Running Away

James Joyce’s “The Dead” is one of my favorite short stories, with that remarkable line about falling snow general all over Ireland. In my corner of Vermont, these days, the sentiment generally is enough with the snow for this year. April: season of rain, of snow and ice and, somewhere, beneath all that, struggling green.

I stopped in at the Woodbury school, leaning against the foyer wall while a man who grew up on a farm in the area told me the red-winged blackbirds reminded him of childhood. When he snuck away from farm chores, he headed down to the creek where those dark birds with their signature crimson mark sang.

Ridiculously visually inclined, I rely too heavily on my vision: really, as all my photos attest, the landscape here is yet the monochrome of winter. I’m wrong about this, of course, although I won’t point to any sign of spring at my friend’s request. Too cruel, she says, when sleet falls.

And yet — dumping coffee grounds around blueberry plants, fingering their branches and imagining small, perfect white blossoms, I then close my eyes and listen to the birdsong all around, their rising, sweet melodies.

I watched the first shoots
like wings tearing the soil…

— Louise Glück

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Woodbury, Vermont

Marvelous March Madness

Spring may be fêted with pastel bunnies and pale eggs in the Hallmark and Nestle worlds, but Vermont’s spring must be brutally strong to break winter’s back.

Thaw, and the ice pounds back. Melt, and freeze steals into the night.

The hardest I’ve ever worked in my life is sugaring season. When my younger daughter was two, I remember lying with her under the skylight over our bed, completely spent, reading Louse Gluck’s poem in The New Yorker. I had little time for reading in that season, and this poem always reminds me of this season’s pithiness, the stubborn desire to press on through mud and ice, toward the blossom season.

The sea doesn’t change as the earth changes; it doesn’t lie. You ask the sea, what can you promise me and it speaks the truth; it says erasure

Nothing can be forced to live.The earth is like a drug now, like a voice from far away, a lover or master. In the end, you do what the voice tells you. It says forget, you forget. It says begin again, you begin again.

From March by Louise Gluck

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And Then This…

Yesterday, in the early frosty morning, my daughter and I stood in her elementary school’s muddy parking lot, with no one around, in a brief pause between kids and adults coming and going. Red-wing blackbirds chorussed in the leafless branches of a maple tree. As long as I live, I can’t imagine ever tiring of that melody.

Even with the frost, the morning already smelled of thawing mud. We could sense the earth and its critters shaking off winter’s slumbers.

Like that: the light of April rushing back in. Spring.

….In spring, when the moon rose, it meant
time was endless….
– Louise Glück, “The Silver Lily”
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The Vermont Season of Pre-Spring

A number of years ago, I conceived an idea that our family’s financial salvation lay in wedding favors. With our maple syrup, colored card stock, a paper cutter, and raffia, I filled tiny bottles with syrup and bow-tied on little cards printed with hopeful things like Julie and Josh, July 8, 2001, Eat, Drink & Be Merry. Or: A sweet beginning. In the long run, my fortune didn’t lie there, but I met interesting people at profoundly pivotal junctures in their lives.

One April, in an intense mud season, a couple unexpectedly drove out to our house. We were deep in the midst of sugaring with a three-year-old. On our back road and driveway – and all around the house where the snowbanks were fiercely melting – lay mud that sucked at our knee-high boots with an audible glop. The winter had been its usual terror, and immense snowbanks mounded all around the house, interspersed by our trodden paths. My gorgeous little girl, with unbrushed hair, walked around shirtless in overalls and mud boots, a yellow plastic sand toy shovel in one hand.

The couple had heard about our wedding favors and had arrived to order in person. He and my husband talked about Ford pickups while I chatted with the woman. She kept looking around, distressed. It’s just so muddy, she kept saying. How do you stand it? Where she cringed from dirt and inconvenience,  I saw sunlight so intensely bright it lay like shining gold coins on the shallow dips of water that spread out all around our house, as though we were a ship on a rippling sea. I knew mud as the world’s thrust from winter to spring, the give from one season to another. My heart lightened with joy at the end of a bitter cold season and the imminence of wildflower season. I knew coltsfoot would shortly bloom.

…Soon it will be the sky of early spring, stretching above the stubborn ferns and
violets.
Nothing can be forced to live.
The earth is like a drug now, like a voice from far away,
a lover or master. In the end, you do what the voice tells you.
It says forget, you forget.
It says begin again, you begin again.

– Louise Gluck, from “March”

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December

Spring, now so far away, comes with an urgency in Vermont, a breaking up of frozen roads, hail that reluctantly gives way to rain, coltsfoot – the first flowers – that thrust up through the gnarliest of patches: roadsides and where the gravel is beaten hard.

This season, too, comes with its own severity: every day, a little less light, a little more dark. What are the words I drag with me as I enter this season? Forget gray. Discard dimness. This is a world turned upside down, where the snow-covered ground exudes light, the trees pull in on themselves, myriad creatures put their heads down to sleep. The night sky is studded with white quartz. The clouds sink down into the earth. The garden rests. My callouses mend.

We have come too far together toward the end now
to fear the end. These nights, I am no longer even certain
I know what the end means.
— Louise Gluck
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Hardwick, Vermont

 

 

Chimney Sweeps

Until recently, I never really thought all that much about cleaning. A chore, an activity, play some music and make some headway. I’ve been in filthy houses, spick ‘n span abodes, the whole gray gamut of in-between. I once participated in an extremely late night board meeting in a school my children never attended, and towards the end of the evening I looked around the room, noted the chaotic clutter, and wondered how anyone worked in that classroom.

Today, as the cold weather begins digging in, I swept the ashes from my wood stove and readied my beloved stove for the months ahead when I will never allow the fire to burn out. The chimney, too–from basement to roof over three stories tall–needs cleaning. I pulled out the stovepipe and thrust my arm into its chimney’s cold center. I found thick layers of creosote, crumbly and pitch-sticky, two strange opposite and simultaneous qualities.

In the sooty, dirty basement I’ve knelt before the opened clean-out door and shoveled bucket after bucket of creosote scabs, then held a mirror flat in my hand and showed my little child the daytime stars in the heavens, visible only through that extended canal of darkness.

I’ve never cleaned this chimney before, but I feel certain my teenage daughter and I, with our strong backs and gritty muscles, could force that sharp-edged wire brush down that channel, scrape free the debris of last year’s long winter’s cold, and shove that brush, pole length by pole length, down to the chimney’s very root. This chimney is the lungs of our house, the passage of air and smoke that allows our hearth to burn, hot and truly. My teenage daughter is determined to begin this heating season with a scrubbed right chimney, and no fears of our house engulfed in nighttime flames.

Writing is a kind of revenge against circumstance too: bad luck, loss, pain. If you make something out of it, then you’ve no longer been bested by these events.

–– Louise Gluck

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Woodbury, Vermont