Deja Vu

My younger daughter told me a story last night of a dream she had years ago where a stranger appeared. Months later, she was studying someone she had just met, and she realized that man was the stranger. How was that? she asked. My dream was the past and the future….. She was mesmerized.

Today, the first of the snow, just a sprinkle, like a white variation of the cinnamon I spilled over my sweater at the co-op this afternoon. The first of the snow signals the settling in of the long, long season, and yet, the first flakes are always breathtaking, always brief and fleeting, and always stunningly lovely. It’s that same deja vu, back in the beginning of winter again, the days dim and short, the children bickering or not bickering, the hearth glowing….

The boy and the dog
Stand in stillness on the waiting road.
Night’s embrace cloaks them in darkness
no less than invisibility.
They face north
And feel the first cobweb kiss of snowflakes
Borne on feathered air.
He will always remember this;
The boy, with his dog,
Standing there.

Nomad Omnia
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Photo by Molly S.

 

 

 

Earthworks

Venturing into unfamiliar territory today, the girls and I unexpectedly found ourselves on Horn of the Moon Road, and then crossed the dam at Wrightsville Reservoir. One of the beauties of living in Vermont is there’s often no one else around, so we simply stopped, abandoned the car, and walked along the narrow road, each side sloping steeply, covered with rocks.

My older daughter and I reminisced about when the reservoir had been nearly drained empty, and, conversely, when the water level had risen so high that trash lingered in the treetops for months.

On this giant earthwork, we were amazed at the work man’s hands have done, so much sod and rock moving, the immense depths of concrete and steel. What a different view of water today. All summer, my daughters and I have swam and canoed in clear lakes and remote ponds, and then today: the rugged vision of men enacted on the land. Tonight, reading van Gogh’s inimitable letters, I remembered how much van Gogh taught me as  a writer: to look, and look, and not to be afraid to take in everything. More pieces of the evolving puzzle.

 

It is looking at things for a long time that ripens you and gives you a deeper meaning.

— Vincent van Gogh

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Montpelier, Vermont

Tool, Weapon, Daily Bread

How lucky I was to have a houseful of girls tonight, laughing and eating, with just so much chat-chat-chatting. They have questions and their own contrived theories – could this be true? This? Would life be different with a houseful of sons? Somehow, I think so.

Driving to the movies, in this dark November night, I listened to their talk braiding around each other, and I realized these girls know each other through language. Too often, I’ve thought of my own use of language as either tool or weapon. A few years back, I wrote an essay about industrial wind in VTDigger, intentionally using language as weapon. Now, in the bits of journalism I do for paid work, it’s a serviceable tool. But these girls remind me, again, of simple loveliness of speaking, and that the deepest profundity is often what’s right at hand.

…If you can read and understand this poem
send something back: a burning strand of hair
a still-warm, still-liquid drop of blood
a shell
thickened from being battered year on year
send something back

— Adrienne Rich

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Woodbury, Vermont

November 2015

Vermont Public Radio and my teenager and so many questions, questions: what does this mean? Why did this happen? So many questions and I have no answers, merely: think of this bit of information, and that geography matters, history matters, that anger and desire and fury and bitterness matter.

I slid potatoes and squash in the oven and stepped outside for firewood. With the sun going down, the air had abruptly cooled. My younger daughter and the neighbor child were in the darkening woods, laughing. Overhead, the clouds parted over the crescent moon, and then concealed this heavenly beauty. Unseen, geese honked their mournful journey, away.

Between our two lives
there is also the life of
the cherry blossom.

— Basho

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Sunday

My children and I were never church-going people, although the enormous quantity of churches in Vermont mark our bearings. We’ve spent hours on ecumenical lawns, from the nursing and changing diapers days, to a safe place for toddlers to stretch their legs on the long syrup delivery routes I used to drive. Years ago, I was lost in Addison County, with a starving four-year-old in the backseat. I handed her the Gazetteer and told her to read the map. Hidden behind the upside Gazetteer, she informed me: Mommy, we’re lost. Go backwards.

We weren’t lost today, in our own little town, at the old church with its doors folded up like hands over a face. These old relics are beautiful and enduring, quietly going about their business, present for need, reflecting those admirable yankee qualities.

Some keep the Sabbath going to Church –
I keep it, staying at Home –
With a Bobolink for a Chorister –
And an Orchard, for a Dome –

— Emily Dickinson

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South Woodbury, Vermont

Children Laughing

A number of years ago, we were having dinner with friends in our kitchen, laughing and talking, when suddenly one of us ordered the others to be quiet. Our friend held up his hand. I had recently laid my baby in her crib upstairs, in that rosy end-of-the-day glow. She lay there babbling her echolalia, singing away happily in her own baby world. Our friend, whose children were older then, insisted we listen. Our own clamorous adult chatting ceased, and from the open room just above, we listened to the baby’s talk.

This morning, I sat on the couch and ceased my own work for a moment. My ten-year-old daughter and her friend were whispering in the bunk bed they had slept in together, giggling and planning their day off from school. Like a brook, their laughter tumbled to me, clear and sweet.

…Laugh at the night,
at the day, at the moon,
laugh at the twisted
streets of the island,
laugh at this clumsy
boy who loves you,
but when I open
my eyes and close them,
when my steps go,
when my steps return,
deny me bread, air,
light, spring,
but never your laughter
for I would die.

— Pablo Neruda

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Photo by Molly S.