Illumination of Constellations.

On the way home from a conference in Montpelier, I stop at #10 Pond. Late afternoon, there’s no one around, and I open my laptop and work, perched on a rock. For a good long while, it’s just me and two curious loons swimming by, the September sunlight dropping over the hillside full of hovering gravity-defying dust and damselflies.

A stellar autumn day.

I hadn’t intended to swim, but the afternoon turns sweaty. The water’s temperature hovers at perfection, the morning’s chill vanished this late in the day. Afterwards, I stand on the shore’s mud, drying off. A stranger appears and wades in. The sunlight moves between us, a great creature.

We talk about the clear water and the leaves turning gold, and waking in the post-midnight wee hours. The nights are cold, and we agree that we close our windows, now, to keep some warmth in our houses for the morning. A young mother and two small children scramble down the bank. The youngest child runs into the pond, splashing, hands outstretched.

19 years ago to this day, my youngest and I were at the ER, when my husband had a chainsaw accident. All’s well could be the pronunciation, nearly two decades later, but is that so? Another of these questions that only I seem to ponder—how much of our difficulties were caused by us, how much by fate? An impossible question with no answer. A human, not a loon, koan.

Mid-September, a day balmy-sweet. I drop my damp towel and wade out. I fear I may not swim again this year, maybe never, but as I stroke out further than I have this summer, far beyond shore, I let those fears sink down to the pond’s hidden bottom.

Much later, the day’s heat lingering, I lie on my splintering picnic table beneath the Milky Way and let the words wash out of my mind, sink down through the grass and sandy soil, the realm of worms and grubs and groundhog burrows. The constellations illuminate the darkness.

“…living according to the rhythms of others…”

My ex and I were remarkably unsuited for each other in many ways; in particular was his ability to live without plans. I—in what’s surely irritating, too—lean into rhythms and patterns. This long holiday weekend, I wake hours before dawn, busily tearing apart a manuscript draft and rearranging, stitching, adding, cutting, cutting, cutting…

These early autumn days are sunny, with real heat yet. Afternoons, I park at the rail trail, stretch, and run. In the parking lot, there’s always that SUV with a youngster who’s on a different economic path, and an assortment of Subarus and Volvos with bike racks. These runs are short, a few miles perhaps. Sometimes, I make the four-mile loop. Ending, I often leave the path for the pasture along the river, the Joe Pye weed and purple asters and goldenrod dense. The pollinators eat hungrily.

An orderly life depends on a tenor of privilege, a gift I didn’t have in those years of in-the-thick mothering. Tillie Olsen in Tell Me a Riddle wrote about “living according to the rhythms of others”—a line I’ve considered for years. Nearly all my life I’ve lived in the sway of family, gleaning writing time where I could. Now, just a few years into the children-are-adults phase of my life, my companions are sweet fat housecats but also the unremitting remains of cancer and treatment: the mighty beast of fatigue. I lean into it and push; the fatigue pushes back. As in any family, you make your agreements. You learn to get on.

Late afternoon, we build a fire and linger. Long past dark, we huddle around the flames, the cold nipping in. I tilt my head back. Overhead, stars appear between patches of clouds. From the trees, apples have already fallen into the long grass, sweetly rotting from the day’s heat. I’ve left the kitchen light glowing over the table spread with pages and my scrawled notes. Tomorrow’s labor.

Blackberry Eating

I love to go out in late September
among the fat, overripe, icy, black blackberries
to eat blackberries for breakfast,
the stalks very prickly, a penalty
they earn for knowing the black art
of blackberry-making; and as I stand among them
lifting the stalks to my mouth, the ripest berries
fall almost unbidden to my tongue,
as words sometimes do, certain peculiar words
like strengths or squinched,
many-lettered, one-syllabled lumps,
which I squeeze, squinch open, and splurge well
in the silent, startled, icy, black language
of blackberry-eating in late September.

— Galway Kinnell

Jam of August…

My youngest and I hike in a nearby state park that, as a family, we’ve visited for years—Elmore Mountain. Mid-August, in frothy opulence, does not disappoint: rocky mountain path surrounded by leafy forest, summit view, lake, the nearby store where I once bought my daughters ice cream cones and we now eat sandwiches. The trueness of hunger, the satisfaction of satiation.

Fellow novelist Catherine Tudish and I make the long trek to Manchester, Vermont, to read at Northshire Bookstore. There and back, hours filled with writing talk, life stories, the fried dumplings we eat at a fancy bar, the lingering hours at the bookstore’s closing, me buying one and then two books, stashing these in my bag. We talk and talk as the twilight slides into darkness. I laugh and say two days from now maybe we’ll still be driving around Vermont, and Catherine gently prods me to turn left, go right…

Later, after I leave her at her farmhouse and the massive hydrangea — white shot through with pink — shimmering in my headlights, I listen to the Rolling Stones, and now I am keenly intent on the back road through the darkness, cell-free Vermont, navigating by the few road signs I pass. I’ve driven here, but never in the impenetrable darkness. The night is hourless, and I’m giddy, sunroof open, car heater on, giddy not with any kind of writerly fame but enmeshed in this road and this darkness that I know will of course inevitably end somewhere. Giddy with the joy of my third book that has now reached bookshelves, the story of my troublesome main character Avah Lavoie a rough-edged young woman in search of her own coarse salvation. The novel begins in a sour hangover and ends in hunger: appetite.

Home, gracious I’m tired, but I stand holding my books and wallet and looking up at the constellations in their complex gauze, the Milky Way’s arc, bridged over my house and garden, apple trees and that giant goatsbeard and compass flowers shadowy creatures. The thin thread of crickets. I’m furiously hungry.

