Slow Learner

At breakfast at the hotel, my ten-year-old is mesmerized by fruit loops. I’ve never tried those, she says, looking at the rainbow bits yearningly.

Go for it, I tell her.

Nearing the end of the milky bowl, she lays down her spoon and comments that Cheerios are better. Those colored rings have failed to hold up to their promised joy. It’s a loss she takes easily, mere observation. When her older sister was that age, I would have leapt forward to fill that moment: disappointed with a cereal? Try this. Or this. This time around, I let it lie. It’s the slightest sadness, and I just let it be. Second time around, I let her keep that sadness for herself.

That evening, she floats on her back in the hotel’s pool, then raises her dripping face and smiles radiantly, sparkling clean, thoroughly happy with buoyancy. I can’t help but stretch for her chlorine-scented hand, and then we flip over and float again, together.

Bring on winter, bring on

disease, & rot & fracture,
because the more broken

we become, the more music
we can spin out of our bones.

– Stephen Cramer, Bone Music

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Woodbury, Vermont/April/Photo by Molly S.

Youth

I’m reading Daniel Raeburn’s Vessels – his harrowing memoir about his first daughter, stillborn. Like the best of memoirs, this is not about a single, isolated event in the couple’s life: it is about their marriage in the wider sea of family and friends.

His wife, a potter, told him early in their relationship:

There are three tests for a pot, she said. First, when you throw it, it has to feel right in your hand. Then, after you fire it, it has to come out looking like something you’d want to keep. Then comes the third test: You have to live with it. You have to use it. This is the real test.

–– Daniel Raeburn, Vessels

Today, seventeen years into parenting, I’m home with a house full of teenage girls. Doesn’t that single sentence contain an infinity? Ten girls with their own long legs, ten hairstyles, ten unique pasts, ten pairs of eyes open to their budding womanly futures.

Like clay, our lives are slipping, hardening, crumbling, ever changing. Use it. Embrace it.

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Girls, Goodbye 2015, Walking

Around six this afternoon, in our Vermont dark, I stood on State Street in Montpelier, waiting outside a movie theatre for my teenage daughter and her friend. The downtown was all lit up with lights, and passersby were merry with the holiday. I was standing with my brother-in-law, and we were laughing about a mechanical music from some source we couldn’t determine, oddly mimicking what might have been the songs of angels. While the girls were at the movies, we had been talking in a crowded coffee shop, and I had seen people come and go that I had known, years ago.

My brother-in-law I’ve known since I was sixteen, before I began driving, before I read Plato, before I married and had two daughters and threw myself into my adult life. Here we stood, in this odd, brightly lit place, on the heartbeat of a new year, in a little bit where time might have simply stood still, for just one moment. We spoke about (what else?) our children. As I laughed about how much his older son ate at my house last summer, my daughter and her friend arrived, in their long lovely hair and earrings, smiling and filled with the happiness of seeing a movie and their own friendship. As we said our goodbyes, we said goodbye to 2015, too; in this evening, the whole unknown expanse of 2016 lies before us.

From behind me, I felt arms suddenly around my waist, and there was a little girl in a familiar iridescent blue jacket – dear companion of my younger daughter – this sweet girl hugging me and saying, Happy New Year! before she disappeared down the street, too.

May Light always surround you;
Hope kindle and rebound you.
May your Hurts turn to Healing;
Your Heart embrace Feeling.
May Wounds become Wisdom;
Every Kindness a Prism.
May Laughter infect you;
Your Passion resurrect you.
May Goodness inspire
your Deepest Desires.
Through all that you Reach For,
May your arms Never Tire.

D. Simone

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Photo by Molly S./Montpelier, Vermont

What You Need in Your Life….

… is perhaps something I never thought much about as a teenager. My own teenager this snowy day has a koi she’s intricately drawing in pen and ink, solely for pleasure. As dusk began falling, she started the tractor of her own volition and plowed the driveway, then came in and baked a pan of brownies.

My nephew, age 12, sent me 14 “perfect Japanese words.” I could use a little more of this boy in my life….

komorebi: sunlight filtering through trees

irusu: pretending to be out when someone knocks at your door

shinrin-yoku: literally ‘forest bathing’ – a visit to the forest for relaxation and to improve your health

isundoku: the act of buying a book and leaving it unread, often piled together with other unread books

ukiyo: literally ‘the floating world’ – living in the moment, detached from the bothers of life

majime: an earnest, reliable person who can simply get things done without causing drama

yugen: a profound awareness of the universe that triggers a deep emotional response

yoisho: a word without meaning, said when flopping into a chair after a hard day at work

wasuremono: forgotten or lost things; an item left behind on a train or forgotten at home

hikikomori: when a young person who is obsessed with TV, video games, and the internet, withdraws from society

bimyou: not bad, or ‘meh’

shibui: old school cool

kuidaore: to eat yourself into bankruptcy

and…. what else?… ikigai: a reason for being, the thing that gets you up in the morning…. perhaps the word of greatest importance of all….

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In Between: Adolescence

Raw. Mothering an adolescent daughter is like ripping a scab off your soul. My daughter’s agonized questions are existential: why do people suffer? What could possibly be the answer to this? A question I have asked since my own adolescence, more and more intently with each passing decade of my life, with each new encounter I have with the multiple varieties of human suffering.

Joseph Luzzi’s In a Dark Wood chronicles his young and pregnant wife’s death in an automobile accident. Luzzi, a Dante scholar, writes: My reading of Dante had always been deep and personal, but when I found myself in a dark wood, his words became a matter of life and death.

During both my children’s births, I felt myself poised between life and death, the scrim of our everyday world pushed aside in this small, sacred space. Surely, part of the keenness of adolescence is its odd pivotal place. Half in the clouds of childhood, not yet in the forest of adulthood, adolescence, for this brief (and yet simultaneously very long) moment, spins between these two realms.

 

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Among Humans…

The High Mowing Organic Seeds catalog arrived in our mailbox today, glossy and gorgeous enough to lay on the table and immediately  fantasize about that field of peppers. Seeds and agriculture, longing for soil and growth: some of the oldest of humanity’s longings.

I slid a pan of enchiladas in the oven. My older daughter, drawing at the table, lifted her head and told me about the conversation in her French class today. The windows over her shoulders are filled with darkness before dinner, at this time of year. Our conversation unspooled, winding along a thread of history, tangled centuries.

Sometimes I think of my own youth as terribly misspent, all those years in philosophy class, all that writing and reading: all that pondering on faith and love and destiny. What did it all come to? But today, listening to my daughter, my hands on that catalog, I thought of my youth as sown with an infinite complexity of minute seeds. I reminded my daughter of Martin Luther King’s line that The arc of the moral universe is long, but it bends towards justice. Small mortals that we are, dwarfed beneath the cosmic arc, our vision of the universe is often myopic and clouded, imperfect at best.

My daughter brushed her hair, wrapped a silky scarf around her neck, zipped up her high heels, and left to babysit the neighbors’ babies. That seed catalog in my hand, I kissed her before she left.

Travellers from the great spaces
when you see a girl
twisting in sumptuous hands
the black vastness of her hair
and when moreover
you see
near a dark baker’s
a horse lying near death
by these signs you will know
that you have come among men.

— Jean Follain (1903-1971)

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