‘Soon it will be the sky of early spring…’

Wild February!

At noon, I stand talking to the road crew in a sparkling snowfall. I wax on about the prettiness of snow on the emerging earth. The crew, who’s endured the strange vagaries of mud season in December, the fickleness of Vermont’s winter weather made weirder by climate change, humor me with a nod.

Fifty degrees and rain forecasted for today, followed by more, followed by bitter cold, then rain and wind, the sun I lean towards…. Late winter, again, and I remember when I could distinguish the years: the spring we boiled sap from March 1 to the 31st. The year we made 540 hard-earned gallons, two of us and a five-year-old, and I wore through three pairs of gloves carrying in wood and feeding the arch.

Walking around my snow-scattered garden, I envision where I will plant the bare root Japanese lilac I’ve ordered, for me or someone else to admire and love. The path down to my compost is both icy and soft mud, the conundrum of winter reluctantly losing its teeth to spring. The true joy is the inevitability, the earth’s order to proceed from twinkling snowflake to downy crocus, the planet’s sheer opinionlessness regarding skunks and black flies.

The road crew and I kick around a few more pithy remarks about government corruption, and then we head along….

From my one of my favorite Louise Glück poems, March:

The sea doesn’t change as the earth changes;
it doesn’t lie.
You ask the sea, what can you promise me
and it speaks the truth; it says erasure.

Finally the dog goes in.
We watch the crescent moon,
very faint at first, then clearer and clearer
as the night grows dark.
Soon it will be the sky of early spring, stretching above the stubborn ferns and
violets.

Boots on the Land, the Ice.

I’m meeting someone, late afternoon, who’s late, so I wait. The February sun has dropped into the horizon and clouds, and the day’s softening snow is tightening up, freezing again. I’m along one of the glacial lakes, a deep cut in the earth created by the planet’s unstoppable movements. It’s an old, old lake, not a newer pond formed by a human dam construction. Across from where I stand is the beach where I swam last fall, evenings and weekends. The water is shallow for a short stretch and then deepens quickly. My youngest had just gone to college. I would swim out as far as I could, then lie on the shore beneath the shaggy cedars, reading and watching the loons dive and reappear.

February exposes the bones of Vermont, the land’s steepness, the flatness of ice, the pale grace of a white birch in a hemlock forest. That afternoon, the stranger tells me a story of how the land was divided in families, re-divided and swapped, sold. Around this side of the lake, the state highway was built nearly on the water, and from here it’s easy to see the challenges of traffic and how the road hampers runoff from the mountains. It’s a familiar story that plays out in particulars in all but the wildest places.

On my way home, I stop at the town reservoir and walk a short distance over its ice. Walking on ice is always a kind of magic, a temporary thing. I don’t see the two bald eagles who live here: another day, perhaps.

Roadside View.

In these tail-end days of January, I’m alone midafternoon when I stop by the edge of the road. We’ve endured a cold for days that’s not so much bitter but a raw damp that my brother says reminds him of the ocean. The kind of weather for wearing wool sweaters all day, that make you wrap your hands around cups of coffee. So many years ago, I lived for a winter in an apartment on a brick Main Street building in Brattleboro. The building was heated by radiators, clanging and spewing steam all over that large building, in a heating design where I was mere witness, the grateful recipient.

This dreary afternoon, I follow three-toed turkey tracks down a driveway. In the snowy field, the large birds set up a clanging holler when they spy me, ruffling feathers and jostling. It’s just me, I’d like to tell them, a small woman who’s forgotten her mittens and hat. I stand for a bit. Down the hillside, the frozen lake spreads immensely around the spits and coves of the shoreline: breathtakingly awesome.

After a bit, the turkeys seem to care little about my dull presence, gleaning through the thin granular snow.

January: wonder & diligence.

Twenty-five years ago, on a frigid January night, I went to a birthday party and ate chocolate cake. I would have my first baby in a week, and I had gone at that pregnancy with wonder and diligence, heavy on kale and broccoli, scant on refined sugar. The cake was marvelous.

