Scrap of a love story: “…the only things you know…”

Asters I planted in my garden, withstanding first frosts.

More indicative, perhaps, would be this:

Darkness lies deeply on each end of the day, cats rising hours before dawn to eat, myself to weld that fork and open my laptop. Afternoons wind down into early darkness. A friend and I walk through spits of rain, wander along Main Street, jammed with locals and leaf peepers, negotiate the two empty stools at a long bar, where she drinks beer and I drink club soda, eating the pip of lemons.

What does time matter? It might be six or ten, maybe nearing midnight. Night presses against the wide windows, as if hungry.

Later, walking home, the air touches my face with its scents of diesel and rotting leaves, woodsmoke. Every year, this pause. The need to gather coats, who needs new boots? and where are the mittens?, the price of snow tires, the aligning of ash buckets, the necessity of socks. All that long winter I was sick, I couldn’t navigate the porch steps and the ice by myself, darkness relegated to my windows. Only in those rushing nighttime drives to Dartmouth Hitchcock did I know the constellations arced overhead, Ursa Major, the gleaming Pleiades, the scrap of cold on my lips. How I missed this.

And a favorite Maggie Smith poem:

First Fall

I’m your guide here. In the evening-dark

morning streets, I point and name.

Look, the sycamores, their mottled,

paint-by-number bark. Look, the leaves

rusting at the edges.

I walk through Schiller Park with you

on my chest. Stars smolder well

into daylight. Look, the pond, the ducks,

the dogs chasing prized sticks.

Fall is when the only things you know

because I’ve named them

begin to end. Soon I’ll have another

season to offer you: frost soft

on the window. The first time you see

something die, you won’t know it might

come back. I’m desperate for you

to love the world because I brought you here.

Solitary Sailboat.

I make a difficult phone call to a family member. Late afternoon, the perennial sunflowers stretch above my head in my garden. I’ve walked barefoot from my house through the grass that’s already cooling in the shadows to my garden, the soil warm from the day’s sun and so dry it’s verging near dusty. Afterwards, there’s a second call, then a third. I find two zucchinis that need picking, an onion I’d forgotten beneath the tansy. I gather these.

I’ve had this worldview of cause and effect: make a decision, or not a decision, and the consequences creep up or roar upon you. No stasis in this world. A selfish view. Meanwhile, of course, the transient world churns along, F. Scott Fitzgerald’s ceaseless waves, the pollinators feasting lustily on these sunflowers whose petals are already beginning their autumn wilt-and-drop.

September: a month jammed with color and sadness, the fleetingness of this life. Two years ago, disease was rampaging in my blood. I did not yet know this, while already my ailing body was sailing me into faraway seas. That journey was me in a solitary life raft, cold winter starlight drenching my eyes. Swimmers tossed over the edge of that rickety inflatable boat the things that kept me alive: medicines of all kinds, tiny bowls of hot soup, books and money, the hands that propped me up and guided me on walks, the company of voices. Meals and kindness that sustained my daughters, and so sustained me.

Overhead, the bluest of a Vermont sky. I answer my phone again. What luck, immensity of good fortune, to be enmeshed in wildly unknown world, relishing fatty marrow.

Into My Own

One of my wishes is that those dark trees,
So old and firm they scarcely show the breeze,
Were not, as ’twere, the merest mask of gloom,
But stretched away unto the edge of doom.

I should not be withheld but that some day
Into their vastness I should steal away,
Fearless of ever finding open land,
Or highway where the slow wheel pours the sand.

I do not see why I should e’er turn back,
Or those should not set forth upon my track
To overtake me, who should miss me here
And long to know if still I held them dear.

They would not find me changed from him they knew—
Only more sure of all I thought was true. ~ Robert Frost

Courage Crumbs.

I began my Call It Madness book tour on a steamy June evening, traveled all summer around the state and into New Hampshire, and ended in Greensboro, a ten-minute drive north of where I live, on a late afternoon, the August day promising coolness as the day ended, a room full of people I know and some I don’t know. I was graced with affection and curiosity.

Along the way, I’ve been fortunate to have friends and family make this trek with me, take time from their lives — and sometimes I traveled alone — that well of solitude that both sustains and sometimes frightens me.

