Immensity taps at your life…

Nearing the end of August, the wild around our village house is mightily fortressing. The path behind our house has been given up this summer by friends; those who visit arrive via the street where the grass has broken the pavement, too, crisscrossed the gray with emerald. In the ravine behind our house, the foxes have kitted again this year. Randomly, the youngsters come out to chase each other. My daughter, who unexpectedly met the hissing mama fox, gave up that path a few years back. Only I now claw my way through the blackberry brambles, whistling, scraping my bare knees in some kind of penance for passing through their realm.

This year, while the human world on a great and local level has worked at its less admirable traits, the natural world has flourished. My daughters and I hold the apples and pears, gauging not yet, not yet. All around, a rioting of blossom and vine of what I’ve sown — sunflowers and morning glories, love lies bleeding — and the lushness of goldenrod, wild honeysuckle, creeping cucumber.

Oh, sweet illusion of Vermont’s August, as if stark November will skip her own visit this year….. On this dewy morning, smoke-drenched from wildfires so far distantly north, a favorite poem from Jane Hirshfield.

“Tree”

It is foolish
to let a young redwood
grow next to a house.

Even in this 
one lifetime,
you will have to choose.

That great calm being,
this clutter of soup pots and books–

Already the first branch-tips brush at the window.
Softly, calmly, immensity taps at your life.”
― Jane Hirshfield

All kinds of summer rains…

Too stormy to swim on Sunday, I take up a new friend’s offer to walk the trails she’s cut on her property. Her property is off a back road, with a gorgeous view into the valley where the Lamoille River is barely beginning to fatten its strength.

The trails wind down through the woods, studded with white quartz on either side, so gleaming the rocks appear to have been freshly washed. On the verge of rain, the forest is still. In a kind of labyrinth, I walk over springy moss, beneath leaning cedars, around a former beaver pond now dense with green. At the far end, I lean against a great pine, bark rough through my t-shirt.

Rain begins, pattering through the canopy, then soaking me by the time I’ve returned to my Subaru parked at the edge of the road. I’m so soaked the windshield scrims over with fog. But the time the glass clears and I’m on my way, the rain has stopped, the sun burst through the pearly clouds. In no rush, I pull over and walk along the road, admiring the luminescent rainbow, one end in a leafy hedgerow of maples.

Sunday afternoon, rural Vermont, there’s no one around. I keep walking, thinking about a conversation I had recently with a geologist about what’s happening in Vermont. He’d stepped away from a conference to answer my questions for an essay I’m writing, and gently pointed out that the concatenation of flooding and heavy rainfalls and the great shifting around of debris has been human-caused, not by the folks who live on slopes or streams, but collectively.

His voice is persistent, filled with facts, but also not despair; we need to be cognizant, wide awake, look lively. His voice reminded me of what a good summer’s rainstorm used to be, not so long ago. You might sit on the covered steps of your back porch, listening to the rain gather strength to satisfy your kale and broccoli, the thirsty hydrangeas.

The rainbow winks out, and I head home, carrying with me the memory of those silvery cedars, a few chips of pine bark nestled in my hair.

Finding a Thread.

On my way home, I stop at Number Ten Pond. The water temperature is at that sweet spot, exactly perfect — and how often do you touch perfect? — and I wade right in. A woman stands in the pond, two children splashing around her. She laughs when the minnows bite her toes.

I swim far. In the pond’s center, I float on my back. With my eyes closed, my mind’s eye turns red, with blood or sunlight, who knows, and I’m no longer sure which way is up or down, water or sky. I’m distant enough from shore that only the loon call reaches me. By the summer’s end, these swims will add up to an invisible chain of experience: of water and weather, of whatever language drifts my way. July here, just a handful of fleeting days.

"Everything Is Made Of Labor"
Farnaz Fatemi

The inchworm’s trajectory:
pulse of impulse. The worm
is tender. It won’t live
long. Its green glows.
It found a place to go.
Arrange us with meaning,
the words plead. Find the thread
through the dark.