In this warm January, a friend lingers with me over coffee. Melting snow drips from the porch roof as we talk about travel, making art and making a living, parenting. I’m reminded of a line from Raymond Carver that the mightiest force in his life was his two children, Carver who wrote brilliantly about laundromat hours. Wonder and diligence. Our conversation winds around to The List, the eternal draft of chores and visions, the crossing off and adding on, the drafting and revising, the diligence that strings our days together, a crude framework of parenting.

End of January: the weather is slushy and icy, sunbeams a rarity, hardly the season of wonder. My firewood holds the month’s damp, as if resistant, too, to the lousy weather. I lay chunks of wood beneath my stove, drying them a little before I chuck them in, burn the wood to ash.

My little cat flicks his tail. A cardinal nestles in the mock orange’s bare branches, crimson feathers in the muted world. I lay my hand on my cat’s silky back, murmuring, “Well, what do you know….”

And a Raymond Carver poem:

“Happiness”

So early it’s still almost dark out.

I’m near the window with coffee,

and the usual early morning stuff

that passes for thought.

When I see the boy and his friend

walking up the road

to deliver the newspaper.

They wear caps and sweaters,

and one boy has a bag over his shoulder.

They are so happy

they aren’t saying anything, these boys.

I think if they could, they would take

each other’s arm.

It’s early in the morning,

and they are doing this thing together.

They come on, slowly.

The sky is taking on light,

though the moon still hangs pale over the water.

Such beauty that for a minute

death and ambition, even love,

doesn’t enter into this.

Happiness. It comes on

unexpectedly. And goes beyond, really,

any early morning talk about it.

Monsters. Childcare.

I stand outside the town office building, eating leftover beet-carrot-garlic salad for lunch, watching the sky alternately break apart in sun or drop rain. If there’s a rainbow, it eludes me. A retired couple who lives up the street walks by, returning from their daily post office walk. We kick around the news: a petition to close the town’s elementary school and how last night’s snow turned to rain.

Slushy, slushy.

The wind kicks up a hint-of-late-February warmth, the way that month can smell of thawing earth, of the gradual thaw-and-freeze-and-thaw that morphs into spring. Midwinter here, the weather out of whack. The afternoon opens into sunlight. The sun’s rare January appearance carries me through the afternoon and into a cheerily ebullient Selectboard meeting, and home again along an icy road, the stars glittering over hayfields, to play cards with my daughter while the cats savor their feline leisure, sprawled before the wood stove.

I lay awake late reading Claire Dederer’s Monsters. Dederer writes:

… the genius is not you. Not me. The genius, as we understand it, is not the person who spends most of her time, and I mean that quite literally, thinking about childcare. My major artistic concern for the past twenty years has been childcare, it has preoccupied me more than any other subject; even now that my children are mostly grown I’m still not sure I managed it well, I lie awake worrying about it, and meanwhile old Pablo was putting out cigarettes on his girlfriend’s face.

Real Things.

Much as I pushed the hippie thing in my younger years, I’ve often sneered (albeit silently) at the tea drinkers, save for my pregnancy years. I’ve always been much more of a knock-back-a-couple-of-espressos woman. But this sodden late afternoon finds me leaning against my woodpile in the dreary rain, sipping steaming tea, remembering my girlhood love of The Secret Garden, Jane Eyre, and scorned Sylvia Plath.

As for the photo above, our Christmas adventures involved inspection of the July flood’s toll on the rail trail’s bridges. Christmas Day, we followed the former railroad bed deep into the woods, where this enormous culvert was skillfully and laboriously constructed a few generations ago. For reasons that need no elaboration, this seems a fitting photo for the trailing end of 2023. Unless you know by word-of-mouth or friend, you could walk through these woods and never see this beauty. Which would be a kind of loss.

I’ve never been a fan of New Year’s resolutions or wishes, so easily broken. But here’s a small one: less of the superficial hashtag life. Hold scorching tea. Share a secret marvel with a stranger. Adhere to the tangible.

And last — I was lucky yesterday to be invited with Vermont Almanac editor Patrick White on Brad Ferland’s radio program Vermont Viewpoint on WDEV. It’s always a joy to participate in radio — especially with my friend Brad and talking about Vermont and writing.

Hope you’re all dry and warm….