‘Soon it will be the sky of early spring…’

Wild February!

At noon, I stand talking to the road crew in a sparkling snowfall. I wax on about the prettiness of snow on the emerging earth. The crew, who’s endured the strange vagaries of mud season in December, the fickleness of Vermont’s winter weather made weirder by climate change, humor me with a nod.

Fifty degrees and rain forecasted for today, followed by more, followed by bitter cold, then rain and wind, the sun I lean towards…. Late winter, again, and I remember when I could distinguish the years: the spring we boiled sap from March 1 to the 31st. The year we made 540 hard-earned gallons, two of us and a five-year-old, and I wore through three pairs of gloves carrying in wood and feeding the arch.

Walking around my snow-scattered garden, I envision where I will plant the bare root Japanese lilac I’ve ordered, for me or someone else to admire and love. The path down to my compost is both icy and soft mud, the conundrum of winter reluctantly losing its teeth to spring. The true joy is the inevitability, the earth’s order to proceed from twinkling snowflake to downy crocus, the planet’s sheer opinionlessness regarding skunks and black flies.

The road crew and I kick around a few more pithy remarks about government corruption, and then we head along….

From my one of my favorite Louise Glück poems, March:

The sea doesn’t change as the earth changes;
it doesn’t lie.
You ask the sea, what can you promise me
and it speaks the truth; it says erasure.

Finally the dog goes in.
We watch the crescent moon,
very faint at first, then clearer and clearer
as the night grows dark.
Soon it will be the sky of early spring, stretching above the stubborn ferns and
violets.

The Revenge Business.

Washing dishes this morning, I catch a little of NPR’s Morning Edition. Mandy Patinkin who starred in The Princess Bride says his famous line about avenging his father’s death. As I’m scrubbing out the coffee pot, Patinkin says the more important line is about how revenge never got anyone what they wanted. Ever.

For February, this Saturday is crazy warm. I hang the laundry outside to dry and open the windows. I finish up some work at the coffee shop and talk with a school board member from the board I quit, abruptly, last spring. A few raindrops are falling as we step outside on the sidewalk.

In the little rain, I walk home, thinking about that revenge line. Families, nations, epochs, have run on revenge. And the math always works out in its own calculation. Check out the NPR segment.

The true religion, the religion of snow…

I stand at my kitchen’s glass door devouring blood oranges and watching the sifting snow. Blood oranges — could I choose a less local delight? I open the door and cast out the peels for the birds.

The cat Acer sits on my feet, listening to the morning radio news, too. Just over the river, my home state New Hampshire revels in the Presidential primary. Meanwhile, Vermont prepares for its March Town Meeting Day, with the calculations and passion of budgets and petitions. Close an elementary school? Pledge to become a pollinator-friendly town? So much of January in my state is devoted to public meetings and discussion/debate, to a reckoning of the way forward, a jostling for who’s running for what seat — and what seats might remain empty.

Meanwhile, snowy winter has finally arrived, spare and elegant. Fearsome and enchanting. As the days deepen in cold, the light hours increase: no stasis in this world.

A fan of local chicken, bacon, milk, my cat stares at my orange-sticky fingers with disdain. I crunch the orange seeds, too, devouring this sunlight sweet.

Here’s Billy Collins’ poem about shoveling snow with the Buddha:

[Shoveling snow] is so much better than a sermon in church,
I say out loud, but Buddha keeps on shoveling.
This is the true religion, the religion of snow,
and sunlight and winter geese barking in the sky,
I say, but he is too busy to hear me.

Myself, the Householder.

Furious, long before four this morning I’m at my desk with coffee and manuscript and my needy cat who must have his nose rubbed. A few months ago I asked a neighbor to knock off his cash carpentry payments to my ex-husband, a father who’s never made a child support payment. The neighbor brusquely told me I didn’t understand the complexity of the situation and walked out.

Now, he’s sent word that I made him and his wife feel unsafe. Oh Lord…. me and my 4’9″ stature and my insistence that I do know the complexity of my story and my uncomfortable female rage. I’ve doubtlessly repeated this, but his is a Kafka-esque flip of the word unsafe. And since when are other people’s children negligible?

I’ve been here before — like too many others, as this is hardly my unique problem — and I do what seems sensible to me. I tell no one where I’m headed and hike through the forest and up along a ridgeline. The hike cools my head. I discover white trilliums and wash my face in a low-running stream. The woods are hurting for rain, thirsty, thirsty.

I left with a question — what will I do? — and returned with my answer. Out of chaos, always, springs the pulsing might of creativity. At home, I hole up with Joanna Biggs’ A Life of One’s Own: Nine Women Writers Begin Again, and Biggs points me to Toni Morrison. In the evening, I pull a few weeds from the lily-of-the-valley that guard my house’s foundation. Such a delicate, pure, tiny flower.

 Q. You don’t feel that these girls (of teenage mothers) will never know whether they could have been teachers, or whatever?

A: They can be teachers. They can be brain surgeons. We have to help them become brain surgeons. That’s my job. I want to take them all in my arms and say, “Your baby is beautiful and so are you and, honey, you can do it. And when you want to be a brain surgeon, call me — I will take care of your baby.” That’s the attitude you have to have about human life.

— Toni Morrison, Time Magazine

Plot Point, Soul Journey.

My older daughter relays that she stopped for brand-new greasy donuts at 3 a.m. with her sister and a carful of teenagers headed to the airport. She parked beside a car with a man, she says, who must have lived through better moments.

We’re waiting for coffee on a Sunday morning jammed with people getting the Sunday vibe going. I make a vague comment about the soulful journey. Despite the eyerolling of my companion, I’m serious. Maybe the man was simply heading from home to work, or vice versa, but 3 a.m. in rural Vermont often means staring at a lonely emptiness where the way down leads to a few single dismal plot points, and the way up — imagination has plenty of material there. I don’t mean this in any jest, having hit a multitude of my own 3 a.m. moments; there’s a sizable respect between me and 3 a.m. Laughter and donuts, of course, are my preferred side of those moments.

April is the Vermont season of patience, of cold and thaw, and cold and more cold, of rain and the remembrance of November, the splendiferous muscle of crocuses. April is the long haul of spring, of faith in the green that tantalizes. Vonnegut writes, “The primary benefit of practicing any art, whether well or badly, is that it enables one’s soul to grow.”

A Whole Person.

Everyone has their own familiar paths and places. This empty stretch of interstate in the Netherlands between Vermont and New Hampshire my daughters and I have traveled countless times now, in all varieties of weather and moods. Now, so many years into this, one daughter is grown, the other on the cusp. My daughters look at my brother and me with a mixture of so many things — what, precisely, neither he nor I need to speculate. Laughing, he suggest to them that he and I equal a full person, our meager strengths and copious broken places complementary. I suggest, Maybe even a little more than one person….

I’m grateful to be invited to read and speak at the Cabot Public Library Tuesday, April 11, 7 p.m. in a real-life deal. Come if you can.

And — definitely worth a read — Matthew Desmond’s Poverty, By America.

Poverty was a relationship, I thought, involving poor and rich people alike. To understand poverty, I needed to understand that relationship. This sent me searching for a process that bound poor and rich people together in mutual dependence and struggle. Eviction was such a process.