The repair of the world might, indeed, be impossible…

In a gray drizzle/not quite drizzle, I stop outside the co-op to talk, my hands full with peaches, mozzarella, and Clif bars for my daughter’s hike the next day. The prediction is for temps at high elevation in the thirties.

My conversation companion is a woman I run into randomly, usually on the sidewalk, and inevitably we jump right into talking. It’s August and dreary with wildfire smoke and a sudden cold rain. My hands are full with those peaches and sweets, so I’m blinking in the misting rain. I’m laughing a little, because why not? but I sharpened up quickly as she’s not laughing at all. The strange thing is she’s listing some things that have been rattling around in my mind for months now – the collective frustration that bends dialogue to anger or sarcasm, the way the town’s Center Road is so unkempt grass grows through its middle, and the recent property tax bills that are are you kidding me?

And even though my daughter is at home waiting for the cheese for that pizza we’ll make from onions and basil and tomatoes I’ll snag from the garden, I leave my few groceries in my Subaru and follow my companion through the damp woody patch behind the co-op. We stand at the river’s edge. She leans far out over the water. Look, she says.

It’s drizzling, and even though I’d gone running just before stopping in for what I thought would be a few minutes’ worth of shopping I’m starting to shiver a little. But I have this sudden vision of what’s happening with this town where I live, how the river threatens to wash away this downtown of brick and granite and asphalt, trees and roses. Years ago I realized that brokenness is never one thing; all these unfixable things – climate swings and decades (centuries?) of ill-use and reliance on the Feds to fund these fixes, when that amorphous federal government… well, why say more there?

A few years back, I interviewed a well-known writer who advised me that a writer should always acknowledge her time and place. The rain’s fattening. The repair of the world might, indeed, be impossible. At home, our kitchen is warm and bright, and the cats are half-sleeping as cats do on the rug before the kitchen sink. I’ve always believed in domesticity as the antidote to the world’s inevitable callousness. Later, I wander over to the neighbor’s house and lean in her doorway for a bit. We talk randomly about nothing much at all, catbirds and rose thorns, no repair, but a strengthening of heart, surely.

Late August, given heavy rain and sun
For a full week, the blackberries would ripen.
At first, just one, a glossy purple clot
Among others, red, green, hard as a knot.
You ate that first one and its flesh was sweet
Like thickened wine: summer’s blood was in it….

“Blackberry-Picking” by Seamus Heaney

Keeping On….

I drive home from a Selectboard meeting with my friend the moon who hangs over the dark mountain ridge, a creamy misshapen teardrop shot-through with crimson. It’s me and her. The clouds have scrimmed low enough that the Milky Way does not join our duet.

My house glows when I return home. The girls have chopped up the cherry tomatoes I left on the table and added these sweet chunks to couscous they bought in Santa Fe and cooked on their camping trip (and why do I never cook couscous, anyway?) The girls are familiar with the town and the people where I work. I tell stories about who’s there and what’s happening — the nuts-and-bolts of local truckers who’ve appeared for the bid openings, hoping to score more work — a man who lives nearby, has no electricity, comes to use the internet, and wanders in and out, curious, offering a few comments. People are angry about all kinds of things, the sheriff’s there and then not-there, a man yells, the chair regains control, decisions are made, bids are granted, that FEMA word with its trailing uncertainties rises and falls. There’s a pause about a bridge washed out in last year’s flood with a replacement price tag that’s beyond comprehension. A board member and I whisper commiseratingly about the days when we shared homemade cookies at meetings while kicking around decisions. He’s heading fishing this week.

The girls eat up my stories, share their own stories of their day. In the humid night, we stand on the back deck, listening to the foxes bark in the ravine, the crickets sizzle away these final summer days. The girls head out for a walk, in search of the moon and some adventure. My cat follows me as I walk around the house picking up dropped socks and empty bowls, clattering forks in the kitchen sink. Forget about national politics for a bit. It’s the same human stories: the mixture of ego and thrumming anger, a knight-like determination to serve others, the uncertainties of how do we get along?

The foxes keep at it. Eventually, I sleep, too, wake in the murky darkness, fed my cats, and then I keep on, too….

The natural course of things.

Dawn, I’m barefoot in the dewy garden, gathering peas, the world ignited. By the time my daughter and I meet in the kitchen, a little after five as she drinks coffee and heads to work, gray has skimmed over the sky, rain rain rain pushing in. (Side note: Red Sky at Morning, Richard Bradford’s novel, is a terrific classic novel, the former husband of my very long ago nursery school teacher, somewhere in Santa Fe….)

A year ago, heavy rains flooded much of my state. As I left Greensboro yesterday afternoon, I passed a village resident digging a trench with a shovel, some preventative channeling. About this time last year, I realized I knew a number of people who were driving around with shovels in their cars or pickups.

