Courage Crumbs.

I began my Call It Madness book tour on a steamy June evening, traveled all summer around the state and into New Hampshire, and ended in Greensboro, a ten-minute drive north of where I live, on a late afternoon, the August day promising coolness as the day ended, a room full of people I know and some I don’t know. I was graced with affection and curiosity.

Along the way, I’ve been fortunate to have friends and family make this trek with me, take time from their lives — and sometimes I traveled alone — that well of solitude that both sustains and sometimes frightens me.

At this last reading, in the town where I walked around the lake, beginning to write Call It Madness in my mind, think through this story of a farm lost four generations ago and a young, rough-edged woman seeking her own salvation, the audience asked thoughtful questions. At one point, I heard myself say, when I had cancer, and of course that is not true. The pronunciation of cure, if I am so fortunate, is far yet in the future. But looking around the room, I knew pieces of so many people’s lives — losses of their own dear ones, of addiction and financial duress, of the persistence of juggling a creative life and earning a living.

This morning, reading David Biro‘s One Hundred Days, I chance upon his words (as a physician and patient of a rare blood disorder) that medicine is art and science. I benefitted from both: decades and decades of painstaking research provided me treatment and the complex art of my oncologist ushered me through the nightmare of that treatment. In the deepest nadir, he appeared at my bedside at a time when numbers meant nothing to me: before dawn or late evening, or maybe noon. I told him I didn’t think I could continue, and he simply studied me, silently, while I scraped down into that threadbare pocket of my courage and pulled out another crumb. He waited for my resolve to thicken.

Likewise — and yet utterly different — writing. Late August, the crickets singing down the end of summer, I’ve lucky to have a house of family and friends this weekend, and then perhaps some lying in the sun, reading my way through the stack of books I’ve acquired on my bookstore tour. I’d imagined my fifties as a decade of some calm after kid-rearing, divorce and the scramble to set my girls and myself steadily in a beloved house, on a financial footing where I was not always chewing a thumbnail. Instead: a life like a bouquet of sunflowers, staggeringly beautiful, the leaves’ edges fading.

After reading, I stood in the parking lot with a friend, our conversation continuing in the way of friends who have known each other for years. For this moment, I relished how I felt held in this Vermont village, one blossom in a handful of so much.

“At these moments sufferers desperately want to escape from their holes, the silence and loneliness, and return to the world we share with others…” David Biro

“The present pushes back the life of regret.”

Lucky, lucky to reading in such charming backroads Vermont places. Lucky to be driving with a companion who gets me there via google maps and keeps me company on the drive. I’ll read at The Norwich Bookstore tonight, that familiar trek down I-91, but this time turning at Exit 13, not east towards Dartmouth Hitchcock Medical Center but east towards the literary world. With deep satisfaction. (Book signing Saturday, July 18, at Phoenix Books in Burlington, 1-3pm)

A friend stops by and cautions me that thunderstorms and hail, maybe fire and brimstone are expected tonight. I laugh because, well, why not. There’s those cliches about life’s a journey and so on, reductive things for a bumper sticker or card, with of course a soul of truth. Early evening, I read under the butternut tree, sparrows chittering, a woodchuck grazing beneath the lilac hedge. I’ve been here before: such a gorgeous wild sprawling summer, and already the days are dampening at each end, just the merest. The neighbors drive up, cheery and sweaty from baseball, and agree yes, more sun, more summer. The woodchuck looks up, untroubled, and munches on. I think, I could get a dog. Or not.

A mosquito bites my big toe. Swifts dart above my head.

The present pushes back the life of regret.
It draws forward the life of desire. Soon memory
will have started sticking itself all over us.
We were fashioned from clay in a hurry,
poor throwing may mean it didn’t matter
to the makers if their pots cracked. — Galway Kinnell

Harrowed Up Heart.

As part of the 2050 project, I’m asked to read at Newbury’s Tenney Library, surely one of the prettiest Vermont libraries, and Vermont has plenty of these. The crowd is full and cheery, the snacks are sweet, the librarian gives me a tour of this enchanted place, built inside as a series of arches. The original gas lamps have been converted to electricity, and I ponder what it was like in 1910 or so, coming in from a slushy afternoon to a warm and glowing library.

Newbury is a town on the Connecticut River, the village high on a bluff. Before I head out, I walk across the street and behind a church. Through the trees and brambles that are just tufting with green, enormous fields stretch along the river, long rectangles of emerald, others black earth harrowed up for planting.

I linger, shivering a little in my wool sweater, hands jammed in my jeans pockets. Early May, spring season of promise. That plowed-up land, the blue swoop of the river, the invincible thrust of spring pushing mightily through the chill — such happiness here. I head not back to the interstate, but up a mountain’s dirt road, to a house surrounded by green and blooming daffodils and a tangle of apple trees. A lovely couple invited the readers to dinner. The couple is both humorous and gracious, the conversation full of the idiosyncrasies of local talk and global concerns. The pleasant evening drifts into night, from eggplant to lemon tart. Exhaustion, my now familiar, weighs my bones. After thankyous, I stand outstanding in the cold wet, breathing what might be the spicy scent of daffodils growing, threading through in my mind the unfamiliar roads I’ll follow home. Then I let that worry go and simply breathe, damp spring holding me, as if I’m a daffodil, too.


