Other Gods

At the dinner table the other night, my older daughter had some questions about the ten commandments. Although she attends a secular public high school, apparently the commandments surfaced in a health class discussion. Transported back to my few elementary school years in Sunday School, I remembered crayoning two suspiciously tombstone-like tablets and a mighty Moses figure. I assured my girls honoring their mother was a key commandment.

But the commandment that stumped her was the second:  Thou shalt have no other god. What the heck could that mean?

We were eating bacon-traded-for-our-syrup from a friend’s pig, an enormous porcine wonder once named Douglass. I had fried the thick fat golden crunchy on the outside, creamy and savory-smoked on the inside. The frost hadn’t yet gotten to my peppers, and with the bacon fat I had sautéed poblanos with my garden onions and garlic and nearly the last of the tomatoes. My younger daughter tore pieces of crusty bread and laid these on our plates.

I suggested: think about what fills your life. What if your life was consumed with the desire to win an Olympic figure skating medal, or insatiably to earn money? Or what if your life was filled with cultivating thousands of acres of commercial corn? Overseeing a small town library? Teaching kindergarten? Or suffused with a quest for something else: gambling, anorexia, heroin? What about Vermeer and his eleven children, the unpaid bakery bill at his death, and the two paintings his wife hocked in exchange for that debt? For better or for worse, isn’t what you fill your life with, and what you pursue, precisely what you kneel before?

There’s an upper window in our kitchen, and at this time of year, sunlight falls down in the late afternoons on our table. Years ago, my parents gave us this table from my girlhood home. The butcher block has held up all these years.

Oh, little girl,
my stringbean,
how do you grow?
You grow this way.

— Anne Sexton

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Montpelier, Vermont

Laughter and Rain

The February my older daughter had just turned one, she and I went to a playgroup in Craftsbury, and only a woman I hadn’t met and her one-year-old son showed up. The tykes fought over a red plastic shovel (my child was the aggressor), and eventually we hid the shovel. While the kids checked out the plastic toys, the woman and I talked, and talked, and talked, and in some ways haven’t really stopped talking since.

Today, in one of these weird slips of time, my friend and I drove around Woodbury, this rural Vermont town, population 902, over dirt roads, up hills and along narrow roads without guardrails beside ponds, looking for one particular thing.

Crisscrossing these roads in the rain, we passed my daughter’s elementary school several times, and I thought of my child at her tidy desk, in the warm red schoolhouse with the rain coming against the windows.

My friend and I met no one else but a pickup truck or two on these back roads. Several times I asked, Should I drive up there? It looks like a bike trail and not a road.

Yes, she insisted, yes — and only once got out so I didn’t back into a ditch.

How long our friendship spins out, stitched through with so many things:  new babies, and gardening, books and more books, a courtroom, jobs, days at the lake, coffee, broken vehicles, farmers markets, deaths, and a whole lot of laughing. I wouldn’t trade the laughing for anything.

Nobody sees a flower, really – it is so small it takes time – we haven’t time – and to see takes time, like to have a friend takes time.

– Georgia O’Keefe

Photo by Molly S.

Photo by Molly S.

Use What’s At Hand

We are no longer in the gardening season, no longer in the season of growth and warm days, of the earth turning green. October heralds the season of decay, of stillness and quiet, broken not by songbirds but the geese winging their way south. Weeding once, with someone else, he suggested laying the handfuls of weeds over the living ones, as a smothering mulch. Use what’s at hand.

That phrase comes back to me, in this season of pulling up a garden, ending one thing, and entering this other season. It’s a way of looking at the world where one thing morphs into another, where this as plague becomes that as assistance. It’s a way of looking at compost as life, at your weakness as truly your strength.

I thought I knew about all that (loss) when my first wife, Jackie, died of cancer… It isn’t just that I don’t believe in love; I’m not sure I believe in anything. But, looking at these radiant canvasses (of Vermeer)–unreachable yet familiar–reminds me. The rapturous inner life of each woman and the infinitesimally detailed and self-contained life of the street are each imagined as an undiscovered heaven on earth…

–– Michael White, Travels in Vermeer

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Photo by Molly S.

Fall Hiking

In this yellow autumn, the girls and I hiked down through Sterling Gorge, a short hike above water tumbling through the narrow cut of rocks. At the trail’s bottom, the stream evened out, and sunlight dappled through leaves. The hike down had been chilly and somewhat dark, shadowed by hemlocks, but the spit of gravelly sand along the stream was light-filled. I had woken that morning feeling as though I had fallen down a flight of stairs, the bones in my back and hips mere pieces strung together with the jangling cord of my vertebrae.

I lay on a fallen birch log and watched sunlight flash in shapes over the running stream, thinking how we’re all just bits and pieces of bodies, water, sparkling sunlight, gritty sand, my own bones and flesh and flowing blood, ever moving, shapeshifting, evolving, turning from this to that.

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf,
So Eden sank to grief,
So dawn goes down to day
Nothing gold can stay.

— Robert Frost

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Woodbury, Vermont

Sunflowers, My Daughters, Their Stories

I remember when I first heard the phrase “he’s one of the old ones” regarding a small child, as though some souls could harbor more depth, or a greater history, than others. Surely that’s mistaken, that our judgement is clouded by our own misperceptions.

With my own children this evening, I sat at the kitchen table while my older daughter ate a late dinner as she recounted her babysitting saga. She told us about teaching the little children to write their names. Laughing and talking about the various strands of our separate days, I marveled at how my girls look at their own unique worlds, laying all the manifold pieces of their lives – wonderful and mysterious and outrightly sad, too – in ways and patterns I hadn’t considered, not at all cliched but fresh and newly alive, as they create their own female stories.

The Sunflowers
by Mary Oliver

Come with me
into the field of sunflowers….

each of them, though it stands
in a crowd of many,
like a separate universe,
is lonely, the long work
of turning their lives
into a celebration
is not easy. Come

and let us talk with those modest faces,
the simple garments of leaves,
the coarse roots in the earth
so uprightly burning.

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Photo by Molly S.

The Fallow Season

After work today, I walked around the farm fields at the bottom of our road, a carpooling place from years ago. I have a photo of my younger daughter when she was three, running with a friend over enormous white-plastic-wrapped bales of hay, in sheer summertime joy. The field’s fallow now, a great swath of black earth opened up, studded with thistles and stones, emptied of visible life. Even the cartwheeling crows have abandoned these fields. The summer’s radiance has been driven over by the denser hues of gray and black, autumn’s burst of foliage nothing but a splash before winter hammers its solid pins in.

I, for one, welcome in the fallow season, craving a chunk of stillness, wishing the frothy madness of the world (from local gossip to national news) to keep at bay for a bit – or at least a weekend.

Walking with my neighbor this afternoon, we speculated that a brown shape in the dirt road ahead of us was a cluster of fallen leaves, but as we approached, the shape lifted with small wings, and then flew nearby: a wood thrush, quietly keeping us company, swooping nearby and then flickering away into the woods, among the falling leaves.

Wild creatures have the confidence
to realise it’s time for rest.
Nature regards man as a jest,
and doubts his mental competence.
All nature knows it’s for the best
to realise its time for rest.

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Kate Brook Road fields/Hardwick, Vermont

— Ivor Hogg