At this last reading, in the town where I walked around the lake, beginning to write Call It Madness in my mind, think through this story of a farm lost four generations ago and a young, rough-edged woman seeking her own salvation, the audience asked thoughtful questions. At one point, I heard myself say, when I had cancer, and of course that is not true. The pronunciation of cure, if I am so fortunate, is far yet in the future. But looking around the room, I knew pieces of so many people’s lives — losses of their own dear ones, of addiction and financial duress, of the persistence of juggling a creative life and earning a living.

This morning, reading David Biro‘s One Hundred Days, I chance upon his words (as a physician and patient of a rare blood disorder) that medicine is art and science. I benefitted from both: decades and decades of painstaking research provided me treatment and the complex art of my oncologist ushered me through the nightmare of that treatment. In the deepest nadir, he appeared at my bedside at a time when numbers meant nothing to me: before dawn or late evening, or maybe noon. I told him I didn’t think I could continue, and he simply studied me, silently, while I scraped down into that threadbare pocket of my courage and pulled out another crumb. He waited for my resolve to thicken.

Likewise — and yet utterly different — writing. Late August, the crickets singing down the end of summer, I’ve lucky to have a house of family and friends this weekend, and then perhaps some lying in the sun, reading my way through the stack of books I’ve acquired on my bookstore tour. I’d imagined my fifties as a decade of some calm after kid-rearing, divorce and the scramble to set my girls and myself steadily in a beloved house, on a financial footing where I was not always chewing a thumbnail. Instead: a life like a bouquet of sunflowers, staggeringly beautiful, the leaves’ edges fading.

After reading, I stood in the parking lot with a friend, our conversation continuing in the way of friends who have known each other for years. For this moment, I relished how I felt held in this Vermont village, one blossom in a handful of so much.

“At these moments sufferers desperately want to escape from their holes, the silence and loneliness, and return to the world we share with others…” David Biro

The full extremes.

The days are hurrying right up to that mark of a year of healing from chemo. After that final treatment, I lived into a little lull where I allowed myself to believe that all would be okay again, but the need for surgery roared up, too. Much as I fought against this — and, honestly, my fighting was from fear of a horrible outcome and, perhaps even more, if I’m dead honest, was my terror of YET MORE PAIN — but as I said, much as I fought against this, I eventually ended up back at Dartmouth in a hospital bed, my daughters beside me wondering when the heck this was going to end. That huddle of surgeons appeared. It was, after all, a teaching hospital.

I said no. The surgeon said, I put you on Tuesday’s schedule. Doubtlessly, he was satisfied to finally, after those months, to get to work repairing me. I stared out the window and knew there was no way I would ever make it home. So I said yes.

But a year… a year ago, I was somewhat seeing a man who was more interested in me than I was in him. I was interested in admiring the daffodils and learning to walk again. I was interested in never returning to the hospital again. I had other things on my mind, too. I was rewriting a book, and, since I had lived, I had to start earning a living again.

It’s been a remarkable year, suffused with radiant joy, with gratefulness to walk and eat and read and write and sleep—without pain. And a year filled, too, with the darkest thoughts I’ve ever experienced, as if the cancer had broken every inhibition, allowed me to feel and fear all the rottenness I’ve kept away for so long. This is not something I’ve written about here, but I keep bearing in mind my oncologist’s prescription: Go and live your life, Brett. A year later, the word that surfaces is fragility. I live in a world that bandies resilience—resilience of soul, resilience of Flood Ready Vermont!, resilience of community and systems. A year later, I know intimately the thinness of energy and health, the scantness of my days, your days, our days. All of it, I know; live all of it, such largess.

“The society to which we belong seems to be dying or is already dead. I don’t mean to sound dramatic, but clearly the dark side is rising. Things could not have been more odd and frightening in the Middle Ages. But the tradition of artists will continue no matter what form the society takes. And this is another reason to write: people need us, to mirror for them and for each other without distortion-not to look around and say, ‘Look at yourselves, you idiots!,’ but to say, ‘This is who we are.” — Anne Lamott

Making more tracks than necessary…

I’m standing on a dirt road, looking up at the blue sky unblemished by any smear of cloud as my friend wraps a scarf around her face, when a Subaru speeds over the crest. Jolted, I lurch to the roadside.

$750k in cancer treatments and I’m felled by wrong-place, wrong-time on an otherwise untraveled back road? Not this afternoon.