“I wonder if ever again Americans can have that experience of returning to a home place so intimately known, profoundly felt, deeply loved, and absolutely submitted to? It is not quite true that you can’t go home again. I have done it, coming back here. But it gets less likely. We have had too many divorces, we have consumed too much transportation, we have lived too shallowly in too many places.”
― Wallace Stegner

“… a definition of love…”

All afternoon, I work on my back deck. Hummingbirds dart at the hanging nasturtiums, rain sprinkling down around the porch roof. In the late afternoon, I swop jeans for shorts, tie on my shoes, and head out for a run. I run for maybe a mile, no more, then walk in circles, my hands on my hips. The mid-August world is a crazy abundance, hydrangeas and Queen Anne’s Lace reveling in their showiness.

I had thought I would never run again, that kind of energy and strength irremediably sapped by disease and treatment. Yet, this afternoon, I determine, Well, what you do know… Ahead lies a long evening of a Selectboard meeting in a particularly Vermont-vein: the nuts-and-bolts of the town’s daily business of salt and sheriff contracts, what to do about wastewater, and the passion projects of conserving land and eliminating streetlights. A microcosm of the country in a former schoolroom where everyone is on a first-name basis. Like it or not.

Long past nightfall, I’m home again, lying on the couch and reading Louise Erdrich, cats between my knees, the windows open and the crickets sizzling. Above, photo of myself with beloved daughters. After chemo, my hair returned in ringlets, the straight hair of my childhood replaced by exuberant happiness.

“Green Apples” by Ruth Stone

In August we carried the old horsehair mattress
To the back porch
And slept with our children in a row.
The wind came up the mountain into the orchard
Telling me something:
Saying something urgent.
I was happy.
The green apples fell on the sloping roof
And rattled down.
The wind was shaking me all night long;
Shaking me in my sleep
Like a definition of love,
Saying, this is the moment,
Here, now.

“… the now of us…

The incomparable Mary Elder Jacobsen reads her poetry at Elmore State Park. A sultry August morning, I come alone, friends off doing one summer thing or another. Mary reads in the beach house with the doors and windows open, a breeze carrying in the lake’s lapping and children’s laughter.

Afterwards, because I’m there, I hike the mountain. My family and I have hiked this mountain many times, but I haven’t been here in a few years. Last summer, I was walking—short stretches at first, then longer—gaining strength from the trifecta of cancer and chemo and surgery, gaining strength week by week. This summer, I’ve pulled out my hiking boots, pushing. How far will my strength return?

The rocky outcropping is familiar, a bit more brushy, but the cement footings of a vanished cabin are as I remember, with purple asters and wild roses. A sweltering, sweaty day that recalls my New Hampshire childhood, the countless hikes with my dad. A couple arrives, and we talk about the lake below, the view of the forest and hayfield landscape. We share apples, handfuls of crackers, stories.

The story I don’t share is the January evening I parked at the lake’s edge and walked out on the ice beneath the piercing stars. I was on my way from a late meeting to pick up my daughter at a friend’s house, and I’d allotted myself exactly ten minutes. The cold came at me like arrows. Across the lake, the ice cracked like a shot in the fierce temperature. And the constellations? Ancient and present and promising a future…. Now, years later, in moist August scented with those roses…. This day bears no thinking of time. August, in her tumbling abundance.

That January night, my daughter was waiting for me, wanting home. We’d been gone for hours and hours, since early morning, and the wood stove had gone cold, our house inhospitable. Rushing — I was always rushing in those days — I kindled the fire, boiled boxed macaroni and cheese, carried in more wood. We ate in front of the crackling wood stove, sharing our days. All the seasons of a life. Now, this August afternoon, damselflies flicker.

Hours later, I swim in my favorite pond. A friend and I swap stories and books, crackers, tomatoes, cheese. A stranger swims, too, and the stories widen. In a pouring rainstorm, I drive home, then stand under my covered porch and lean against my dear house, drenched from swimming and rain. The earth drinks deeply.

Because, whatever Science says about some equal future moon, 
I know the rare particulars of this vast and intimate brilliance— 
the now of us—won’t ever, in our lifetime, come my way again. ~ Mary Elder Jacobsen

A few known things: sand, evening…

These August days are yet long, lingering exquisitely. Days of heat and sweat. Noon, we drag a picnic table beneath a maple tree, spread out our lunches, eat and talk with the sunlight dappling through the leaves, a small breeze kicking up. The nearby road is busy with pickups laden with ladders and mowers, suntanned arms crooked out unrolled windows, and the vacationers at their leisure. This August day hums magnificently, with that dappled sunlight and cicadas.

I receive an email about my novel Call It Madness from a woman in the middle of the country, not far from where my mother grew up, so many decades ago. We email back and forth a bit about class and working and how those two forces of writing and living can sharpen your eyes, if you lean into it.

Surviving cancer taught me countless things, too, made me both more tender and more ruthless, two things seemingly at odds but not. The world is a variated unfolding story of cause and effect. In my novel, a man mangles his hand in a sawmill accident. Decades later, his great-granddaughter struggles with the family fall-out of that accident: a farm lost, a penalty of impoverishment. I glean what I can of my own story — the murky details of my past (my mother’s changed name, a story my father shares of remembering his father burning his army uniform in a backyard fire) — and appraise how I fit into the terrain of the world around me. Swimming at twilight, the lake both golden and black, those elegant 1 Corinthians words return to me: When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known.

I’ve been swimming at this sandy stretch for nearly thirty years, once upon a time with children and sand buckets. The water is yet magnificent. Sand clings to my wet bare feet. The day has cooled, refreshing as quaffing water when you are thirsty. The sand scatters on my kitchen floor. Something, I think, I’ll need to sweep. This morning, the sand remains.