Jonathan Hale

House hunting with my enthusiastic contingent, us adults stood in a dim basement yesterday, so cold we kept swaying from one foot to the other, trying to stay warm. Outside, the children tromped in the snowy yard, warmer in the sunlight than we were in the house.

In the basement, someone discovered a wooden chute, carefully nailed shut from the cement floor to the under boards of the dining room above. Intently curious, my friend pried off a board, and I peered up through the darkness where I saw a gleam of daylight through an ornate floor grate.

What the heck?

It made no sense to any of us, running through our logical possibilities.

In the end, blowing on my hands, I said, But it must have made sense to whoever built it. Look at the labor.

Upstairs, the children were laughing and throwing snowballs at each other, busy in their own meaningful kids’ work.

Whether I buy the house or not, we’ve spent serious time already, running palms over pipes, fingering up loose linoleum, rapping on old plaster, getting to know just a few mysteries of this old house.

When the old way of seeing was displaced, a hollowness came into architecture. Our buildings show a constant effort to fill that void, to recapture that sense of life which was once to be found in any house or shed. Yet the sense of place is not to be recovered through any attitude, device, or style, but through the principles of pattern, spirit, and context.

Jonathan Hale, The Old Way of Seeing: How Architecture Lost Its Magic – and How to Get It Back

West Woodbury, Vermont

For years, I’ve been buying my daughters creemees in the summer and admiring a small, terribly neglected house across the road. With an exterior of stained glass windows and ornate eaves, I imagine the inside has extraordinary woodwork. Surrounded by too many power lines, lived in by a series of renters, the house appears unkempt and ill-loved, the modern world grown up around it.

As a writer, I’ve looked at innumerable houses, and this little house seems hard-pressed for a good future, too near the road as it is, too near a river that floods, too not wanted… and yet, I’d love to walk through these rooms. I’d love to know who once lived here. With that riverbed soil, I imagine someone tended a burgeoning garden.

The grammar of shape is innately understood. Unlike speech, it is visible in plants and animals everywhere. The intuitive design process gives access to that knowledge. You do not work at design, you play at it.

– Jonathan Hale, The Old Way of Seeing

Hardwick, Vermont

Stony Soil Vermont

Vermont Writing

Secret Chute

This Old House