We are now in midsummer. Around two sides of our house, my garden grows — cottage roses and cup plant and phlox — and the wild rallies on the other two sides — jewel weed and box elder and goldenrod twine around porch railings, brush against the clapboard. Snip snip must be done, and yet somehow hasn’t yet. The groundhogs multiply, run beneath our chairs on the deck. I wonder about those foxes, about the natural course of things, wonder again, Well, what do I know? What will happen will happen….

A stranger appears at our house…

A stranger appears at our house while I’m watering one night, the little drink I offer my tomato plants on hot days. Her grandmother lived in this house, an old woman widowed now in another part of Vermont. I let the stranger in. She’s mystified that a tiny pantry in the kitchen was removed. I can answer some of her questions — that the four tiny bedrooms were changed to two tiny rooms and one larger one, that the downstairs walls were painted yellow by me.

Someday, I say, someone will knock down a wall and change this, too.

Outside, in the evening light that’s storybook shades of peach and lemon and lime, I tell her the soil is sand. She remembers the ants who bit her as a tiny child, and she remembers the lilacs. We stand talking a little about our lives — how I came to live here, where she’s now. I ask, Who planted the roses, but she doesn’t know.

Just before she leaves, she looks at the foot-wide strip of cement that surrounds the house. “My sister and I used to dress up in my mother’s old clothes and high heels. Everything was too big for us, so we scuffed the heels around the house.”

She gets back in that rusty mini-van, waves, and heads off. A few days later, she sends me photos, 1960s-style, of kids in what’s now my living room. And the wallpaper? She remembered it indelibly and wanted me to see it, based on some notion that pineapples and giant leaves were a fine addition to the walls of a small Vermont living room.

There’s one last thing, though. She even wanted to see the basement. As we stood looking at the stone walls and the rough-hewn floor joists, we wondered about the housewrights. How well-built this house is, tucked on a hillside in a place that seems both part of the village and not. My days, too, are numbered here. I’ll die here, or I’ll move elsewhere. All these stories are pieces of this house — these little girls, sixty years ago, in too-big shoes, hands pressed against this house for balance, giggling.

July, it’s worth noting again, July July July, month of growth, today own parents’ anniversary. Each of these July days…. Savor in some kind of way.

Old cheese, new peonies.

The girls come find me where I’m swimming, the water brackish, strewn with pollen. A blackbird keeps me company. The girls have snagged out-of-date cheese that’s perfectly fine and a tomato that’s sweetly ripe. At home, I dice last year’s garlic. I insist the girls admire the Bartzilla peony that’s blooming now, two blossoms and more fat buds of blossoms. The Bartzilla was a gift a number of autumns ago. My youngest planted the hairy root with me, skeptical. Now, for these few days, this peony’s a marvel.

All day, I’ve been thinking of this Mary Oliver poem. Well worth a share.

Peonies by Mary Oliver

This morning the green fists of the peonies are getting ready
to break my heart
as the sun rises, 
as the sun strokes them with his old, buttery fingers

and they open —
pools of lace, 
white and pink —
and all day the black ants climb over them, 

boring their deep and mysterious holes
into the curls, 
craving the sweet sap, 
taking it away

to their dark, underground cities —
and all day
under the shifty wind, 
as in a dance to the great wedding, 

the flowers bend their bright bodies, 
and tip their fragrance to the air, 
and rise, 
their red stems holding

all that dampness and recklessness 
gladly and lightly, 
and there it is again — 
beauty the brave, the exemplary, 

blazing open. 
Do you love this world? 
Do you cherish your humble and silky life? 
Do you adore the green grass, with its terror beneath? 

Do you also hurry, half-dressed and barefoot, into the garden, 
and softly, 
and exclaiming of their dearness, 
fill your arms with the white and pink flowers, 

with their honeyed heaviness, their lush trembling, 
their eagerness
to be wild and perfect for a moment, before they are
nothing, forever?

Playing cards, considering remains.

In the darkness, I slide the barn door shut. The world is redolent with cut grass, the wet earth where I watered grape vines. Embers flicker in the fire pit; low laughter moves through the night. June, oh loveliest June, endless varieties of leaf and blossom.

On a hike, we meet a stranger from Maine, and we swap stories about climate change and marriage. He sees my brother’s dog has no water, and shares what he’s carried for his dog. The afternoon gleams with storybook colors of emerald, cobalt, gold. We drive to the lake, to the general store, to a brewery where we sit outside. My brother drinks beer. My daughter and I sip lemon sodas from stemmed glasses, so sweetly yellow I imagine my hand cups sunlight.

I have my mother’s ashes in my possession. Our conversation bends back again and again to her ashes and her life, and the very different relationship that each of us had with her. Lacking a religious framework, I’m treading in open water. My mother, in fact, might have been fiercely opposed to the chain of circumstances that landed me keeper of her remains, or not. I am her second daughter, her match in stubbornness.

All day long, this tender beginning to June, we do the things we love to do. We drink coffee and eat buttered toast, play cards. The sunlight crosses over my house. The day is both chilly and hot. The days spin on, rich with the illusion that there is no finality. Mercy, I think, shutting the barn door to keep the raccoons from the recycling. Another day, the nightsongs of frogs serenading.