What’s A Poem Worth?

Yesterday, someone said to me, why would people write a poems if they weren’t going to be paid for them?

That’s a gulch of perception I may never be able to cross. What is a poem worth, anyway?

This morning in Montpelier, I attended an art show, where my daughter had a painting entered. In the opening remarks by Tom Greene, president of Vermont College of Fine Arts, he said creating art widens our experience and makes us more humane. I’m not sure that sentiment would have imprinted on me as an adolescent, but as an adult, far down in the cavernously lonely well of writing a second novel, those words shone like a bright beacon far above, a place I know – a place I continue to heads towards through the arduous work of writing.

What’s art worth? A truer question, perhaps, would be: how unimaginable our world would be without art.

"This is Just to Say"

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold

– William Carlos Williams

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artwork by Molly S.

 

Girls

A mother I don’t know particularly well commented recently that she feels so old, seeing her daughter head off to college, and I thought, Really? While babies and little ones are darling and endearing, those so-intense early mothering years wore me down. Now, as my oldest blooms into her own young adulthood, I’m able to take a kind of pleasure I couldn’t when she was younger. Maybe it’s just me, learning how to stand back , or I’m beginning to accept her life is her own birthright, that my daughter is the master of her destiny – not me. Maybe, simply, I’m learning to elbow away perpetual fears and take joy.

At a breakfast of crêpes, my younger daughter read aloud the word of the day: oenomel: something combining strength with sweetness.

I laughed. That’s me, I said. Or least what I’m aiming for!

.. to a poet, the human community is like the community of birds to a bird, singing to each other. Love is one of the reasons we are singing to one another, love of language itself, love of sound, love of singing itself, and love of the other birds.

– Sharon Olds

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Hardwick, Vermont

Weeding

Before I’ve barely begun planting the garden, wilderness has taken hold of this ground. This afternoon, with my weeding tool and hands, I dug in hard. The younger daughter came to see if asparagus tips had emerged, then wandered away. On this Saturday afternoon, I listened to the frogs rocking  out in the hidden woodland pond.

Maybe this reclamation via weeding should be a battle. But it’s not. Surrounded by woods, the wilderness spreads into my garden through an infinity of ways, in a weed I can’t name, a wildflower I’ve never seen. Every year, my obscure patch of this earth surges with life – the geese winging overhead, the peepers’ chorus, ten thousand variations of green that shift and mutate daily. Not so long ago, I planted a garden with my baby cooing sweetly, laid on her back on a blanket spread beneath an apple tree, her bare toes stretching out toward the sun. This earth is so much larger then me and mine, and that knowledge is as steady as the tool in my hand, a knowledge to take comfort in.

When we marvel at that blue marble in all its delicacy and frailty, and resolve to save the planet, we cast ourselves in a very specific role. That role is of a parent, the parent of the earth. But the opposite is the case. It is we humans who are fragile and vulnerable and the earth that is hearty and powerful, and holds us in its hands. In pragmatic terms, our challenge is less to save the earth from ourselves and more to save ourselves from an earth that, if pushed too far, has ample power to rock, burn, and shake us off completely.

– Naomi Klein, This Changes Everything

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my garden/Woodbury, Vermont

 

 

 

Stormy Spring Fever

Not only the children have spring fever; I’m afflicted, too. In this rainy afternoon, the children are outside, equipped with boots and splashed bright cheeks.

In the woods, the rain lessens. Green trout lily leaves sprinkle the forest floor profusely now, although the coltsfoots’ golden blossoms are folded up, napping away the deluge. In the cold, damp earth, my freezing fingers tugged free a few of my garlic sprouts, their pale white roots clinging deeply in the soil, winding around rouge pebbles. I chopped their savory greens and tender shoots for a salad, a taste of liquid chlorophyll, I imagine.

This is the season of secrets unearthing – last fall’s decaying fungus belly-white, frog eggs fattening near the pond’s stippled surface, the children too big for last year’s summer clothes.

We need the tonic of wildness…. At the same time that we are earnest to explore and learn all things, we require that all things be mysterious and unexplorable, that land and sea be indefinitely wild, unsurveyed and unfathomed by us because unfathomable. We can never have enough of nature.

– Henry David Thoreau, Walden

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Woodbury, Vermont

Rough Draft

The ten-year-olds are at their fort building again; odd pieces of plywood have been scavenged, a long 2×6″, silver spray paint glistens a joyous arc in this early morning dew. The project is all rough draft. No terminal point of placing Ma’s china shephardess over the mantle will ever occur. Lacking the need for a finished project, the kids’ creation is all joy and curiosity. Could these old pallets be used? A split hose?

At select moments, the daughter opens her door and invites me in for a tour. What do you think? she asks. What more can I do?

And then: Pull up that bench I made. Sit down and enjoy.

So many of us fail: we divorce our wives and husbands, we leave the roofs of our lovers, go once again into the lonely march, mustering our courage with work, friends, half pleasures which are not whole because they are not shared. Yet still I believe in love’s possibility, in its presence on the earth….

Andre Dubus, Broken Vessels

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Photo by Molly S.

Slow Learner

At breakfast at the hotel, my ten-year-old is mesmerized by fruit loops. I’ve never tried those, she says, looking at the rainbow bits yearningly.

Go for it, I tell her.

Nearing the end of the milky bowl, she lays down her spoon and comments that Cheerios are better. Those colored rings have failed to hold up to their promised joy. It’s a loss she takes easily, mere observation. When her older sister was that age, I would have leapt forward to fill that moment: disappointed with a cereal? Try this. Or this. This time around, I let it lie. It’s the slightest sadness, and I just let it be. Second time around, I let her keep that sadness for herself.

That evening, she floats on her back in the hotel’s pool, then raises her dripping face and smiles radiantly, sparkling clean, thoroughly happy with buoyancy. I can’t help but stretch for her chlorine-scented hand, and then we flip over and float again, together.

Bring on winter, bring on

disease, & rot & fracture,
because the more broken

we become, the more music
we can spin out of our bones.

– Stephen Cramer, Bone Music

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Woodbury, Vermont/April/Photo by Molly S.