Like the creation of the cosmos out of chaos…

I stopped in a wood stove/chimney sweep shop in Montpelier, looking for a replacement length of insulation for my stove.

I’d bought the stove in 2020, in that strange period when some businesses had reopened; Vermont’s mask mandate was brand-new. I was looking to install a metal asbestos chimney in my 100-year-old house, determined to heat this house with wood and not rely on oil. I was new to wearing a mask. My teenager waited in the car.

Four years later, on a rainy morning, I stop in and two men are warming themselves at glowing stoves. I ask my question about the catalytic combustors and insulation wrap. One man reaches in a stove and pulls out a honeycomb piece. He asks me if I’ve taken my stove apart. Yes, I answer, and I’ve put it back together — not once or twice, but regularly.

The store is on the retail strip between Montpelier and Barre, and the greasy scent of the never-closed McDonald’s pumps through the damp air. On that same 2020 trip, I texted a staff member of the state’s Department of Libraries about hand sanitizer. The department was closed, of course, and I never met this woman, who left me sanitizer and children’s books. We wrote back and forth to each other, and then she vanished elsewhere into a job, or so I guessed, a different phase of her life.

This morning, my daughters and I park at the edge of town and follow the running water: tracking uphill from river to streams. The mushy snow melts in the rain. Three geese fly overhead, clamoring. There’s that famous line from ol’ Henry David Thoreau: the coming in of spring is like the creation of Cosmos out of Chaos and the realization of the Golden Age. On this March morning, the silty waters running high and fierce, Thoreau’s chaos line returns to me. My old familiar, chaos, the companion sometimes in my pocket, sometimes in my face.

Then, this: the evenings are beginning to stretch with light, rich with the scent of wet earth. Last night, my daughter and I pull on our jackets again and head out into the damp world, in hopes of red-winged blackbirds. A no go, yet. But halfway through, I interrupt her and say, “Robin.”

And again, “Robin.”

Getting Lost & Found.

There’s that old saying You can’t get there from here, which in Vermont means, It’s not easy to get there, but use your wits and you can. Yesterday afternoon, leaving for a Vermont town I’d never visited I hedged bets on the map, avoiding the route that I guessed had wash-outs and detours yet, and headed down two-lane blacktop through villages where hydrangeas are just beginning to bloom.

I was invited to read with Alexander Chee at the Meadow Meeting House, a righteous 1830s former Baptist Church. The ceiling was stenciled in original colors, over straight-backed wooden pews not designed for the listeners’ comfort. The entryway has two wood stoves. The black pipes extend over the pews before exiting. That would have sufficed for heat.

By chance (or maybe not), Alexander Chee and I each read about spaces — churches and homes — particularly apt in that lovely building that had its own generations-long story. It’s a question that fascinates me: how do we hold the past and also make our lives anew? The question links inexorably to the physical places where we live.

Afterward, in a sunlit house surrounded by gardens and apple trees heavy with fruit, I met a woman who’s the daughter of a long-ago friend of my father. Our conversation pulled me back to my college days. (How would I ever explain that I first fell in love with rural Marlboro College lying in fields, awestruck at the undiluted Milky Way and constellations?)

Driving home, threading my way back along unfamiliar roads, I had the strange sensation I held that afternoon and that conversation in my ribcage. Outside of my town, Hardwick, I had a long wait at a temporary red light on the broken highway. The asphalt washed down the Lamoille River. I stood up and leaned out my Subaru sunroof. In the gloaming, I saw how the river had cut a new course, its old path a great swath of boulders.

In the cavern of my ribs: wildfire smoke. The stories of my past, that afternoon, the future, too.

Experiencing the Unprecedented.

In the night, lightning again.

Restless, I stand outside, the few lights of the village scattered like electric breadcrumbs. Long past midnight, a lone semi grinds along Route 14. Otherwise, no one.

July, balmy, sweet with the scent of the neighbors’ newly cut lawn. Again, I’ll reiterate how I’m lucky to have bought a house on a hill, that the Vermont’s floods haven’t so much as cut a channel through my garden.

And yet here’s the thing: I’ve spent years of my life wandering the unevenness of riverbanks, beginning with the mighty Nooksack when I lived in Washington. I’ve spent hours now wandering the silty Lamoille banks, its edges and bridges and trees crammed with tangled branches and uprooted trees, with every imaginable broken bit of junk: kids’ toys and potty seats, tarpapered walls, tires, pipes and plastic bags and slews of clothing. Two cars, one flipped upside down, hammered by boulders, not easily identified as a car.

There’s nothing for me to gain or find here, save for the chance conversations with strangers and acquaintances who appear driven in the same way I am, wading through muddy weeds and beneath fallen trees, insects devouring my ankles. This is the edge territory, where dismal human activity bleeds into the roar of nature. I scramble up the bank and take the long way back to the pavement so I can pass through a thicket of blooming cup flowers, green stalks and golden blossoms taking in my body.

In the New Yorker:

We keep experiencing things that are unprecedented, worse than anything anyone can remember, even as we’re told that they will become common. 

Swimming with Goose.

I was warned about the sole goose who’s been swimming around the public beach in Caspian. This higher-elevation glacial lake escaped the flood debris.

On the hidden side where I drop my towel, there’s only a couple of teenagers making out on a rock. When I slip into the water, I hear the families and crowds of teens on the distant public beach, the laughing rowdiness of a July Sunday.

The water is far deeper than I’ve ever seen it, choppier, too, but clear and lovely. Although I’m not a strong swimmer, I head far out, beyond the buoyed sailboats into the open lake. The goose bobs along. At first, I hardly notice the long-necked bird, but the floating creature follows me. Our paths nearly collide. We’re so near to each other I’m mesmerized by the bird’s size, its bent neck, the clop and chop of the water against my kicking feet. The beach, the blue sky, the rocky shoreline, vanish. It’s just me and this bird, so real, so unbrokenly true.

Wreckage, Human & Otherwise.

There’s no one around the edges of town on Friday evening, save for a stranger in a brand-new leather jacket. He walks ahead of me.

Two weeks past the July flood, there’s stand-out heroes, and a lot of folks who stepped up in ways that are amazing, admirable, kind of jaw-dropping, honestly. But the flood unearthed all that pandemic misery, and so much more that we’d stuffed down, too. Similar — and yet, different, too. Piece by piece, my state is cleaning, hammering lives back together.

A young fox hurries along the jagged riverbank where lawn now meets abyss. The creature pauses, listens. I’m no threat, me with my hands sunk in my pockets, leaning back on my heels. The fox trots along.

The evening threatens more thunderstorms. I keep thinking of childbirth labor, how those waves of contractions bore me along mightily. Childbirth was the first time I’d understood so inherently that I’m as much a part of the universe as famed Helen of Troy, as that stranger walking ahead of me and disappearing around a broken-down scrapheap of a motel, as you reader, and my dear cats pawing a dropped ball of red yarn. Rain and more rain. Rising rivers. Even as the rain began pelting, I stood there, awestruck.

Reflective Waters.

Hello, November. Hello, time of reflection. Hello long holiday season, and all that complicatedness.

In that vein, here’s a few lines from Lawrence Weschler’s essay Vermeer in Bosnia.

… what that story [of Jesus parting the Sea of Galilee] is trying to tell us is simply that in times of storm, we mustn’t allow the storm to enter ourselves; rather, we have to find peace inside ourselves and breathe it out.”

I would add to this — do this through cooking or writing or knitting or painting the living room wall. Hands, hearts, and minds.