In the edge…

Midafternoon as a storm threatens in, I’m at a stretch of lakeshore where I’ve never swum, and I push in. I’m on the prowl for an eagle, which I never find, and the day has grown muggier than I imagined.

What a month of May this has been. My mother’s death ripples through the amazing forsythia and lilac season, through writing and the steady complexity of work I do for the local Selectboard. At a nearby farm, I buy hothouse basil and tomato starts. A woman I know slightly strikes up a conversation. In the past, our lives ran on weirdly similar tracks, involving divorce, sudden visits from the FBI, the miasma of disorientation. Now, we swap mother stories beneath an enormous lilac. I breathe in the blossoms’ scent.

A few years back, I volunteered in my youngest’s elementary school classroom to assist with a nature program that the kids loved. Naturalist and artist, the teacher kept using the phrase “in the edge.” She pointed out that life thrives at the crossing borders of field and forest, of riverbank, the edges of a homogenous world.

I’m in the edge these days. May’s heat notwithstanding, the water is bitterly cold. I swim out with my lousy swimming skills, my garden’s dirt washing away, the storm clouds hammering together over the glassine water, some of the day yet to come. On the shoreline again, sharp stones gouge my soles.

The Rules.

Stopping beside me on a riverbank trail, a stranger grouses to me about the overcast weather hanging chilly and foggy. I share my month of May story: in my second pregnancy, rain fell every day in May. I’d heard on NPR that a rainy May predicted a sunny summer. That summer, with a new baby, I remember as one of the sunniest. Oh, but fickle memory…. perhaps rain fell all that summer.

The stranger answers, the rules don’t matter anymore, anyway, and loops away on his run.

Oh, the rules do matter. But which rules? My daughter, on a university campus, sends news of our Vermont world fracturing. Meanwhile, around the globe, misery. There’s that old nursery rhyme about for want of a nail the horse wasn’t shod and the battle was lost. The horseshoe nail matters.

Here’s a defining rule: mortality reigns. More: month of May, the tangled wild honeysuckle in the ravine behind my house sprouts leaves. The groundhogs fatten.

In her room at the prow of the house
Where light breaks, and the windows are tossed with linden,
My daughter is writing a story.

I pause in the stairwell, hearing
From her shut door a commotion of typewriter-keys
Like a chain hauled over a gunwale.

Young as she is, the stuff
Of her life is a great cargo, and some of it heavy:
I wish her a lucky passage…

It is always a matter, my darling,
Of life or death, as I had forgotten.  I wish
What I wished you before, but harder.

— Richard Wilbur, The Writer

The dark blossomings of chaos…

Again, this metaphor lens (how is it possible not to see the world in metaphors?) Paul and John’s Long and Winding Road, Dante’s gloomy forest, Sylvia Plath’s bees and beekeepers…

I lead a friend into a forest, a piece of Nature Conservancy land on a dirt road. We’re talking, talking, my eyes searching the forest floor for ephemerals (the trilliums folded shut, trout lilies still only leafy, no blossoms yet). I take one wrong turn, a second wrong turn. I backtrack, looking for the narrow stone steps. Our walking and talking — and my eventual smartening up to pay attention — takes us to Chickering Bog. In this pristine place, it’s just us and frog eggs, fat tadpoles, crimson pitcher plants — the confluence of ancient and freshly brand-new.

The strange thing is, I’ve walked to this bog half a dozen times, easily. Yet never in April when the sunlight drops down through the trees’ bare branches, when the winter-fall of broken branches strews over the paths. Or maybe I’ve never been here with this conversation about things tiny and great. The glassy water shimmers so clear the bog’s mucky bottom tantalizes, unreachable, so many centuries of so much life.

At the journey’s end, at the dirt road’s edge, the sprinkled gold coins of coltsfoot, a purple sprig of flowering Daphne.

On the reading front…..

“We must therefore be willing to get shaken up, to submit ourselves to the dark blossomings of chaos, in order to reap the blessings of growth.” — Gregg Levoy, Callings