March 1: Cabin Fever, the Impossibility of Spring.

March: a day of singing chickadees, mushy ice, all the little paths running with thaw, twinkling in the sunlight with the promise of what I cheerily call early spring! The next morning, the temperature pegs itself solidly at 15 degrees and refuses to budge. I walk down to the post office, the wind scraping my cheeks. What grit of sandpaper is this? 80? 60?

Vermont late winter/spring is the season of vehement vacillating, of freeze and melt, sun, snow, rain. It’s the season of cold hands, flushed cheeks.

Late into the night I lie on the floor reading Leslie Jamison: “It’s what fairy tales have been trying to tell us for centuries. Don’t be afraid of never getting what you want. Be afraid of what you’ll do with it.”

March: the lurching season of cabin fever, of Where are those crocuses, anyway? Will flowers ever bloom again? I bake a cheesecake, fill bird feeders, have one, two, three essays picked up by little mags. The waning moon shines up the rutted mud, the dregs of snow. Early morning, the birds are at it, singing for dear life, tugging in spring.

‘Soon it will be the sky of early spring…’

Wild February!

At noon, I stand talking to the road crew in a sparkling snowfall. I wax on about the prettiness of snow on the emerging earth. The crew, who’s endured the strange vagaries of mud season in December, the fickleness of Vermont’s winter weather made weirder by climate change, humor me with a nod.

Fifty degrees and rain forecasted for today, followed by more, followed by bitter cold, then rain and wind, the sun I lean towards…. Late winter, again, and I remember when I could distinguish the years: the spring we boiled sap from March 1 to the 31st. The year we made 540 hard-earned gallons, two of us and a five-year-old, and I wore through three pairs of gloves carrying in wood and feeding the arch.

Walking around my snow-scattered garden, I envision where I will plant the bare root Japanese lilac I’ve ordered, for me or someone else to admire and love. The path down to my compost is both icy and soft mud, the conundrum of winter reluctantly losing its teeth to spring. The true joy is the inevitability, the earth’s order to proceed from twinkling snowflake to downy crocus, the planet’s sheer opinionlessness regarding skunks and black flies.

The road crew and I kick around a few more pithy remarks about government corruption, and then we head along….

From my one of my favorite Louise Glück poems, March:

The sea doesn’t change as the earth changes;
it doesn’t lie.
You ask the sea, what can you promise me
and it speaks the truth; it says erasure.

Finally the dog goes in.
We watch the crescent moon,
very faint at first, then clearer and clearer
as the night grows dark.
Soon it will be the sky of early spring, stretching above the stubborn ferns and
violets.

Cats, Coyotes.

The return trip from my parents’ house in New Mexico to my own Hardwick, Vermont, house was 20 hours. When I stepped off the plane, I was effusively grateful to see my daughters waiting to drive me home, to wrap me again in our own particular kind of family — loving and funny, with the fierce rivers of stories that run between us.

A friend texts me and sweetly offers to make me a meal; these days, about all I’ve done is trudge into work, then lie on couch with my cats, reading Michael Crummy and soaking in Jon Stewart’s election update. When my daughters were babies, I lived in a rarefied kind of atmosphere, of warm milk and scant sleep and intense curiosity: what now? what next? As if bookended, my parents in very old age live in a unique world, too, suffused with New Mexican sunlight, and with a similar uncertainty: what next?

In that middle-of-the-night drive to Albuquerque, circling through the airport parking lot, I spied a coyote. I pulled over, opened the car door, and looked back. Under the amber streetlights, the coyote hurried along, brushy tail bouncing, not so much as glancing over its shoulder at me. Around us, so much cement, then the desert, undulating, spreading up into the hills, disappearing from sight.

The wild creature vanished into the dark.

“A body must bear what can’t be helped.”

— Michael Crummy

Boots on the Land, the Ice.

I’m meeting someone, late afternoon, who’s late, so I wait. The February sun has dropped into the horizon and clouds, and the day’s softening snow is tightening up, freezing again. I’m along one of the glacial lakes, a deep cut in the earth created by the planet’s unstoppable movements. It’s an old, old lake, not a newer pond formed by a human dam construction. Across from where I stand is the beach where I swam last fall, evenings and weekends. The water is shallow for a short stretch and then deepens quickly. My youngest had just gone to college. I would swim out as far as I could, then lie on the shore beneath the shaggy cedars, reading and watching the loons dive and reappear.

February exposes the bones of Vermont, the land’s steepness, the flatness of ice, the pale grace of a white birch in a hemlock forest. That afternoon, the stranger tells me a story of how the land was divided in families, re-divided and swapped, sold. Around this side of the lake, the state highway was built nearly on the water, and from here it’s easy to see the challenges of traffic and how the road hampers runoff from the mountains. It’s a familiar story that plays out in particulars in all but the wildest places.

On my way home, I stop at the town reservoir and walk a short distance over its ice. Walking on ice is always a kind of magic, a temporary thing. I don’t see the two bald eagles who live here: another day, perhaps.

‘I can feel my life start up again…’

We’ve crossed the halfway point of winter and can, again, believe in the possibility of crocuses, the promise of pearly-and-pale-pink apple blossoms. Monday morning, my friend Brad Ferland invites me onto his WDEV radio program Vermont Viewpoint again. I’m lucky enough to ramble on for a bit about writing, and I spoke a little about this blog. For those of you who are new here, I often write about what the seasons in Vermont mean to me. July is the Swimming Season. September the Season of Fat Sunflowers. February, in my mind at least, is the Season of Hope.

The days suddenly widen and grow. A sunshiny stretch like this, and my state’s collective spirit rises. February is still deep in the Woodstove Season, however, which means, as a writer, no need to worry about missing a few fine gardening hours. The clouds will descend again, and surely I’ll complain (again), but for now, with two days of radiance, savor. Savor.

I feel my life start up again, 
like a cutting when it grows
the first pale and tentative
root hair in a glass of water.

— Jane Kenyon

Thin Ice.

On my way home, I walk down to the lake and stand at its edge. Such a warm winter this has been. There’s not a single ice fishing hut on the lake. Across the middle, two people walk, talking intently, their hands gesturing. As they stroll south, I head towards the center of the lake.

At the beginning of any year I’ve walked or skated on lakes, there’s an always initial angst, a discombobulation about the deep water beneath, the zone where I’ve kayaked or swam. Midwinter, the summer folks are faraway on beaches or cities. The walking pair disappears, and then it’s just me and a lone crow making its steady way across the sky. This winter has clouds and clouds and clouds. Out on the ice, however, the sky spreads wide, its permutations of blue dazzling.

Twenty-five years ago, I was descending into labor with my first daughter, a period when dawn and twilight intermingled, a space where time had no meaning for me. Near the labor’s end (and she came into this world courtesy of a surgeon’s scalpel), all light had vanished from my world save for a distant circle, like a full moon gleaming on still water at the bottom of a well. I saw my right hand reaching down, fingers outstretched, seeking that gleam.

In each of my daughters’ births, the world’s illusions were ripped back. The rawness of blood and tears, of the ineffable power of a newborn’s gaze, filled my world with sacred might.

The ice groaned, shifting. I was certain of its strength for no real reason at all. In my thin jacket, I stretched out on the ice, let the cold hold my bones and flesh, and that vast sky steal my breath.