Vinegar & the Lupine Metaphor

My teenage daughter asked me if I knew Christ, dying on the cross, had been given vinegar to drink. Why? she asks, mystified.

Why is it that these profound questions so frequently appear when I am about bled out of energy? Could I not write a veritable book on this subject? Our kitchen holds five vinegars – apple cider, balsamic, white, rice wine, an herb infusion – and we use it for preserving, cooking, cleaning. But soak a spongeful and press it your lips? My daughters are horrified at the image.

I offer what my children consider an unsatisfactory answer: the antidote to drinking sour wine is wild lupines. I remind them of the children’s book they both loved so dearly, Miss Rumphius. Could this be the weekend’s challenge, in a realm beyond folding laundry? Amend that: could this be the existential challenge?

You must do something to make the world more beautiful.

 Barbara Cooney, Miss Rumphius

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Girls

A mother I don’t know particularly well commented recently that she feels so old, seeing her daughter head off to college, and I thought, Really? While babies and little ones are darling and endearing, those so-intense early mothering years wore me down. Now, as my oldest blooms into her own young adulthood, I’m able to take a kind of pleasure I couldn’t when she was younger. Maybe it’s just me, learning how to stand back , or I’m beginning to accept her life is her own birthright, that my daughter is the master of her destiny – not me. Maybe, simply, I’m learning to elbow away perpetual fears and take joy.

At a breakfast of crêpes, my younger daughter read aloud the word of the day: oenomel: something combining strength with sweetness.

I laughed. That’s me, I said. Or least what I’m aiming for!

.. to a poet, the human community is like the community of birds to a bird, singing to each other. Love is one of the reasons we are singing to one another, love of language itself, love of sound, love of singing itself, and love of the other birds.

– Sharon Olds

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Hardwick, Vermont

Slow Learner

At breakfast at the hotel, my ten-year-old is mesmerized by fruit loops. I’ve never tried those, she says, looking at the rainbow bits yearningly.

Go for it, I tell her.

Nearing the end of the milky bowl, she lays down her spoon and comments that Cheerios are better. Those colored rings have failed to hold up to their promised joy. It’s a loss she takes easily, mere observation. When her older sister was that age, I would have leapt forward to fill that moment: disappointed with a cereal? Try this. Or this. This time around, I let it lie. It’s the slightest sadness, and I just let it be. Second time around, I let her keep that sadness for herself.

That evening, she floats on her back in the hotel’s pool, then raises her dripping face and smiles radiantly, sparkling clean, thoroughly happy with buoyancy. I can’t help but stretch for her chlorine-scented hand, and then we flip over and float again, together.

Bring on winter, bring on

disease, & rot & fracture,
because the more broken

we become, the more music
we can spin out of our bones.

– Stephen Cramer, Bone Music

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Woodbury, Vermont/April/Photo by Molly S.

Listening

Last evening, walking along our dirt road with my daughter, she chattered about our shadows in the lingering daylight, how the sun had merged us into one person, and we appeared to be one being with four legs and a curious kind of goose neck she had made from her hands.

While we were standing there, I suddenly realized I had been listening to the robins singing in a nearby maple tree, without any particular consciousness – and yet on some level I must have been listening keenly. Just recently returned, a whole flock of red-chested couples are nesting in the maples around the garden.

When we first moved to this house, we had two bird-stalking cats and the field was wooded then: the songbirds are not prolific as they are now. But, as all things go, our terrain has changed, and one benefit is this spring melody. How funny is the human mind: winter and cold has now fled our immediate memory, and it’s spring and seeds and the garlic pushing up through a mulch of rotting leaves.

We don’t have to live great lives, we just have to understand and survive the ones we’ve got.

– Andre Dubus

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Daughters

In my usual, take-your-kids-to-work-with-you way, the girls came, too, when I read at Vermont’s Norwich Bookstore, in the first real sunny day of spring.

Afterward, my daughters and I walked around Dartmouth College, where the enormous green was filled with students and flying frisbees. The young women wore strappy dresses; the daffodils spread their buttery petals; we ate homemade cherry gelato. All was budding and new in the world. Driving back along Vermont’s sparsely travelled interstate, we passed fields turning toward emerald from the dull brown they’ve held for weeks. The rivers and lakes had thawed, and flocks of birds darted in quick waves.

All the way home, needing no map, we laughed and told stories.

…You are born a woman
for the sheer glory of it,
little redhead, beautiful screamer.
You are no second sex,
but the first of the first;
& when the moon’s phases
fill out the cycle
of your life,
you will crow
for the joy
of being a woman,
telling the pallid moon
to go drown herself
in the blue ocean,
& glorying, glorying, glorying
in the rosy wonder
of your sunshining wondrous
self.

– Erica Jong

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Hanover, New Hampshire

Marriage is a Rope

Writer Andre Dubus, master of dialogue, of marriage and its dissipations, pulled over years ago on an interstate as a good samaritan, was hit by a car and never walked again. Last night, I again reread his novella We Don’t Live Here Anymore, and I was thinking of this story at my child’s school this afternoon.

The afternoon was breezy and sunny. The children, from little kindergarteners to the big sixth-grade kids, were outside, chalking on the pavement, playing basketball, swinging, avoiding the wasps stirring in the heat.

One element of Dubus’s genius is to illuminate marriage as a unique configuration between two people with no cliches – all the loving, lust, resentment, frustrated dreams – woven into a particular rope of a marriage. Any rope put to use has its strength tested: will the material fray or snap? Or it is woven well and truly?

When I was a child, jump roping on a school playground, I imagined infinity was the  blue sky, never envisioning our interior worlds are as mysterious as the endless sky. On the way home, I bought my daughter her first cremee of the summer.

In a marriage there are all sorts of lies whose malignancy slowly kills everything, and that day I was running the gamut from the outright lie of adultery to the careful selectivity which comes when there are things that two people can no longer talk about. It is hard to say which kills faster but I would guess selectivity, because it is a surrender: you avoid touching wounds and therefore avoid touching the heart.

– Andre Dubus, We Don’t Live Here Anymore

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Hardwick, Vermont