language

Private v. Public

/ Brett Ann Stanciu / 2 Comments

This morning, after driving through a surprisingly thick snowstorm, I found myself in a tiny room in the radio studio of WDEV in Waterbury. Hester Fuller, the host, had kindly read my book and interviewed me for a bit, then Gary Miller (author of the fine collection Museum of the Americas) came in, too, with Joe Citro on the phone line.

We were literally knee-to-knee in a tiny room, talking about the intimacy of writing. Writing is that curious mixture of intense privacy – literally, the stuff of our own experiences – spun into shared stories. John Steinbeck’s East of Eden wound into my life when I was fifteen, lodging deeply in my blood cells, its influence surfacing in my own writing. Over and over, I have hammered myself against Steinbeck’s anvil that insists on seizing human choice despite the chaotic happenstance of human life. How will I understand my life? The lives of those I dearly love?

Driving home in the dark tonight, I realized my character, Fern, understood her life like this: finding an abandoned sweater in a library’s free box, she washed and then unravelled the yarn, discarding what was ruined beyond repair, saving what she could. Then she knitted, by trial and error, a sweater patterned with trees and mountains and Lady Moon, creating a work of beauty – and practicality.

Only after a writer lets literature shape her can she perhaps shape literature. In working-class France, when an apprentice got hurt, or when he got tired, the experienced workers said, “It is the trade entering his body.” The art must enter the body, too.

– Annie Dillard, The Writing Life

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Burlington, Vermont, March 2016

Sisters

/ Brett Ann Stanciu / 1 Comment

This morning when my older daughter left with friends, the younger sister watched her drive away as sadly as if the sun and all its life had departed, leaving only me, a distant and chilly star. The younger child’s first word was “Ma” – not a Ma for mama, but for her sister, Molly. Molly’s first word was mama and only mama, but her younger sister began with Molly and has pretty much defined her world from the sun of her sister. As the Inuit may have a 100 words for snow, the child had a multitude of variations of her sister’s name.

Hence, me – her mother – the distant star, or maybe at least the moon sailing by.

As the younger child added words to her repertoire, her words had a curious -y at the end, like coldy. Gradually, I began to realize Molly so deeply suffused this child’s world that even her emerging language evolved out of her primal interest in her sister. The truth is, I’m glad to hold my moon position, steady with my own unwavering gravitational pull.

Of course my girls bicker; of course they argue; of course at times they quarrel over things I find hideously unimportant like bagels; but at one thing I can count on is that they’re always watching the other’s back.

You know full well as I do the value of sisters’ affections; there is nothing like it in this world.

– Charlotte Bronte

 

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Woodbury, Vermont

Gnomon

/ Brett Ann Stanciu / Leave a comment

When I was in high school, my father, sister, and I read Joyce’s short story, “The Sisters.” I was thinking of that story again today, in this kind of chilly and drab weather that intimates how I imagine Ireland. The opening paragraph is one of my most favorite in all literature. In the story’s opening lines are three words – paralysis, gnomon, simony – that are keys to understanding the story.

With my daughters today, we were talking about family, and patterns of behavior, and I began to wonder myself, What are the keys to understanding each of us? For one of my daughters, at the age of three, I would have used tricycle and rabbit as her own particular talisman; for my other child, the word sister.

We use language so easily, so freely, that we’re often careless with its power, misunderstanding and underestimating its capability, both for destruction and redemption – or as a key to see into deeper recesses of our inner lives.

THERE was no hope for him this time: it was the third stroke. Night after night I had passed the house (it was vacation time) and studied the lighted square of window: and night after night I had found it lighted in the same way, faintly and evenly. If he was dead, I thought, I would see the reflection of candles on the darkened blind for I knew that two candles must be set at the head of a corpse. He had often said to me: “I am not long for this world,” and I had thought his words idle. Now I knew they were true. Every night as I gazed up at the window I said softly to myself the word paralysis. It had always sounded strangely in my ears, like the word gnomon in the Euclid and the word simony in the Catechism. But now it sounded to me like the name of some maleficent and sinful being. It filled me with fear, and yet I longed to be nearer to it and to look upon its deadly work.

– James Joyce

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Photo by Molly S./North Bennington, Vermont