Holy Nightsky.

10 degrees on a starry night, my daughter phones me while I’m cramming more wood in the stove. She’s on a dark-soaked back road, the northern lights resplendent, and urges me to go in search. Up Bridgeman Hill, she tells me, with the ridgeline view.

So, bundled in coat and hat, I drive through the little village and up the hill where the town lights cannot touch. In my headlights, wind scatters snow gathered from the wide hayfields, winter dormant. I pull over at the hill’s crest where two farms join. I get out of my car and walk down the road. The limitless sky gleams ruby and emerald, an immense shaft of white light luminescent. In the east, the black spreads profoundly, the stars so radiant I imagine I could reach out and grasp these gems.

John Donne wrote that illness is a “holy room.” My oncologist taught me that we are all the ailing; if not now, to come. Mortality’s cut makes zero discrimination. A cancer diagnosis gained me admission to inner chambers. Unwanted—let me reiterate again, I did not request admission. But I hung up my coat in the anteroom and set my hiking boots against the wall, and I walked barefoot and thirsty into the nexus, me and that fiercely multiplying lymphoma. The lymphoma and me — one of us was not going to survive this go-round.

In the night’s darkness, the rushing wind tore at my cheeks and hurled ice in my eyes. In the distance, a cow barn glowed with light, a scatter of houses in the valley. Around me, that immense and mysterious beauty over small human beings, at whatever mundane chore or decency or devilment we conjure, be it the evening milking or washing supper dishes or plotting a wrong against another.

The sharp-clawed cold shoves me back towards my car, back towards the village and my hot woodstove, my little house in the great holy room of this planet, this universe, this precise moment.

“It seemed like I was doing something ludicrous, trying to build a permanent work of literature out of broken little whimpering bits about the most ephemeral experiences when I was still mostly broken and half-ephemeral myself.”
― Anne Boyer

Call It Madness

My newest novel’s advance copies arrived in a great big box at the post office that I hefted on my shoulder. The postmistress said, “You wrote another book? How cool is that.” Indeed. Then she wondered if I could carry out this box that she described as nearly large as myself. I laid the box on the passenger seat and then walked across the street to the co-op where I bought an orange and peeled it and ate the sweet sticky fruit in a drippy wet snow.

Call It Madness? A novel about a young woman who realizes her mother had spun lies all her life—a grandfather who hadn’t died, a beloved house that hadn’t sold, only tumbled apart with rot and rodents. How does she get out of the madness-making of family and salvage some shreds of happiness?

June 30 the book will be released from Regal House Publishing. You can find it at my beloved local bookstore, the Galaxy Bookshop, or from the big A here.

Here’s the opening page….

White Quartz

2016

I didn’t know what made my parents drive from Bellingham to faraway Vermont the summer I turned four. I had never met my great-grand-father Opa until that afternoon my mother rolled our station wagon down Breadseed Lane. Earlier that day, a stranger had helped my parents change a flat tire on the New York turnpike, but the spare was a misfit. For hours, our car had been thumping while I stared through the backseat windows at the trees and fields passing by, pondering the puzzle of that strange word breadseed. Could seeds blossom into loaves?

We hadn’t stopped for lunch, and I was hungry. Was this Opa character cooking us dinner? Turned out, he was not.

In a rain that was just beginning to let up, the old man stooped in his yard beneath an enormous pine tree, fists curled behind his suspender buckles. I was not quite yet four, remember, and I knew suspenders only from picture books. In a strange coincidence, I had asked my mother for a pair the last Christmas. She had laughed and said suspenders only existed in fairy tales about grandfathers who were woodcutters and chased away starving wolves.

I loved that trip so much that the next summer I begged to return to Opa and his house that smelled of sugary rotting apples. I whined, Please, Mama, please. Which apartment we lived in then I’ve long forgot-ten, but in my memory, I’m sitting on the floor. At the end of the galley kitchen, a glass door streams in cloudy light. I’m watching the hem of my mother’s skirt graze her bare knees. The polyester skirt is one she wore for years, zigzag black lines over white. The hem has opened and hangs down, its frayed edge unraveling into threads. She’s smoking, the cigarette held impatiently in her teeth, and ashes drift down in the murky light. That morning, my mother tells me that Opa died soon after we left. The house was sold.

Touching the Earth.

Right at the solstice, frost.

My garden planting this spring was a combination of friends who appeared and weeded and planted, of the sunflower seeds I sowed and the woodchucks ate and I replanted and the woodchucks devoured again, of volunteer calendula and love-lies-bleeding and towering gold sneezeweed, and the pepper plants from a friend that produced in enthusiastic abundance.

Hurray for the garden. These evenings when I light the first wood stove fires of the autumn, my cats chew shreds of birchbark, sprawl before the warm stove. Hurray, they purr in their cat way.

