Disease as Teacher.

About a year ago, a friend asked to borrow knitting needles, a request I almost certainly ignored as I could hardly walk up the stairs in my house, and forget the effort of opening the closet door and searching through my needles. A year ago, my family moved my bed downstairs, and I wondered, Well, is that? Am I now confined to one floor like an old woman? I was not, thankfully.

Half a year out from chemo and surgery, my family moved my bed back upstairs. The first morning I wake, I stand at the window looking down at the mock orange planted decades ago. In June, this giant bush is covered with small white blossoms, but in November, the bush is mostly sticks, save for a few withered leaves.

Standing there staring down, I felt suffused with profound grief. Almost immediately, I chastised myself. Why grieve when I survived a terrible illness? When this might have easily gone otherwise? And yet, grief.

Nearing the holidays, I think often of my mother who died not so long ago. She and I had years ago separated our lives for reasons both silly and profound. Only at the end of her life did I begin to have empathy for her and see her not merely as my mother but a woman in her own right. So that morning, thinking of her, my grief is for her absence, for what might have been between her and my daughters and myself. So many years I invited her to holiday meals, and all those years, she refused to join us. How I would love to invite her this year. Surviving cancer (thus far) broke me in so many ways, shoved me right up against the fragility of the world, revealed my own meager strength, but it also allowed me to grieve the loss upon loss that is not endemic to me but woven integrally through our mortal lives. Cancer empowered me to hold that grief without rage, to acknowledge simply what is.

But sadness, of course, is one variation of the complex symphony of our lives. Yesterday, walking along a hillside dirt road in the November sunlight, hat pulled off my head and in my hand, eyes on the spine of the Green Mountains in the distance freshly covered with snow, pure joy suffused me at simply being in the world. Six months ago, my companion had walked with me from my house to Main Street. It wasn’t at all certain to me that I could manage that short walk there and back. Now, the two of us moved quickly through the world, talking poetry and plans. How remarkable is that?

What if we embraced the messy, evolving, surprising, out-of-control happening that is life and reckoned with its proximity and relationship to death? What if, instead of being afraid of even talking about death, we saw our lives in some ways as preparation for it? What if we were taught to ponder it and reflect on it and talk about it and enter it and rehearse it and try it on? What if our lives were precious only up to a point? What if we held them loosely and understood that there were no guarantees? So that when you got sick you weren’t a stage but in a process? And cancer, just like having your heart broken, or getting a new job, or going to school, were a teacher? — Eve Ensler

Armistice Day

This is the gray time in New England, when even the daylight is dull. Gone are the spring days of blue squill, the early morning birdsong.

After dinner, we walk in the dark.

My daughter and I read for hours. Later, she disappears for a run, while I proceed with my persistent thread of work. In all this, Marlboro College, where I was an undergraduate, appears (truly, this time) on the precipice of closing. All weekend, I follow the alumni FB thread — grief, anger, plotting — while I keep thinking of Marlboro and how much this tiny college gave me. I’m not alone in that, I see, listening to alumni after alumni.

November. Our house is warm. I open the curtains and let in the daylight. At 4 p.m., the noisy cat comes and yowls over my book, demanding his dinner. My daughter puts on her ski boots and walks around the house, listening to snow in the forecast. November: life churns on.

The rain had been falling with a pounding meanness, without ceasing for two days, and then the water rose all at once in the middle of the night, a brutal rush so fast Asher thought at first a dam might have broken somewhere upstream. The ground had simply become so saturated it could not hold any more water.

(The opening lines of Southernmost, by Silas House)

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Broken Hearts

Via my lousy cell phone connection, I had a conversation with a person I’ve never met who’s writing a review of my novel. Almost immediately, he told me, You broke my heart. What was I to make of this? I never intended to break anyone’s heart, least of all through my writing.

But is the book broken-hearted? Of course. It’s adult fiction, about a woman and a family. Broken hearts are the way of the human world.

As I write this, my own two daughters are drawing at the kitchen table, the teenager unfolding practically before my eyes into her own young womanhood, the ten-year-old wearing her skis at the table, longing for the excitement of snow, ready to try her mettle. When they were little toddlers, I kept anticipating I’d figure out this mothering thing, that our life would settle down into some kind of pattern, maybe even get a little boring. But my children kept changing that. Oddly enough, the kids kept growing. It wasn’t enough to crawl; they had to walk, then definitely run. At one point, my older daughter surrounded herself with board books, kicking back on our scuffed pine floor with stuffed animals. Now, she read a fat C.S. Lewis grownup book this autumn, hard and philosophical.

All good writing (and I hope my book fits somewhere on that scale) is about loss, as loss is braided into our lives. Of course, I want my daughters to love, and love well, whom and what they love. And yet… I can’t help but wish, admiring these girls surreptitiously, learn from little pieces of loss, my darlings, know them truly and well, and be blessed with long and sweet life.

When we were children, we used to think that when we were grown-up we would no longer be vulnerable.  But to grow up is to accept vulnerability… To be alive is to be vulnerable.

— Madeline L’Engle, Walking On Water

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Hardwick, Vermont