Blue Dress, Loving the Liminal.

I stopped by a friend’s house where I’d not been in over a year. A friend who visited on my worst days, the first hours after chemo when, drugged and miserable, I could barely voice a request, Please, pick up my library books to get me through these days. I leave with my heart full as a flower bouquet, thinking of her mixture of domestic gardens and where the wild slips in…

Now, midsummer, the days as long as anyone could wish for. The cats and I are up with the sun spilling over the horizon, for kibble and coffee and more coffee. My daughters and I meet to do humdrum things, buy cat food and toothpaste. Walking on Vermont Land Trust property where we’d never been, we discover a children’s garden and wander through tunnels of grapevines to a toddler-sized table where we kneel, surrounded by walls of mammoth sunflowers.

It’s an ordinary day. We eat lunch, and my oldest buys chocolate cake, and we keep talking about the things that are unique to Family Us and the things that aren’t, like the news of Stephen Colbert’s imminence disappearance and the mad mad world.

In the sunlight, moving neither quickly nor slowly, we wander into a thrift store. As we wander around, I remember that this is a place where, last fall, I thought I would never return, that these ordinary days that seem so inconsequential would cease with my life.

I buy a summer dress for six one-dollar bills and nod a thank you to the young clerk who wishes me Enjoy!

I hug my daughters, hug them again, and in my own town again I pick up my library books and lie on the couch reading Jane Hirshfield’s words about liminality and poetry. Liminal, liminal, echoes in my mind. I close the book and walk my four-mile route along the river, the water murky and yet sparkling with sunlight shards as the current bends through curves and around rocks. I keep pondering liminal, that threshold between two realms, how I’d been in that thrift store numberless times, sometimes cheery, others frustrated with how the world wears you down, through parenting and worrying and hardship.

Today, I left that store with a folded piece of blue and white cotton, my body and soul electrified as if I had quaffed sunlight. Liminal. My daughter reminded me recently of that long April day that I broke, the day I cried all day long in the Dartmouth emergency room, and she kept going outside to call her sister. In a windowless room, I was desperate for spring sunlight. Hirshfield writes, “The threshold brings its riches, but its barrenness contributes as well.” Liminal.

“On Climbing the Sierra Mountains again after 31 years”

Range after range of mountains
Year after year after year.
I am still in love.

~ Gary Synder

At the edge of damage…

A few days of radiant sunlight and steady breeze, a burnish on my cheeks: solid medicine. It’s spring.

In rapid succession now, the coltsfoot, the lungwort, Siberian squill, my mini daffodils bloom. Each day I remain out of the hospital feels like a victory, a day worth savoring. Afternoons, evenings, I lie in bed reading Dostoyevsky.

There’s this line from a Louise Glück poem I mull over as I walk around my budding forsythia, the Daphne I planted last summer that survived the winter. The line is: “Nothing can be forced to live.” In these lengthening days, I wonder if perhaps my attitude has been skewed for years, gritty-mouthed and wry, one foot behind me ready to flee, the other toes nestling into the garden. Mid-April, and green shoots and velvety petals thrust from the earth. The honeybees swarm. The groundhogs feast and dig. The children ride bikes.

We’re early enough in the season that I can yet pick out this patch of Chionodoxa, the lilac buds. My sandy Vermont hillside thrusts towards life. A poem my friend Jo sent my way, and I’ll send yours is below. Swan’s words about the crack in our world — how much these resonant with me. Now, in my days and nights after chemo, as I begin putting my life and soul back together, I remind myself (as my siblings remind me) to lean into my cracks, to embrace the holes and the whole of my life.

BOWL

BY HEATHER SWAN

for my mother

From the mud in her hands,
the bowl was born.
Opening like a flower
in an arch of petals,
then becoming a vessel
both empty and full.

Later, in the kiln
it was ravaged by fire,
its surface etched and vitrified,
searing the glaze into glass
as its body turned
to stone.

It is at the edge of damage
that beauty is honed.
And in Japan,
the potter tells me,
when a tea bowl
cracks in the fire,
that crack is filled
with gold.

Inauguration Eve. Cold. And me, the mad mutterer.

On this Sunday inauguration eve, all day long, intermittently, as I go about the things I do, I’ve been thinking of a Mary Oliver poem. As I’ve written before, a friend has been sending me a poem each day that she reads aloud in her voice as clear as winter wind. Mid-January, Vermont, is the season both of winter settling in for the long haul and, conversely, as life often is, of lengthening days. We seek the merest brightening of the light as proof of spring’s promise. In her recording, my friend mentions seeing the division of seed packets in farm store, solid evidence of spring’s inevitability.