“Like daffodils in the early days of spring, my neurons were resprouting receptors as the winter of the illness ebbed.”
― Susannah Cahalan, Brain on Fire

Hell-bent robins.

I arrive home from the local arts center, get out of my car, and a robin nearly flies into my head. Winged creatures are swooping from the apple trees to the hedge of lilacs that is just beginning to bud. My god, what a lovely day.

In my bag, I have an empty pint jar of water I’ve been drinking, and a ball of purple linen I’m knitting into a summer shift, and the books of the two authors whose reading I just attended — Helen Whybrow of The Salt Stones and Jody Gladding’s translation of Jean Giono’s The Serpent of Stars. I have a new book, too, a collection of stories by a Turkish author I’ve never read. Sitting with my book world friend, her publisher friend hands me a book, too. The afternoon and evening has gone this joyous way, like that hell-bent robin — strangers and friends and people I haven’t seen in ages — exuberant about literature and art and the unstoppable profusion of spring.

I like this art center so much I imagine curling up on a cushiony bench and sleeping beside the wide windows, the starlight on my face. An acquaintance I met at a Vermont Studio Center residency works here, too, and we plot some amusing possibilities. We’re beside the table heaped in lush mounds of delicacies, and I graze on stuffed mushrooms and empanadas and fresh tomatoes. I wrap lemon squares in napkins and hold these in my hands away from my books and knitting.

Outside on the stone patio, the wind is lifting over the meadow, the sun sinking and the cold creeping in. All around me looms that chilly darkness, the nearness of sunset, the hole in the night where dawn seems impossible. So much of my life I’ve teased and poked at this, and, conversely, pushed the vast cold away — through distraction and once-upon-a-time through drinking and work. Now, as the twilight drains away and night stakes in for its duration, I wander among the yet leafless apple trees, the garden with its green garlic nubs, drinking tea and listening to the birds settle down to sleep. My god, the myriad lessons of cancer. Note this, too: clench joy and fear in the same fist. See what happens.

Kitchen renovation paint considerations….

Knock down a wall, survive for a bit

The advance copies of my novel that will be published at the end of June, Call It Madness, sprinkle out into the world. I print postcards and mail those, too. Email me your mailing address (brettstanciu@gmail.com), and I’ll drop a postcard. The novel will be published June 30, and summer events slowly add up. I imagine sultry July, steamy August, spaghetti strip sundress, tumblers of ice water.

The novel is divided into sections of place: an apartment, a pantry where the protagonist Avah hides, the roadside Blue Lion Motel where Avah tracks down her mother, and Echo Lake—a great gossamer spill, a fat layer of ice…

Places define us. Unbelievably, I am now nearly a year out from chemo. All that long last winter I huddled on my couch, too sick to feed my own woodstove, I kept thinking, I think the kitchen wall removed. I want the small rooms of this old house opened. Now, a year later, holding what will be forever-fatigue in one hand and my strengthening return to health and merriment in the other, I hire a carpenter to remove a wall of early 20th century two by fours and lathe. I return to my dusty and torn-up house in the late afternoon, step in, and think, This is how the house is meant to be.

With the mind of a novelist, I wonder at the calculus of human decision-making: the mixture of numbers, of cost and house value, a stacked rationality. Take that arithmetic, and add to it my fierce desire to re-imagine my future where my garden bounty of jalapeños and garlic meets kitchen cleaver, where I revise another book at my kitchen table, where illness is swept from my house by the spring wind rushing through the open windows, smudging my rooms with the fecund scent of mud, the castanet jingles of mating frogs.

Vermont spring: thaw, fresh snow this morning, stove ashes sprinkled on the icy paths, robins. All the things.

“Survival, it is called. Often it is accidental, sometimes it is engineered by creatures or forces that we have no conception of, always it is temporary.” — Wallace Stegner, Crossing to Safety

Strange gift.

A year ago, I couldn’t manage the three steps onto my back porch without holding a daughter’s hand. A reversal of those early parenting years when I held my toddlers’ teeny fingers as my children learned to walk and then, quickly, to run. A year later, my oldest and her partner load up our skis, and we head out for a seven-mile trek. I once thought idly of skiing, a mere pastime, nothing more. Now, it feels nothing less than miraculous.

A year ago, my daughters and the partner propped me together through the darkest months of my life. In those months while I endured chemo, little bits of lights and happiness trickled towards me, as if falling down an ancient stone-walled well. Sunlight in my living room, in the hospital halls, (never in the subterranean ER), flash of cardinals, the boxes of books and gifts of miso and cards and checks that kept me alive.

Post-ski, I feed my mewling cats and eat blood oranges, then lie on the couch and read Jonathan Buckley’s One Boat. I’m relaxed as if I’ve swum with a friend in a Vermont pond, and then we linger on the shore, talking about nothing and everything. But it’s February yet and snowfall is circling again. We’d skied from hayfields down into the forest and circled around and around. At one moment, I’d hit fatigue, where I wondered if I would emerge from these deeply snowy woods. It’s a place I’m now beginning to know intimately, where I know the life I clutch so fiercely can so easily slip away. I was reminded recently of Robert Frost’s lines that “the best way out is through,” a minute guide for human life. On this day, all the human things.