Wild Friends

While waiting for my daughter to finish soccer practice, I wandered down the road and discovered three geese gliding through a wetland. I stood at the wetlands’ edge for the longest time, simply watching, as if by observing I can absorb some of their quiet certainty.

Everyday in Vermont, a few more strokes of green, a little more color.

“Empathy is more than putting yourself in someone else’s shoes; it’s using your power to fight for changes that don’t directly benefit you.”

— Tessa Miller, What Doesn’t Kill You: A Life With Chronic Illness — Lessons From a Body in Revolt

Stories From the Past and Present

At just a little over zero degrees — the sun shining beautifully — my daughter and I went ice skating at the town’s rink. Set behind the elementary school, in an out-of-the-way field where burdock grow in the summer, the rink is the vision of one woman, coupled with 2″x6″s and a plastic liner and a lot of help.

I slipped off my mittens to pour a cup of hot chocolate. My hands nearly froze.

Small town life is generally cozy. We see each other’s kids grow up. By and large, we look out for each other. But every now and then, the underside, the other, deeper side of small town life appears. That same day, two different people appeared in my life from a long-ago part of my life. One was a woman. She and I exchanged stories. The other was a man who stole from me and my daughters.

My daughter with her red cheeks and I were on our way home. A friend leaned close to me and asked who was the stranger. I whispered to her, and then we left.

Long ago, I crossed out of any Pollyanna view of New England village life and into the realm of Sherwood Anderson and Ray Carver. I’m nearly finished Ensouling Language — a book that unexpectedly arrived in my post office box. I’d never heard of the author, Stephen Harrod Buhner, although the book from its opening lines writes in my familiar world, particularly of Lorca’s duende, of traveling in the wilderness, of baptism with dark waters.

As a woman writer, particularly, I often find myself pushing back against this cultural insistence to “make nice” and pretty things up. We live in an enchanting world, but the world’s waters are often dark, too, populated by saints and by thieves.

My daughter and I took our skates home, hung them up, and ate dinner.

A thousand thanks and more for this book.

Love is nice… but writing is too hard for love alone. Love is crucial for many reasons but it is not enough to get through [writing] the book. And whether you call it hate, or rage, or anger, or irritation, it is all some form of the same thing. You must have this hate, this rage to be a writer for this is one of the hardest professions on the planet and without rage you will never survive it. You will always run out of steam about page 60.

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Photo by Molly S.

Oh Goddess, This Way…

On this spongy, springy April day, may Fortuna smile a little more warmly on northern Vermont…..

With good reason, the ancients revered the fearsome goddess Fortuna, out of a sense that the sovereign powers of this world were ultimately capricious.

— Kyle Harper, The Fate of Rome: Climate, Disease, and the End of an Empire

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February Yields To March

The snow lies so deeply around our house I might be wrong about that slender path, first through the transplanted hydrangeas from Susan and then along the milkweed behind the garden. Down the hill, through the wild tangle of pine and boxelder, I see a single porch light every night. Come spring, I imagine, I’ll walk in my boots through the melting snow, stand at the edge of the forest, and see whose light that is.

The light stays longer in the sky, but it’s a cold light,
it brings no relief from winter….

(The earth) says begin again, you begin again.

— Louise Gluck, from “March”

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The cats — models of serenity.

Late Night Rambles

My daughters and I often wonder where our cat Acer sleeps at night. His brother takes turns tucking among our feet, or curling on our faces.

In the middle of the other night, I walked into our upstairs glassed-in porch, looking for a book. On the little couch there, Acer sprawled, wide awake in the moonlight. I bent down and rubbed his velvety pink nose, this little cat who needed his own private room.

Here’s a few lines from the late master, Andre Dubus.

So many of us fail: we divorce our wives and husbands, we leave the roofs of our lovers…. Yet still I believe in love’s possibility, in its presence on the earth…. in an ordinary kitchen with an ordinary woman and five eggs. The woman sets the table She watches me beat the eggs. I scramble them in a saucepan…. I take our plates, spoon eggs on them, we sit and eat. She and I and the kitchen have become extraordinary; we are not simply eating; we are pausing in the march to perform an act together, we are in love; and the meal offered and received is a sacrament which says: I know you will die; I am sharing food with you; it is all I can do, and it is everything.

— Andre Dubus, Broken Vessels

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Chance Encounter

Walking home from the library last night, I met a friend on the way, who walked with me up the hill, through the cemetery, and into our back yard, the half moon overhead watchful.

My friend’s decades-long job had recently ended, and she was painting the cabinets beneath the kitchen sink. Laughing, we exchanged painting stories, and I confessed my intention to turn the downstairs of my house into sunflower hues.

Over my barn, not far above the wooded horizon, hazy red Mars kept company with the pearly moon. My 13-year-old, walking barefoot over the dewy grass, came to say hello and remarked how near the planet seemed.

Oh mysteries of twilight, when the impossible seems possible.

Holding the umbrella,
The mother is behind.
The autumn rain.

— Nakamura Teijo

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