Later, just before twilight filters in, I walk out alone, tromping the short path through the woods and cemetery to the upper edge of the village. A few flakes of snow twirl. Otherwise, no one. My boots crunch over hard, packed snow. My mind is jammed with its usual monologue, when suddenly I realize my euphoria at walking along this wide road, flanked by white pines with broken branches, a single crow winging its way over the snowy Little League field. Yes, yes. I’ve forgotten my mittens, and my hands knotted in my coat pockets throb with cold, and yet I keep chortling like a mad woman, Yes and yes and yes.

Like any writer, I’m quite capable of running wildly with words, but as for the politics and national people, I’ll simply leave Mary Oliver’s words from her poem “Work, Sometimes.”

… What are we sure of?  Happiness isn’t a town on a map,
or an early arrival, or a job well done, but good work
ongoing.  Which is not likely to be the trifling around
with a poem.

Then it began raining hard, and the flowers in the yard
were full of lively fragrance.

You have had days like this, no doubt…. Ah, what a
moment!

As for myself, I swung the door open.  And there was
the wordless, singing world.  And I ran for my life.

Growth.

In these days of long light, my daughter and I are drinking tea and talking on our glassed-in porch when she spies a fox walking along the lilacs that fence us from the road. The red fox, a real beauty, turns and looks at us.

June has been a season of the wild pushing in — the prolific groundhogs (and my thoughts will come to naught about this, but I’m wishing for a more even ratio of groundhog to fox, for my garden’s sake), the multiplicity of birds, raccoon and possum, the circling turkey vultures. This year, too, my garden grows half-wild, the amaranth reseeding around the Brussels sprouts, coreopsis sailing over the fence. One morning, I straighten and pause, brushing dirt from my fingers, when I spy a fox staring at me through the layers of hydrangea and pin cherry trees. For a time without borders, we hold each other’s gaze. What passes between us is a wordless language, with no clear question or agreement. Maybe simply curiosity.

There’s plenty of the human chatter around me these days, much of it rippling up in chaotic waves. But then, this, too. Last night, poetry at a rural arts center, with all the best things of Vermont June: wildflowers and the pleasure of company, the beauty of words stitched finely together.

…. Last, never least, here’s some words about the unsurpassable Vermont novelist Jeffrey Lent, in need of a little lift…

Child

How you’ve grown, child

of mine—pearl from my oyster,

you sparkle like snow. 

Mary Elder Jacobsen

Bone Marrow.

The co-op cashier confides to me as she rings up my tomato and a loaf of bread that she loves this weather — brilliant sun interspersed with downpours. “Must be the Irish in me.”

The past few weeks have been a kind of July bonus: great growth in early June. My apple trees brushed out. I’ve placed an old desk and weathered chair on my covered porch. Recently, carrying out my laptop, I saw the desk sprinkled with gold pollen as if magic had swept through in the night. What luck, I thought, sat down and sneezed, worked.

I am of the wary bent, not to crow, don’t reveal a royal flush, a full house, for god’s sake don’t invite in bad fortune. At the little farmstand around Woodbury Lake, I park and walk behind the dilapidated barn towards the greenhouses, in search of a few more flowers for my garden, to fatten out the echinacea the groundhogs ate last year. In the tiny house, a dog barks. The farmer steps out and calls to me, my former library patron. He sings, “I’m saying it! I’m loving this.”

His words, not mine. Mine are this: in this northern realm, take in the sun and the green, store these gems in your marrow.

March 1: Cabin Fever, the Impossibility of Spring.

March: a day of singing chickadees, mushy ice, all the little paths running with thaw, twinkling in the sunlight with the promise of what I cheerily call early spring! The next morning, the temperature pegs itself solidly at 15 degrees and refuses to budge. I walk down to the post office, the wind scraping my cheeks. What grit of sandpaper is this? 80? 60?

Vermont late winter/spring is the season of vehement vacillating, of freeze and melt, sun, snow, rain. It’s the season of cold hands, flushed cheeks.

Late into the night I lie on the floor reading Leslie Jamison: “It’s what fairy tales have been trying to tell us for centuries. Don’t be afraid of never getting what you want. Be afraid of what you’ll do with it.”

March: the lurching season of cabin fever, of Where are those crocuses, anyway? Will flowers ever bloom again? I bake a cheesecake, fill bird feeders, have one, two, three essays picked up by little mags. The waning moon shines up the rutted mud, the dregs of snow. Early morning, the birds are at it, singing for dear life, tugging in spring.