Season’s change again, so familiar and yet different, each day fresh and welcome. Season’s change for me, too, some days filled with friends and colleagues, other days I hole up and get my work done. Writing now about cancer, I imagine holding this keen awareness of my mortality, of the perishable world, in my hands: a tender-eared rabbit, a vicious rat, or maybe simply a handful of sunlight.

In the deep fall
don’t you imagine the leaves think how
comfortable it will be to touch
the earth instead of the
nothingness of air and the endless
freshets of wind? And don’t you think
the trees themselves, especially those with mossy,
warm caves, begin to think
of the birds that will come – six, a dozen – to sleep
inside their bodies? ~ Mary Oliver

Hunger.

Curious cat named Acer

A few years back when my youngest was doing odd jobs, she came home with four strawberry plants someone had given her from a garden she weeded. Naturally, I planted these in our garden. The plants spread and have produced beautifully this year. I crouch beside these weedy plants and devour red berries. The crop is so small no berries ever make it into the house. Since it’s usually just me here these days, I eat in the garden. I’m famished for this sweet food. I devour the strawberries, juice dripping down my chin.

I’m ravenous for the sharp June sun, for this morning’s cold dumping rain, for my daily midday reading break, for the purring cats who clamor across my keyboard. Healing from cancer, I’m supposed to sleep (get seven to nine hours!) but, come that glimmer of gold at the horizon, I’m finished with bed, hungry for coffee, oatmeal, maple syrup. Eager to finish my novel revisions.

In those months of chemo, I’d worried my mind and imagination might dull, my fierceness lessen. Six weeks out from surgery, I’m diminished in body but a peculiar power blooms in me. A determination to do what I want. An impatience with artifice. Don’t waste my time.

And yet, the old haste that plagued my days and nights has quelled. Stopping by my neighbor’s, I sink into her armchair, set my feet on her footstool, listen, let the day’s exhaustion drape around me. That fatigue is now familiar to me as the blanket a stranger gifted me at the beginning of this cancer journey. We talk and talk, then wander outside and keep on with these conversational matters, the color of paint she’s considering for her house’s clapboards, how to encourage Columbine to grow among the phlox.

This time, I really want to listen…. I’ve spent my life mistaking instinct for fact, subjective experience for reality. What a waste of time here on earth to spend it as a slave to one story, how boring and repetitive, how many of our days are spent in chains.

From Sarah Gilmartin’s Service.

The Essentialness of Beauty.

A numberless day in my hospital stay…. I’ve noted the passing days by the perennial garden below my window. Each of these gauzy rainy days, the greenery brushes out further. The crabapples bloom. On the hillside, emerald stretches over branches, a multifaceted palette of leaves.

As for me — survived this surgery (hurray, yes) — and I’m now cared for by family who cycle in and out, messages and emails and gifts from friends, kind and competent hospital staff. My great thanks to readers to have reached out to me, or simply read my words. Surgery, indeed, for a laywomen like myself, is an oddity. Scalpel to flesh cannot be an everyday occurrence in a life. I relied on the surgeon’s precision. Grateful, grateful, I am for these skills. Soon, I’ll be home again, in the everyday world of my bright kitchen, our cozy front porch, garden. The lilacs will bloom.

One of our house’s great gems is the lilac bushes that span three sides, in varying lengths. The first spring we lived here, I invited friends for dinner. They got out of their car and stood in the driveway, reveling in the lilacs’ perfume.

While here, I picked up a copy of Loving Frank, Nancy Horan’s fictionalized love story of Frank Lloyd Wright and Mameh Borthwick, which ended in a horrific tragedy. Here’s a line from the incomparable Wright worth thinking over: “The longer I live the more beautiful life becomes. If you foolishly ignore beauty, you will soon find yourself without it. Your life will be impoverished. But if you invest in beauty, it will remain with you all the days of your life.”

The first green of spring…

Spring fever – and the green is barely beginning in my patch of Vermont. Southernly, along the Connecticut River, we find greening grass in Lebanon, the hillsides washed with fattening buds. Perhaps especially because I am (finally! finally!) beginning to heal, my body aches to rake and tend, to bend down and finger budding flowers. The photo above is a tease. We’re close, but my daffies aren’t yet unfolded.

Too, we are a ways from marsh marigold, that swamp flower with profuse greenery and gold blossoms, but here’s one of my favorite David Budbill poems, so good it’s worth reading over and over…

The First Green of Spring

Our walking in the swamp picking cowslip, marsh marigold,
this sweet first green of spring. Now sautéed in a pan melting
to a deeper green than ever they were alive, this green, this life,

harbinger of things to come. Now we sit at the table munching
on this message from the dawn which says we and the world
are alive again today, and this is the world’s birthday. And

even though we know we are growing old, we are dying, we
will never be young again, we also know we’re still right here
now, today, and, my oh my! don’t these greens taste good.