Bitter cold warnings jam the local news. In snow-drenched Vermont, February marks winter’s swing, where the daylight begins to rush back, the light tinged with warmth, suffused with this second-half-of-winter’s promise that seeds will stir again. In the meantime, I take off my mittens as we walk and talk about writing and people and the value of a precise query letter.

We step aside for intermittent vehicles, a silver pickup, a friend’s Prius, a Corolla with split exhaust. A year ago, I’d been sprung from a stay at Dartmouth-Hitchcock and returned to my cancer-and-chemo habits that shifted from bed to couch to what felt like a Herculean effort to open my notebook at the kitchen table and scrawl a few lines, my shaky pencil a balloonist’s line that tethered me to the world. What I didn’t know then was that the hard things I’d endured in my life, some of my making, some not so (sobriety, a divorce, selling a house and lighting out for new territory with my daughters, writing and selling books, the pandemic, the constant wear of subpar home economics), was training for the next 10 weeks. In what is now a blur of that back-and-forth from home to Dartmouth, at one point my oncologist’s eyes widened just the slightest; I wondered if my life was tapering to its end. Was my body about to be driven under?

But not last winter. Not this sunny afternoon, either. What rich luck to walk on a Vermont ridgeline road, the snowy mountains in the distance, finches in a roadside maple. To work, to share a plate of roasted salty Brussels sprouts with a friend, bake a chocolate cake for my daughter’s birthday.

I will never escape this cancer, whether I live a year more or thirty. Its fearsome and awesome power churns through my heart. How it revealed unequivocally to me the brutality and dearness of this world.

Meanwhile, as I cherish these days, these hours and minutes, the country where I live hemorrhages, the last moment of a man’s life pounding through the chaos, his words to a stranger, “Are you okay?” illuminating suppurating wounds. All the things, sadness and delight and such sorrow, the radiant sunlight. Each of us, moving along our paths: separate, together.

Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.
― Wendell Berry

The Survivable.

It’s dark as the inside of my fist at five o’clock. I’m driving into spitting snow, my brand-new studded snow tires grinding. My companion and I are talking about all kinds of things — how language shapes our worldview and the personalities of tuxedo cats and dentists. I’m driving more by faith than anything else, not particularly fast, headlight beams filled with snow. As if cued, a deer waits in the forested roadside. I slow, then stop, people and deer staring at each other. Then the deer vanishes into the woods.

On this backroad, I’ve passed no other vehicle save a UPS truck, so I wait for a moment for the deer to return, for a companion to leap across the road.

My passenger says, apropros of some conversational thread, that I’ve shed bad karma in my months of cancer treatment, of struggling to survive. My devotion has always been my pencil or keyboard, not the meditation cushion. And yet…

I roll my car forward through the swirling snow. I’ve long adhered to that ancient Aristotelian notion that action defines character. When I realized I had cancer, a year ago, I was rapidly veering towards sepsis. I could not indulge any opinion. To survive, I had to strip away illusion. What were the facts? What was the wisest way forward? None of this was simple.

Cancer narrowed my world. Through weakness and the possibility of a fatal infection, I was confined to my few downstairs rooms, to Emergency Rooms, and hospital rooms. But unexpectedly, cancer widened my life, too, gave me the gift of friendships forged in rough experiences, reinforced for me that this world is propelled by cause-and-effect, that actions have consequences, and that I often grasp only the slenderest knowledge.

New England November drives us into the season of early darkness, blackness so profound our eyes struggle to navigate. When I left Dartmouth-Hitchcock after that last long stay, I felt old, aged in bone and flesh, and concurrently, miraculously restored to my twenties, those years when my lust for living and creating was ravenous and I did not yet comprehend the immutability of time. At the end of this evening drive, I stand for a few moments in this velvety and freezing darkness, snow hissing on the hot car hood, a slender strand of white lights twinkling in my kitchen window. I clench my mittens in my cold hands. Around me, beguiling night.

“When you survive something that was thought to be unsurvivable, the obvious is gained. You have your life—you have time. But it’s only when you get there that you realize your survival has come at a cost.”
― Suleika Jaouad

And last… my story “Tiny Towns” appears in the new collection: 2050: Vermonters Take a Swipe at the Future. Reading tonight in St. Johnsbury….