knew that one.

Through all the other junk in my head, I realized about the time we saw the first single star poised over a St. Johnsbury steeple that the infinity of childhood hiking – through days laughingly glorious and those heartless ones when we bickered and were terribly out of sorts – braided in one long inseparable whole, as sacred as I’d ever get in this earthly realm.

Will my daughters, looking back on their childhoods filled with both love and grief – as we all come to, in some variation of measure or another – see the same? Perhaps that actually may not matter. Maybe the journey together will be sufficient.

that midsummer night…
the cold moon
fills my whiskey glass

– Chenou Liu

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Sacco River, New Hampshire

 

 

Far Travels

Here’s something I never told my daughters: the summer I was 19, the hitchhiking tour of New England my then-boyfriend and I took ended in a convertible ride from Springfield, MA, up I-91 to Brattleboro. The car was an enormous old beauty from the 1950s, and the boyfriend sat up front and talked nonstop with the driver, an ebullient pilot of his darn cool car. I sprawled in the back, the wind wildly noisy, holding my hair out of my face with both hands.

I was 19, in lust but not in love with the boyfriend, and I knew I wouldn’t marry him, as he doubtlessly knew he would never marry me. But we were both at that age of no longer child but not really adult, and we were madly in love with the world, with just the sheer possibility of living.

Every now and then, I think back to my younger self, flying up that interstate in a stranger’s car, my legs stretched out on the red leather seat, with no seatbelt tethering me in, admiring all that sky gradually darkening into a bloody July sunset.

I wear seatbelts now. I never hitchhike. My daughters sleep under a solid roof, in a well-built and deeply insulated house. My older daughter is 18, and I think of this story sometimes when she’s headed off with her friends. I say the same things my parents said intently to me, Drive safely. Keep your eyes open. Come home.

I stand in the doorway, watching her leave. What are you doing? she asks. And when I say, humor me, humor me, she’s gracious enough to do so.

It’s lovely to live on a raft. We had the sky, up there, all speckled with stars, and we used to lay on our backs and look up at them, and discuss about whether they was made, or only just happened…

– Mark Twain, The Adventures of Huckleberry Finn

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Sisters.