Walking this afternoon, I’m reminded of Sylvia Plath’s line, The winter landscape hangs in balance now… What a long balance it might be. Nonetheless…
A pileated woodpecker swoops down from a branch above my head and disappeared into the woods. I take this as an auspicious sign. Ides of March. More snow moving in. Nonetheless….
Things take the time they take. Don’t
— Mary Oliver
worry.
How many roads did Saint Augustine follow
before he became Saint Augustine?
All week, people have been dropping in at work, with ideas and needs and so much school board talk. A stranger dropped in yesterday and mentioned she expected to become a grandmother that day, possibly the next. Candlemas, the ancient festival, forty days after Christmas and its official end. February 3 marks my own holy day, the day my oldest joined us in the world and I crossed over into motherhood.
In labor, I walked outside in Birkenstocks and stared at the melting snow that was running in sunny trickles. Just days after she was born, a fierce cold sunk in to stay. The neighbors brought a blueberry pie. As a toddler, I called this child a wildcat. Now, all grown up, she’s still a cat, with a cat’s complexities — half-feral and blissfully domestic, fierce-clawed and loving.
With worry edging her voice, the stranger told me she expected her family’s birth to be healthy. These usually go well, she noted. I agreed, and we walked out together. The wind carried dry snow over the parking lot. She disappeared in her car, but I stood for a moment longer, remembering my daughter was born shortly before midnight. My long labor ended with a surgeon who held my vernix-smeared baby in his gloved hands so I could see her. Her eyes were wide open, and she looked directly at me.
listen,
— Lucille Clifton
you a wonder.
you a city
of a woman.
you got a geography
of your own.
Our town’s beloved bookstore suffered water damage from a fire in an upstairs apartment last summer. The Galaxy Bookshop has been hop-skipping from living rooms to temporary quarters for months and has now reopened. This Saturday, 10 a.m.-6 p.m., the Galaxy celebrates its return with writers and local food.
If you’re in the area, or even reasonably nearby, stop in. One of my most favorite novelists on the planet, Tunbridge’s Jeffrey Lent will greet visitors in the morning, with the wonderful Natalie Kinsey-Warnock. The day’s intermittent guests include Daphne Kalmar, Christine McDowell, the Hewitts, David Hinton and Jody Gladding.
Thanks to Sean Prentiss (and his lovely wife Sarah) for getting this going.
So often, a visit to a bookshop has cheered me, and reminded me that there are good things in the world.
— Vincent van Gogh
I forget my map on my desk beside my eternal list (write thankyous, double check FAFSA submission, confirm E and J meeting….) and drive over the Canadian border shortly after sunrise. Luminous crimson stripes the clouds. Almost immediately, the land flattens from Vermont’s hard ridges to industrial ag fields, distantly studded with metal silos. Late December, and the terrain is more gray than white. I stop at a gas station and ask a woman who is emptying her car of fast food wrappers for directions. I don’t understand her accent, the slipperiness of French that eluded me all those high school French classes. She wants me to understand, repeating her directions, one hand waving a crumpled bag. I nod thank you, thank you, and turn back to my salt-crusted Subaru, miserable with my lack of agility with language. Aren’t I a writer?
At a crossroads, I have no idea which road to take, and the world opens up abruptly in dizzyingly wideness.
My intention is to drive to Montreal to meet my daughters. I hate driving the dullness of interstate and fear driving into cities, and I’ve made this infinitely worse by losing my map. For years with young children in carseats, I delivered maple syrup around Vermont, navigating by atlas and rivers, the sun and roadsigns, using my tools of snacks and a box of board books. I once pulled over and lifted a handful of pebbles from a roadside so my toddler could dump pebbles from one paper cup to another, satisfying her tired self.
Now: no map, no cell service, in a town whose name (ridiculously) I never learn, I pull a Streetcar Named Desire card ask strangers to point my way out. A teenager shrugs. An old man can’t hear me. Finally, an electrician in a truck gives me directions. We repeat his directions to each other three times, and then I roll out, my heart not full of faith, precisely, but enough warmth of optimism. May this new year bring out the generosity of strangers and of ourselves. Thank you all for your kindness and curiosity for reading.
You should keep on painting no matter how difficult it is, because this is all part of experience, and the more experience you have, the better it is… unless it kills you, and then you know you have gone too far.
— Alice Neel
A woman steps out of Positive Pie on Main Street with a stack of pizza boxes and nearly bumps into me. Late afternoon, and a rainy twilight has gradually thickened all day. I’m walking home from a reading at the town Memorial building by an author who’s published a historical novel about Hardwick. Decades ago, when this town shifted from broke-back subsistence farming to the granite boom, the town fiercely debated the railroad construction (why let in the outside world?) and the economics of electricity and streetlights. Now, not so many years later, the tracks are torn up, the roads paved, the granite empire crumbled.
This afternoon, the streetlights are on early, the colored lights glowing at this junction of routes 14 and 15.
The woman with the pizzas asks me to open to her car door. I step off the sidewalk curb, breathing in the scent of garlic and bacon. Before she gets in the driver’s seat, she stands for a moment overlooking the colored lights and river. “December,” she remarks — that’s all — and then gets in and drives away.
In the brick courtyard, the kitchen staff is getting high, wearing t-shirts in the strangely balmy air. December: this descent into the amorphous darkness with no clear edges. Long after the stranger has disappeared, I stand beneath the building’s overhang while rain falls and light ripples across the wet world.
At night, I knit and read, diligently counting stitches two-by-two before beginning the yoke pattern. I read about witches in 18th century New England, about muddy roads and fieldstone chimneys, about hunger and families and the complicated passions of small communities. About fear and remorse.
Around my house, the wind howls, lifting pine needles and crows’ feathers. November is the season of reckoning and looking towards the new year, of town and school budgets, of placing what you have beside what you want, of financial cost-and-benefit analysis, of a personal reckoning, too.
I remain awake unreasonably late, determined to proceed carefully this time to avoid ripping apart these stitches, anticipating the pattern work, the joining of color to color. Outside, I imagine smoke rising from our chimney, dissipating into the starry sky. A mouse nibbles in the wall. I keep counting.
“Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay. I’m always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality and it’s very shocking to the system.”
— Flannery O’Connor
Last the third Vermont Almanac —one of the loveliest (and most useful) print publications — is out. The Almanac folks are virtually kicking off the third edition at Burlington’s Phoenix Books Thursday night, 7 p.m. You should come!
Stony Soil Vermont 