Dazzling light.

Here’s the weird thing about this March: cabin fever is not a thing. March has always marked the time of year when snow and cold has piled unrelentingly on us for veritable months. Not so, this warm year. But climate change does squat for the dearth of light, and certainly nothing for the dissatisfaction that’s creeping into our social consciousness. I am a woman who craves the planetary might of blooming crocuses, the radiant headiness of a forest strewn with spring beauties, the serene hover of a bee tucked into a downy apple blossom. Patience, patience.

Walking home from the library, a sudden snowfall drenches my eyelashes.

On this early morning, poetry:

Strewn

It’d been a long winter, rags of snow hanging on; then, at the end

of April, an icy nor’easter, powerful as a hurricane. But now

I’ve landed on the coast of Maine, visiting a friend who lives

two blocks from the ocean, and I can’t believe my luck,

out this mild morning, race-walking along the strand.

Every dog within fifty miles is off-leash, running

for the sheer dopey joy of it. No one’s in the water,

but walkers and shellers leave their tracks on the hardpack.

The flat sand shines as if varnished in a painting. Underfoot,

strewn, are broken bits and pieces, deep indigo mussels, whorls

of whelk, chips of purple and white wampum, hinges of quahog,

fragments of sand dollars. Nothing whole, everything

broken, washed up here, stranded. The light pours down, a rinse

of lemon on a cold plate. All of us, broken, some way

or other. All of us dazzling in the brilliant slanting light.

— Barbara Crocker

Gifts.

Before I leave for the North Danville Library on Tuesday, I sit for a moment with my daughter at our kitchen table. She eats a quesadilla, and we talk about things that matter — who’s behaving in what way and why that might be. The rain has knocked off for a bit, and I drive the way I often knit, more by feel and memory than anything else.

At this time of year, the farm fields are their deepest green. Sunflowers appear in gardens and along houses, their yellow leaves weathered by cold nights. I passed the house where my former sister-in-law lived when her four children were little. In the backyard, we built a playhouse. Her oldest daughter slept in the upstairs bedroom, and milk trucks rumbled down the road in the very early mornings.

The Brainerd library is housed in a former schoolhouse. I parked and stood for a moment in the lot shared by the library and a church. Cows ambled in the field behind the parking lot. Across the street, children pushed each other in a swing hung in an enormous tree. I imagined these were a few after-dinner moments gleaned in the falling twilight before bedtime.

I had been generously invited to talk and read a little about my book Unstitched. Driving over, I remembered the two years I spent writing this book, much of these hours at my kitchen table. Writing a book can be such a long and lonely process. So these moments of connection and resonance, of meeting readers and other writers, are manna to my soul. The library was well-cared for and had a real sense of so much living that had happened in those walls.

Unstitched is about hard things — addiction and guilt, poverty and illness. But I left that night and drove back home along the roads that had no traffic with my heart full of happiness kindled by an evening of literature and discussion and homemade cookies in a beautiful library with kind people. At home, the stars sprinkled over the sky, and the night was still warm enough that I could pretend winter was not in the near offing. Inside, my daughter and I picked up our conversation where we had left off.

Quarantining

Every morning when I wake in the dark, I think, I’m not sick, a revelation that begins the day. Although I’m not headed out of the house, for any number of days, I’m up especially early these days, thinking of Salinger’s Zooey telling Franny not to fritter away the best part of the day, buddy.

It’s all jumbled up here, even more than the past year. I am so grateful my daughter isn’t sick, that she’s counting down her quarantine days not with pleasure, but with her trademark resolution, her will do, but I’m plotting my summer plans….

For me, it’s wait and watch, a negative test followed by another test, results in 36-72 hours. Over us hovers the thought: which way will this go?

I set up work on the kitchen table, then move to the back porch in the afternoon. My daughter disappears on a long walk through the woods. At the tail end of winter, we haven’t pulled any outdoor furniture from the barn yet, so I sweep the boards and lean against what remains of the railing broken by falling ice.

In the late afternoon, I’m painting the interior windows of my upstairs office when I see the town librarian walking up my road with two books she’s leaving for me. I holler down, Thank you! We talk for a moment through my screen, and then she’s on her way again.

Like the rest of the world, I keep listening to the trial in Minnesota. My daughter appears and leans in the doorway, watching me. I tell her I’m going to savor this quarantine with her, that we’ll be talking about it someday, years hence, when she has twins and a baby and I show up to change diapers.

That’s wonderful, she tells me, and you have paint on your elbow.

Thank you so much, my readers, for writing in. It means the world to me.

Kitchen office, complete with (working) cat and borrowed tortilla press.

Spiritual Crisis

Tanned and wearing overalls, a woman comes into my library and gathers a stack of library books for her children. For this moment, it’s just the two of us. She’s a woman who doesn’t usually check out books for herself, but she asks for a recommendation. I ask her what she wants — fiction or nonfiction? Something easy?

She pauses and then tells me, I need something good. I’m having a spiritual crisis. I’m turning forty and raising two kids and….

I add, And the world’s falling apart?

She laughs. Yes. That might be it.

I pull Maggie O’Farrell’s book off the shelf, and she doesn’t look at it, simply adds it to her pile while we keep talking. She’s a woman who seems, to me, to have been fortunate with finances, surrounded by family. We talk for a bit more, and then I offer that change is opportunity — painful as that might appear.

We step outside, take off our masks, and walk around the gardens, talking about cucumbers.

The things in life which don’t go to plan are usually more important, more formative, in the long run, than the things that do.

Maggie O’Farrell, I Am, I Am, I Am: Seventeen Brushes With Death

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Little Bits of Beauty

Taking out the trash from the library today, I stopped by the crabapple tree planted at the back school entrance no one uses anymore. My goodness! An utter profusion of beauty by the stinking compost!

On this warm day, in sleepy, quiet Woodbury, the first and second graders walked over for their final visit to the library this school year. I read only one book to them — Jim LaMarche’s The Raft — and remembered the summer I was 10, and my family camped for weeks in the west. I brought the book I discovered with great glee in my father’s very grownup shelves of Hume and Kant and Heidegger. What else but Huckleberry Finn, still one of my most favorite novels.

The children listened quietly this afternoon, checked out their books, and I walked back to the school with a girl who wouldn’t return next year, her arm around my waist.

It’s lovely to live on a raft. We had the sky, up there, all speckled with stars, and we used to lay on our backs and look up at them, and discuss about whether they was made, or only just happened…

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Sacred Spot

At library class yesterday, I’m in one of my places — like canoeing on Calais’s Number 10 Pond or Bandelier National Park in New Mexico — I’m (at least temporarily) where I’m supposed to be. Housed in the original Barre, Vermont, Spaulding High School, the building was constructed as schools once were — as places of community pride and beauty — with tin ceilings, ornate woodwork, and a view of the city below.

I love Vermont’s Department of Libraries because the staff is articulate and funny and clever — because they champion intellectual freedom in a time of increasing censorship and groupthink, because they’re adamant about the rights of children to have their own thoughts, and because they’re committed to librarians working together.

When they say We have your back, I trust that — and I’m not someone who easily trusts. No hard sell, no payment plan, no exchange of cash. Simply: this is the good mission we’re committed to, and we’re doing it.

Libraries were a solace in the Depression. They were warm and dry and useful and free; they provided a place for people to be together in a desolate time. You could feel prosperous at the library. There was so much there, such an abundance, when everything else felt scant and ravaged, and you could take any of it home for free. Or you could just sit at a reading table and take it all in.

— Susan Orlean, The Library Book

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Barre, Vermont