memoir

Birthday Cake.

/ Brett Ann Stanciu / 8 Comments

March 7 is my father’s 87th birthday. My daughter, the oldest grandchild, visited my parents a few days ago and asked what to do for my parents’ birthdays. Cake and flowers. And be sure to eat the whole cake.

At town meeting, on the fly, I had to add a few numbers, tally a total. Writing with my pencil, the 100 or so audience members looking at me, I thought of those childhood evenings when I handed my dad an algebra or calculus problem and asked for help. He always made me sharpen my pencil, align the numbers so the problem made sense, and exhibit some respect for mathematics, please. These three things have stuck with me my entire life.

Every year on my father’s birthday, I think of this Hayden Carruth poem. My father — a man who taught his kids about Arkhipov Day and Ancient Greek philosophy, and spent so many nights in the desert, playing cards with his kids at a picnic table lit by a battery lamp….

Birthday Cake

For breakfast I have eaten the last of your birthday cake that you
had left uneaten for five days
and would have left five more before throwing it away.
It is early March now. The winter of illness
is ending. Across the valley
patches of remaining snow make patterns among the hill farms,
among fields and knolls and woodlots,
like forms in a painting, as sure and significant as forms
in a painting. The cake was stale.
But I like stale cake, I even prefer it, which you don’t
understand, as I don’t understand how you can open
a new box of cereal when the old one is still unfinished.
So many differences. You a woman, I a man,
you still young at forty-two and I growing old at seventy.
Yet how much we love one another.
It seems a miracle. Not mystical, nothing occult,
just the ordinary improbability that occurs
over and over, the stupendousness
of life. Out on the highway on the pavement wet
with snow-melt, cars go whistling past. 
And our poetry, yours short-lined and sounding
beautifully vulgar and bluesy
in your woman’s bitterness, and mine almost 
anything, unpredictable, though people say
too ready a harkening back
to the useless expressiveness and ardor of another
era. But how lovely it was, that time
in my restless memory.
This is the season of mud and thrash, broken limbs and crushed briers
from the winter storms, wetness and rust,
the season of differences, articulable differences that signify
deeper and inarticulable and almost paleolithic
perplexities in our lives, and still
we love one another. We love this house
and this hillside by the highway in upstate New York.
I am too old to write love songs now. I no longer
assert that I love you, but that you love me,
confident in my amazement. The spring
will come soon. We will have more birthdays
with cakes and wine. This valley
will be full of flowers and birds.

Vermont’s fifth season: mud.

/ Brett Ann Stanciu / 4 Comments

I carry my laptop out the backdoor of Hardwick’s coffee shop. A couple I know pulls up on their fat tire bikes and rave about the biking. There’s an adage in Vermont that the state’s fifth season is mud season. The first week of March is way early for the back roads to break up. Most towns post their roads around March 15, prohibiting heavy trucks, like log or delivery trucks, from destroying already soft roads. Now, towns have already posted these warnings, ribboned with orange survey tape, a sure sign that winter is on the wane.

I meet a friend at a former golf course now owned by the city of Montpelier where people let their dogs run. The course is last year’s brown grass, but when I squint I can see emerging green beginning shimmer, pushing back the dull amber. How much the world leans into living.

My oldest daughter calls from New Mexico, on her journey to visit the grandparents. Through our phones, her face glows with desert light. I think of her driving around Santa Fe, this old adobe city and the stunning landscape an infinitely complex story that stretches so far back. Within that human history, my own family story lodges in with its numerous plot points. Ah, family… never a straight line.

T. S. Eliot wrote of that April is the cruellest month, breeding/Lilacs out of the dead land, mixing/Memory and desire, stirring/Dull roots with spring rain. Winter kept us warm… Mud season may be the least loved. But in my mind, it’s the sweetest. Sap runs. The softening ground sucks our boots into its stickiness. Tender green unfurls, strengthens. We move, onward.

Cats, Coyotes.

/ Brett Ann Stanciu / 9 Comments

The return trip from my parents’ house in New Mexico to my own Hardwick, Vermont, house was 20 hours. When I stepped off the plane, I was effusively grateful to see my daughters waiting to drive me home, to wrap me again in our own particular kind of family — loving and funny, with the fierce rivers of stories that run between us.

A friend texts me and sweetly offers to make me a meal; these days, about all I’ve done is trudge into work, then lie on couch with my cats, reading Michael Crummy and soaking in Jon Stewart’s election update. When my daughters were babies, I lived in a rarefied kind of atmosphere, of warm milk and scant sleep and intense curiosity: what now? what next? As if bookended, my parents in very old age live in a unique world, too, suffused with New Mexican sunlight, and with a similar uncertainty: what next?

