photography

Winter Sky

/ Brett Ann Stanciu / Leave a comment

Last evening, I stopped by Lake Elmore, summertime sacred scene of popsicles, barefoot children running over immense lawns, swimming and more swimming. My daughter’s happy birthday parties, the little girls in their flowered dresses.

8 degrees Fahrenheit under a half moon and scattered stars, Orion’s belt hung over the snow-covered lake, hoarfrost creeping up the crumpled remainders of weeds. Scraps of clouds passed quickly over the moon. After too many meetings and too much talking, I gulped the cold eagerly, my boot heels on the sand-scattered road the only scuffling sounds. Ancient, great-horned Taurus, the bull in the spinning constellations, hung above me, familiar and dear as the oldest of lovers.

… There was a woman
I made love to and I remembered how, holding
her small shoulders in my hands sometimes,
I felt a violent wonder at her presence
like a thirst for salt, for my childhood river
with its island willows, silly music from the pleasure boat,
muddy places where we caught the little orange-silver fish
called pumpkinseed….

Robert Hass, “Meditation at Lagunitas”

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A sunshiny bit of my world….

Early January, at Home

/ Brett Ann Stanciu / Leave a comment

In the morning, driving along the Lamoille River and its flanking snow-buried farm fields, my daughter and I note the river’s ice buckled across its serpentine surface and speculate about its thickness. With this year’s early insulating snow, the fire department posts warnings about treacherously thin ice.

These days are long, beginning in darkness and ending in darkness, arcing over the eye of grayish light in the middle. Last night, our windows filled with spinning snowflakes, while my teenager and I held onto the day, talking, talking, our words swirling around each other, sharing our worlds.

Later, as the wind howled over the house, I read from my library book Staying Alive: Real Poems for Unreal Times – irresistible title.

Poetry is like the sawdust coming from under the saw
or soft yellow shavings from a plane.
Poetry is washing hands in the evening
or a clean handkerchief that my late aunt
never forgot to put in my pocket.

Jaan Kaplinksi, “‘Once I Got a Postcard…..'”

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North Calais, Vermont

Magical Realm

/ Brett Ann Stanciu / Leave a comment

As the kids and I drove into Barre, Vermont, this afternoon, the little boy in the back seat said,  I really don’t like Barre.

I’m with the kid, I’m reluctant to say, for reasons no doubt wholly different than the boy’s. We were headed to The Nutcracker, in the gracious Barre Opera House. On the way there, I drove behind the county courthouse, repository of windowless hallways and claustrophobic rooms, countless tears of human misery.

But I trusted ballet could rewrite my experience of that city, and the magical dance did not let me down. At the performance’s very end, high up in the balcony, I realized  – in what should be a, well, duh, moment – that ballet was all about the transformative might of imagination.

All the way home – and here’s yet another driving story, yet another journey – we drove on icy roads through the smokey blue-black twilight, and then arrived in our own home town with full darkness ringed all around, velvety and deep, and the village lights twinkling white. The town itself might have been the opera house stage, lit-up and beautifully arrayed for the holidays.

When I was twenty, I worked nights for a summer. I loved driving at night as a young woman; the darkness around my two Volkswagen beetle headlights felt ripe with possibility, and I believed myself invincible with youth. In an odd juxtaposition, nearly thirty years later, possibilities stretch out even more infinitely before me. Although I now know the illusion of invincibility, I think I’ve traded that for something deeper and far more valuable in those sparkling lights.

Unamuno might be describing the artist as well as the Christian as he writes, “Those who believe they believe in God, but without passion in the heart, without anguish of mind, without uncertainty, without doubt, and even at times without despair, believe only in the idea of God, and not in God himself.”

– Madeleine L’Engle, Walking on Water: Reflections on Faith and Art

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While The Season Lasts…

/ Brett Ann Stanciu / Leave a comment

When I was eight, my family moved from a cluster of townhouses to a rambling old house in a New Hampshire village. Behind the house lay tumbling down stone walls, overgrown gardens, and a great swathe of forest. Those third-grade autumn days – much like this one today – I stared through the classroom windows, longing to be out in those pine woods, building forts from fallen branches, lying on the earth still warm from the summer, so sweetly fragrant with fallen needles and hummusy soil.

Autumn is quintessential childhood.

This evening, my teenager leans out the door after dinner in the dark and insists we go for a walk. Along the dirt road, the crescent moon follows us, the air balmy, the light so clear the evening is a prolonged twilight. Three dim figures trail our heels: moonshadows.

Calligraphy of geese
against the sky–
the moon seals it.

– Buson

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Woodbury, Vermont

Look at This

/ Brett Ann Stanciu / Leave a comment

Driving my 11-year-old to school this morning, I remarked on the stunning foliage, and she answered in her even-keeled way, I kind of hate to say this, but the leaves are a little boring. What if we were along the Pacific Ocean, driving on a cliff, and looking out at the sea? Now, that would be really interesting.

Oh, my daughter, my daughter. Isn’t that the way of the world? I asked if she wondered if the kids on the Pacific coast might want to see Vermont’s gold and crimson leaves?

My daughter thought about that for a good while. Finally, long past the time I thought she might have lost interest, she offered, Maybe.

….O hushed October morning mild,
Begin the hours of this day slow….
– Robert Frost, “October”fullsizerender

The Void and Story

/ Brett Ann Stanciu / 2 Comments

One of the more harrowing experiences I had recently was offering up testimony in a county courthouse. In a large, wood-panelled room with no windows, separated from the landscape I know and love – my children and the dark-green mountains where I live, the world of singing crickets and flower petals easily frost-bit, the sky sprawled infinitely overhead, I was asked to give my story.

What’s in each of our own, unique stories, anyway? Breath, thought, memory: words from my larynx spun from the slender bends of my ribcage. To return to David Hinton’s Experience again, while speaking I realized how keenly our stories are presence surrounded by absence. Into this unknown world, I told my story of fear and love, my presence filling that space. In this 21st-century American world, we’re accustomed to defining ourselves in terms of our acquisitions: degrees we hold, a dwelling, occupation, the clothing we choose each day, political beliefs we cherish, whether we raise our own meat and vegetables or buy boxed foodstuffs at Price Chopper. Pushed up the against the razor’s edge of the void – through illness or a turn of misfortune we’ll all experience – we’re left with only a body created from carbon and calcium, and the immaterial thread of our story.

Our stories, always imperfectly told, are not a reflection or mirror of who we are. The stories are who we are. Hand-in-hand with telling our stories is that persistency of doubt. Is this true? Is my story worth telling? For a writer: why write, anyway? The answer, perhaps, may be as simple and raw-edged as this: because at our hearts, we are but the conjoining of body and story. In the face of the void that courthouse morning, my story hooked into strangers’ stories, as my story now weaves into yours, and yours winds into others.

In Chinese with its empty grammar, Absence appears as the space surrounding the ideograms, and ideograms emerge from that empty source exactly like Presence’s ten thousand things – a fact emphasized in the pictographic nature of ideograms, and no doubt the ultimate reason for that pictographic nature. Indeed, the ideograms are themselves infused with that emptiness, as they are images composed of lines and voids, Presence and Absence…

David Hinton, Experience: A Story

 

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Elm Street, Montpelier, Vermont