In that middle-of-the-night drive to Albuquerque, circling through the airport parking lot, I spied a coyote. I pulled over, opened the car door, and looked back. Under the amber streetlights, the coyote hurried along, brushy tail bouncing, not so much as glancing over its shoulder at me. Around us, so much cement, then the desert, undulating, spreading up into the hills, disappearing from sight.

The wild creature vanished into the dark.

“A body must bear what can’t be helped.”

— Michael Crummy

Travel in Out-of-Everyday Places.

/ Brett Ann Stanciu / 7 Comments

In the quietest hours of the night, driving by the twinkling line of Santa Fe’s lights in the immense desert, a crimson half moon cupped in the firmament like a bowl full of mystery, I have the strange sense of transmogrifying into a Russian novel. Maybe in part because of the Bulgakov novel from my sister crammed in my backpack with my laptop and half-written notebook, or maybe it’s my family story unfurling simultaneously at lightspeed and also breath by labored breath.

At the Albuquerque airport, the shuttle bus holds just me and the driver who says he’s from the Chicago suburbs. He remarks that I’m shivering and wonders how that can be, as I’ve told him I’m flying back to Vermont. I’m tell him I’m just tired. Perhaps. But the illuminated city and the airport floodlights and mundane directional signs for United and Alaska Air bedazzle my 3 a.m. eyes: there’s so much of the world, so many people and stories braiding and twisting, from the sweet simplicity of a child cradling a beloved doll to an old woman gasping her way to the end of her life.

The driver asks me about the church scene in Vermont. I rattle off about white steeples in every town. Driving incredibly slowly, he launches into his story of knowing that he wanted to be a better man but kept falling into sin, and then a page in the book of his life turned. I can see this is doubtlessly headed to a pamphlet he wants to hand me. Yet, as he speaks, I wonder what that really means: Knock, and Jesus will open the door.

Later, in the terminal, drinking coffee, I sit in a space crowded with strangers, all on their meaningful journeys. My heart swells full with so many things: the robins singing in my parents’ aspen, last night’s dream of wandering through a sugarbush, forest floor sprinkled with spring beauties, the luminous crimson bowl of the moon in the infinite darkness. Nature never builds a door. Maybe those doors and windows we’re forever using as metaphors are illusions.

The driver had forgotten his bag, so the pamphlet was a no go. I take his words and tuck the sliver of his story into my writer’s mind with the hard-boiled egg I’d split down the middle and shared with a young woman yesterday morning. While we ate, she told me about her son’s heart surgery, and the surgeons who saved the boy’s life. With my fingers, I sweep the eggshells into a pile on the plate we’ve shared.

The Revenge Business.

/ Brett Ann Stanciu / 4 Comments

Washing dishes this morning, I catch a little of NPR’s Morning Edition. Mandy Patinkin who starred in The Princess Bride says his famous line about avenging his father’s death. As I’m scrubbing out the coffee pot, Patinkin says the more important line is about how revenge never got anyone what they wanted. Ever.

For February, this Saturday is crazy warm. I hang the laundry outside to dry and open the windows. I finish up some work at the coffee shop and talk with a school board member from the board I quit, abruptly, last spring. A few raindrops are falling as we step outside on the sidewalk.

In the little rain, I walk home, thinking about that revenge line. Families, nations, epochs, have run on revenge. And the math always works out in its own calculation. Check out the NPR segment.

Boots on the Land, the Ice.

/ Brett Ann Stanciu / 2 Comments

I’m meeting someone, late afternoon, who’s late, so I wait. The February sun has dropped into the horizon and clouds, and the day’s softening snow is tightening up, freezing again. I’m along one of the glacial lakes, a deep cut in the earth created by the planet’s unstoppable movements. It’s an old, old lake, not a newer pond formed by a human dam construction. Across from where I stand is the beach where I swam last fall, evenings and weekends. The water is shallow for a short stretch and then deepens quickly. My youngest had just gone to college. I would swim out as far as I could, then lie on the shore beneath the shaggy cedars, reading and watching the loons dive and reappear.

February exposes the bones of Vermont, the land’s steepness, the flatness of ice, the pale grace of a white birch in a hemlock forest. That afternoon, the stranger tells me a story of how the land was divided in families, re-divided and swapped, sold. Around this side of the lake, the state highway was built nearly on the water, and from here it’s easy to see the challenges of traffic and how the road hampers runoff from the mountains. It’s a familiar story that plays out in particulars in all but the wildest places.

On my way home, I stop at the town reservoir and walk a short distance over its ice. Walking on ice is always a kind of magic, a temporary thing. I don’t see the two bald eagles who live here: another day, perhaps.